
Matt Bale, self-proclaimed media junkie, digital zealot, part-time fictional gangster and general manager at OMD Wellington, has confirmed he will be leaving the agency in September to take on “new challenges, etc.”
Matt Bale, self-proclaimed media junkie, digital zealot, part-time fictional gangster and general manager at OMD Wellington, has confirmed he will be leaving the agency in September to take on “new challenges, etc.”
Twelve days, three countries, several stomach bugs, one sand-burned foot, sweaty pits and an encounter with Indian riot police aren’t events you’d usually associate with a TVC about New Zealand’s dairy industry. But the new spot for Dairy NZ, which chronicles the epic journey of an agrarian Kiwi warrior riding his trusty steed around the world, included all these things. And plenty more by the sounds of it.
In this edition of Michael Carney’s Marketing Week: How marketers in restricted categories can use social media and still meet their regulatory obligations The Consumer Guarantees Act gets a spruce up as it gets with the digital auction programme Google TV: another paradigm shift? The fibre optic cult: does the investment actually pay dividends? Digital goes legit at the Brainy Breakfast
Who it’s for: Sanitarium Up & Go by Ogilvy.
Why we like it: Like farts, double rainbows and men getting hit in the groin, that slurping noise you get near the end of a drink will never stop being funny, especially when it involves the All Blacks. Good …
Dave Walker, TVNZ’s well-regarded head of advertising sales, has resigned and will effectively be replaced by new sales and marketing boss Paul Maher.
If you were reading the papers over the weekend, you may have noticed a few column inches were devoted to illustrating how well the publication in front of you had done in the latest Nielsen Readership Survey. Whether the readership changes were statistically significant or not doesn’t seem to matter, because every quarter you can guarantee the big players will be focusing on the silver linings in the print media cloud.
Members of the marcomms fraternity will be descending on Auckland’s Rendezvous Hotel next month for the Annual Association of New Zealand Advertisers (ANZA) Speakers Summit. And the focus of this year’s event will be on consumer engagement and communication effectiveness in a fast-changing world.
Kiwi charity Sustainable Coastlines has revealed its latest Adshel campaign. And it’s intended to shock Kiwis into thinking about the unexpected places our rubbish could end up.
It’s all about the people. Hey, look, here are a few who have just got fancy new jobs.
Of course, the main reason for holidays is to inspire jealousy, so family, friends and, if you’re feeling so inclined, your arch enemies, can now be sent a personalised greeting card at the push of a few buttons thanks to the launch of Send a Card for iPhone by New Zealand Post.
I do a lot of those ‘standing up the front, waving my arms around with slide presentation’ things. People are generally quite nice and give you a little clap at the end and then you get cheese and wine. It’s all very pleasant. However, my sensibilities were a little bit shaken the other day when a well-meaning smug suit stood up at the end of my presentation, addressed the audience and said: “Everything Courtney said is just a suggestion. There’s no best way really.” How very post-modern. And undermining. Punk.
Banner ads are often criticised for being boring, cheesy, annoying, intrusive or a combination of all four. David McGregor, writing in Idealog, went as far as calling online promotional activity “the Great Pacific Garbage Patch of the advertising business”. But Orcon, Special Group, Exposure and Salt Interactive have joined forces to show that very good things can happen when the utility of the digital space is combined with the ideas of agency land.
The magazine industry will be feeling somewhat chuffed and maybe a little relieved because, despite predictions to the contrary, in many cases magazine readership and circulation have grown over the last year, according to Nielsen’s year on year comparative results.
In this edition of Wammo Pound and Mash, Mr Pound chats about the work of Cindy Gallop, advertising genius turned charitable mistress, on www.makelovenotporn.com and www.ifwerantheworld.com.
The wide-rimmed black glasses are being buffed, the new trainers that actually look old are being purchased and the designy/markety/techy fanboy tingles are increasing rapidly in the lead up to next week’s design wet dream they call Semi-Permanent. And the generous folk behind it (check out the interview with main brain Anna Cameron on Design Daily here) have handed us one of their precious golden tickets to give away. God we’re good to you.
A veritable smorgasbord of Kiwi magazine industry hot shots have been roped in to impose their harsh judgements for the inaugural New Zealand edition of The Maggies, the popular UK award show that’s been shipped down to the southern hemisphere to honour the year’s best magazine covers.
