Commercials for soft drinks often show that by drinking them, you’re likely to splash around in the water laughing with your attractive young friends or engage in some kind of impressive athletic pursuit at a very high level. Very rarely do they show visual representations of masturbation, use the phrase dry hump or generally “reveal the truth behind the facade and bravado of misspent youth” in a humorous fashion. But you get all that and much more in three new quasi-music videos for Sprite Europe that were made by JWT Denmark and Yukfoo’s Anders Schroder.
Author StopPress Team
Twitter’s ad platform works by targeting users with interest signals (such as who they follow), with its new feature for advertisers Twitter hopes to tap into what people are talking about.
It may never be the best Steve Jobs movie, but at least it’s the first.
Rural Press and Fairfax Media merged in late 2006 – giving Fairfax a considerable portfolio of rural and farming mastheads. The news company this week launched a new web portal to house this content called NZ Farmer, built inside of its venerable Stuff.co.nz system.
As part of its “Lounge of the Future” concept for Milan Design Week, Heineken recently debuted Ignite, a new, more interactive twist on the simple beer bottle that uses LEDs and wireless sensors to light up when bottles are clinked together, to flicker when taking a swig, or even to be remotely controlled.
Rhys Darby fights the good fight to protect Kiwis’ data and TSB ad shoots at an easy target – Aussie-owned banks.
Foodstuffs has signalled major changes to the way it procures packaging, telling store owners to stop selling veggies on meat trays and looking to eventually achieve 100 percent kerbside recyclable packaging for both produce and private label items.
Unilever’s Rexona brand has made pretty good use of its All Black sponsorship, from the earnest rituals spot for the Rugby World Cup to some friendly training banter and even a bit of French farce. But the latest work from Naked Communications Sydney is taking things a bit further and demanding some sweat.
TSB launched its historical epic over the weekend. And 2degrees and TBWA\ have followed suit, with Rhys Darby—AKA The Furious Fantail—facing up to a big telco-inspired beast and re-enacting a few scenes from the past to launch its new Carryover Data product.
The real and the online are increasingly mingling and the MetService and Y&R have tried to tap into that by constructing a rather novel billboard that looks like a web browser and was intended to be shared online.
The One Club, one of America’s most prestigious awards programmes, has chosen its finalists. Herewith the locals gunning for a pencil in the three separate competitions, with Colenso BBDO on top once again with seven nods.
Creativity and originality go together like peas in a pod. But Auckland designer Kate Cullinane’s thesis, a book called Sample Copy: An Exploration of the Role of Copying in Design, takes the stance that imitation is a part of the creative process. And it’s just won an international Art Directors Club Gold Cube award, as well as being named in the top three in the global Type Directors Club Awards for Typographic Excellence (the final rankings will be announced in July).
Rejoice, industry award cravers, because go has been pushed on the call for entries for the TVNZ-NZ Marketing Awards.
Lou Kuegler moves up the chain in Asia, Ngage Media finds a new head of sales, Icebreaker focuses on digital, Accentuate adds some academic rigour, Purple Sherbert announces a little addition, and Mi9 adds another.
None of the entrants for the March round of the Orca awards were deemed good enough to take the prize, but the judges handed out two merit certificates for two campaigns with very different alcohol messages for Crafty Beggars and the Health Promotion Agency (nee ALAC).
Convenience stores are often busy and cluttered, but new premium coffee and food brand Motto hopes to offer an oasis amongst the mad rush, with a splash of colour and a chirpy tone.
We’re suckers for Old Spice ads. So much so that the various campaigns by Wieden + Kennedy have almost removed the stigma of dadness surrounding the brand. Its most recent campaign, Mr Wolfdog, stuck the boot into marketing in completely absurd fashion, but the products remained at the centre. And the latest work for its new bar soaps do much the same, with some magnificent songs that poke fun at old school soap ads.
Melissa Fletcher goes it alone, Y&R adds a host of humans and Guy Kawasaki heads for New Zealand.
The Radio Industry Research Committee (which includes representatives from TRB, Mediaworks, and the Radio Network) has released its half yearly commercial radio listenership survey, which shows a year on year drop of 52,400 weekly listeners in the aged 10+ bracket.
Car salesmen get a pretty bad rap. All shiny shoes, sparkling teeth and snake oil. And Rav4 owners aren’t typically regarded as being too outrageous. But they’ve been painted in a new light in the new Toyota campaign by Saatchi & Saatchi and Thick as Thieves that aims to celebrate the inherently adventurous spirit in all Kiwis with a good, old-fashioned Goodbye Pork Pie-style road trip.
Despite the prevalence of high-tech devices, slot-car sets still retain their almost retro allure and TBWA\ and Match Photography took seven hours to construct a rather large track in a living room for ANZ’s latest print ad, as this behind-the-scenes clip shows.
DraftFCB and Mini are on a bit of a roll at the moment, with SPCA’s Driving Dogs winning pretty much everything in sight (it has been shortlisted four times at the prestigious Festival of Media, second only behind ASOS’ best night ever with five). And the pair are victorious once more, with the ‘Ducks’ ad taking out News Works’ newspaper ad of the month for March and the Mini newspaper NIM campaign getting a special mention.
As the recovery mission for the submerged plane thought to be holding the bodies of Eric and Kathy Hertz kicks into gear, tributes are flowing for the 2degrees chief executive—and plans have been put in place by the company to continue his mobile mission.
The MA announces its board members, Andrew Reinholds gets the Cannes call-up, Hauraki adds a couple of comedians, Impact PR shacks up with House of Travel, Kiwi expat Tom Markham heads to New York, and Prodigy signs Samuel Bennetts.
Partridge Jewellers knows all about the power of magazines and, as a premium brand, it’s a medium that suits it perfectly. In recent years, the print work by Assignment Group has added some glamour by featuring a range of local starlets, including Antonia Prebble, Ruby Higgins and, most recently Gin Wigmore. And, after the success of Wigmore’s first slightly surprising appearance as the face of its new Halo Collection, the tattooed songstress is back for more.
The print industry has had its fair share of grim news recently, with Geon Group going into receivership and Blue Star’s horror accounts. But Image Centre Group has some good news to share after it acquired creative services business DPod, making it New Zealand’s biggest digital printer.
OK Go – possibly the world’s most creative band – is offering filmmakers free access to its brand new track I’m Not Through from its upcoming fourth album. Why? Well, as part of the OK Go Saatchi & Saatchi Music Video Challenge 2013 in partnership with global creative platform Talenthouse and music video curators BUG, the band is inviting creatives to make a video for the song, with the chance to go to Cannes Lions and more.
Flying Fish has signed up to co-produce Orphans & Kingdoms, a feature film from Paolo Rotondo (writer/director) and Fraser Brown (producer) that’s scheduled to shoot in June this year.
Naked Communications New Zealand is closing its Auckland offices, a move it says is necessary to better service its business in Sydney and Melbourne. And after four years at the helm, managing partner Matt O’Sullivan is creating a new agency.
There’s gold in them thar hills and the rural sector is still the undoubted engine of the New Zealand economy, but agricultural clients aren’t generally regarded as being particularly creatively rewarding for the shiny arsed agency folk and the vast majority of campaigns for rural products tend to stick to a tried, true and fairly bland formula. So Special Group has tried to add some humour to the mix with its ‘Prevention is better than cure’ campaign for Zoetis’ Teat Seal that shows what farmers could be doing instead of dealing to mastitis.