Browsing: Ogilvy
The credentials phase for the Vodafone pitch is over and, just like Tourism New Zealand, it seems the potential suitors have been whittled down to four: Ogilvy, DraftFCB, .99 and Affinity ID/Federation.
…as Les Mills International announces two key staff changes, Ogilvy signs up Ellison, the NBR announces a new admedia reporter, two new in the nzherald.co.nz crew and D&AD chooses its chiefs.
…as the Ogilvy juggernaut keeps rolling, SparkPHD hires an ‘Irish media maven’, The Radio Network’s long-serving chief exec gets set to step down, Fluxx welcomes the co-founder of the Beige Brigade, Naked nabs a new comms planner, International Rescue adds five newbies to the flock, Media Design School tastes glory in Los Angeles, Lily & Louis wins a couple of accounts, ActionActors takes to the stage and Mark Hanson sets up a new kind of PR agency.
More like a film launch than a traditional ad campaign, Kiwibank’s cheeky new EasySwitch campaign, which encourages consumers to switch banks via an interactive YouTube channel called ‘Green Ops’ that looks and feels like a first-person POV-style game, has taken out the Colmar Brunton Ad Impact Award for August.
In the extremely competitive grocery game, market share is king. And a minor change equates to millions of dollars in gained or lost revenue. Progressive Enterprises, which operates 158 Countdown, Foodtown and Woolworths supermarkets around the country, had been losing share to its main rival Foodstuffs since 2007. So something had to be done. And to do it, it had to take some big risks and break an age old grocery paradigm.
When it comes to out-of-home, size matters. And New Zealand hasn’t seen anything too much bigger than the 23 metre wide and 54 metre high wrap that’s been stuck on to the Tower Building in Auckland.
Rarely has a client portfolio switched back and forth like this one. After announcing only in March this year it was moving its portfolio from JWT to Ogilvy following a competitive pitch between the two agencies, Pharmacybrands has performed another switch. In a move based on recent strategic shifts combined with an internal review, the company has announced it’s reverting back to JWT.
Who’s it for: Sky by DDB and Prodigy
Why we like it: On first viewing, it seems like just another over earnest rugby ad. Turns out it’s one of the funniest instalments of the Match Fit series so far. Taking rugby advertising cliches and poking some …
Six categories down and it’s slim pickings for the Kiwis at Cannes, with Colenso BBDO flying solo and picking up its third bronze lion for the Multiple Sclerosis Waikato campaign in the Outdoor category. This adds to the bronzes it won in the promo and activation and direct categories for Westpac Impulse saver and the Pedigree ‘Doppelganger’ adoption drive.
Who’s it for: Coca-Cola by Hugh Mitton
Why we like it: Coca-Cola recently ran a worldwide crowdsourcing contest on the eYeka co-creation platform and asked participants to create an illustration, photograph or video of the brand to depict ‘energizing refreshment’. The contest saw over 2,600 entries …
Who’s it for: Foundation of Youth Development by Ogilvy, Robber’s Dog and the kids from FYD
Why we like it: It stands up on its own as a great TV ad, but it also has a cool backstory, because the kids who feature in it are …
As the old biblical adage goes, there’s nothing new under the sun, which means that cynical industry brows are usually furrowed when anyone claims to have come up with a world-first. Well, Ogilvy has laughed in the face of potential ridicule and claimed it’s done just that with a new TVC for the Foundation of Youth Development (FYD), which shows young people involved in the foundation’s programmes making a television ad about themselves.
There’s been plenty of heated discussion about the new Z brand that’s being rolled out in New Zealand at the moment. Now BP has joined the petrol party with a big new brand out of Ogilvy NZ.
There were rumours of a few hearty celebrations at Ogilvy yesterday and while nothing has been able to be confirmed, it seems the frivolity is on the back of news that it has, in line with most predictions, retained the big Auckland Council account, beating out Colenso BBDO/.99 and DDB. Standby for an update.
Who’s it for: Speight’s by Shine and Curious Film.
Why we like it: Inept, high-maintenance and presumably well-moisturised city-slickers head to the hills for some toughening up. And who better to whip them into shape and enhance their gradually decreasing manliness than a strong, silent, Speight …
Fresh from winning the big Auckland promotional pitch for the Rugby World Cup, Ogilvy is crowing again, after it picked up the expanded portfolio of Pharmacybrands following a competitive pitch between incumbents Ogilvy and JWT.
According to the rumour mill’s grapevine, Ogilvy has won a three-way pitch for the Rugby World Cup campaign briefed by the Auckland Council’s economic development and tourism body, ATEED, beating out Saatchi & Saatchi and Colenso .99.
December was a disappointing month in the world of newspaper advertising, with nothing deemed good enough to tickle the fancy of the NAB Ad of the Month award judges. But things have improved in the first month of 2011, with Ogilvy taking out January honours with its long-copy ad for youth mentoring scheme Brothersinarms.
Ogilvy NZ liked Bullet PR’s online nous and Bullet PR liked Ogilvy’s technical cred, so they’ve joined forces under the unified (yet slightly ungainly) banner of Ogilvy 360˚Digital Influence.
Greg Whitham, the creative director and newly appointed head of Ogilvy Interactive, has been the elected chair of the CAANZ Digital Leadership Group (DLG), replacing the outgoing chair Tony Gardner.
The entire PlaceMakers advertising business has gone up for pitch and while no-one will confirm who’s in the running, Ogilvy’s managing director Greg Partington says it certainly won’t be his agency, which has had the account since 2008.
After a period of relative silence on the self-promotional front, Ogilvy has been making up for lost time recently and trumpeting a host of its new work. And the latest addition is a new, characteristically quirky summer campaign for L&P that aims to appeal to young Kiwi malingerers.
The myth of the subliminal message in advertising is a long-standing one. But Ogilvy and All Good Bananas haven’t given up on that marketing dream and have employed the services of some cool instore technology called ‘Audio Spotlight’ to impart a message about fair trade and environmentally friendly bananas directly into the ears—and brains—of unsuspecting Kiwi shoppers.
It started with a kiss, it led to an unexpected addition to the family and it’s ended with a massive new campaign for Countdown. So, meet the Colemans, the newest soap operatic addition to New Zealand’s advertising landscape.
The shock tactics directed at young drivers on TV don’t seem to have the desired effect anymore. So Ogilvy instead decided to use shock tactics with a hoax ad and a fake but fairly intense phone message to try and drive home the point that fast cars can be deadly.
Everyone loves passing judgment on new TVCs. Almost as much as they seem to love passing judgment on new logos. So here’s a massive selection of the newest/best Kiwi commercials we’ve seen recently, including the continuation of Wilson’s journey and some nice work for National Bank, Purina One, Jim Beam, Apex rentals and Kapiti ice cream.
It’s a day filled with Tonys. First Bradbourne, now Gardner, the new general manager of Ogilvy Wellington. He’s replacing Fraser Holland, who has returned to Hawke’s Bay “for lifestyle reasons”.
Damon O'Leary: in front of a wall
Basil Christensen, the art directing half of Ogilvy’s creative team, has decided to retire from advertising (for a while, at least) and move to the South of France, which means his long-time creative partner Damon O’Leary will be on his own as Ogilvy’s executive creative director.
Ogilvy has won the August edition of the NAB’s Newspaper Ad of the Month award for its Auckland Zoo press ad, which used a bit of heavenly humour to commemorate the one year anniversary of Kashin the elephant’s death.