Subjects were canvassed, numbers were crunched and insights that have guided strategy and communications were delivered. And the research companies that have followed this path and impacted on the fortunes of their clients have been recognised with the announcement of the finalists for the Market Research Effectiveness Awards.
Hey, look, it’s almost Fathers’ Day, which means a host of companies will soon start guilting consumers into buying socks, booze and other trinkets in order to show their patriarchal love. And nothing says fatherly love like Chivas Regal, some of which you can win if you’re cool and entertaining enough.
Pizza and horror movies have always gone pretty well together. And while there have been plenty of classic zombie flicks over the years, not one of them has featured pizza in the movie itself. Hell Pizza and Christchurch-based filmmakers Little Sister Films decided to change that by creating Deliver Me to Hell, supposedly the world’s first ‘pick a path’ interactive Zombie movie and now a mid-level YouTube sensation.
There’s been plenty of talk around the industry traps recently about both the commoditisation of media and the apparent fragmentation of big clients’ business. A lot of it seems to be just that: talk. But not when it comes to the country’s biggest company, Fonterra, which has split up its media business, giving Naked Communications the communications, strategy and channel planning work and leaving OMD with the media buying.
There will undoubtedly be a few bottles of Montana (or is that Brancott Estate?) consumed in the TBWA\ towers in the coming months after it disrupted Pernod Ricard New Zealand into handing over its business. And, once again, TBWA\ will be working closely with Mitchell Communication Group on the account, which won the media business from ZenithOptimedia.
That inconsequential stuff the ads are placed around on the telly (aka programming) has been acknowledged once again, with finalists for 41 sections across three categories—news and current affairs, general television and documentary—announced in this year’s Qantas Film and Television Awards.
On this edition of Ads@6, ANZ receives plaudits for the gratuitous use of a meercat; Women’s Weekly puts its ladies on display; State’s ‘My 3 Things’ puts a few favourite things in boxes; the Audi spot makes design/tech nerds (and possibly even captains of industry) go weak at the knees; Orcon opens up multiple windows; Telecom attempts to lure the punters to its Backing Black scheme; and Fantastic noodles embraces Engrish.
After snatching the Westpac account from Saatchi and releasing a couple of rather well-received campaigns recently, Colenso is on a bit of a roll at the moment. And, as is often the way when the going is good, the hires have followed, with Daniel Wright set to join as digital creative director at the end of the month and Margot Chandler appointed as Clemenger Group’s ‘people development director’ in a newly developed human resources role.
After losing the Flight Centre business recently, Total Media, which is part of the Omnicom Group, has decided a restructure is in order, so there’s no room for the Auckland general manager position, a position which was held by Jason Rutherford for the last eight months.
Group chief executive …
Barnes, Catmur & Friends has just released a new Benjamin Button-esque billboard campaign for Okuma (it’s Kiwi for fishing, don’t you know). And it involves some pretty classic, quintessentially swarthy young/old seadogs. Ah, don’t they grow up and get tattoos and have facial hair and start smoking pipes and reeling in those big ones so fast these days.
This country’s diminutive stature has, according to legend, made us the perfect testing ground for technology firsts. And while it seems we always have to wait before we get our delivery of the newest gadgets, there have been a host of cool techie developments of late, from sandwich ordering to iPad apps, and crowdsourced language studies to dancing digital cows.
Usually our bragging is completely unfounded and based entirely on lies. But not this time: Nielsen has shown that StopPress is still at the top of the table when it comes to the percentage of visitors who have used a mobile phone to access the internet for the month of July. And, by extension, it would seem that you tech-savvy information hounds obviously have your hands on the lentils/fingers on the pulse when it comes to mobile usage.
The first phase of the search for Christchurch’s top retailers has just drawn to a close, with entries for the Top Shop awards up 11 percent on the 2008 edition.
New technology has meant that consumers are engaging with media in ways that George Jetson would be proud of. Of course, given the feverish enthusiasm for the iPad, there’s already quite a bit of interesting data about it and while the consumers love it, publishers are also rightly excited about the revenue—and creative—possibilities offered by the new medium. So who’s buying two of Apple’s most popular devices, the iPad and the iPhone? Nielsen surveyed more than 64,000 mobile subscribers in the US to find out.