Clemenger BBDO’s Simon Wharton and James Burton have taken the August ORCA off DraftFCB for their NZTA ‘GPS vs.’ campaign, which reminds us that “when you’re focused on the phone, you’re not focused on the road”.
You can stop arguing over the office radio now: internet radio service iHeartRadio has finally gone into open beta in New Zealand.
The marcomms sector is renowned more for its competitiveness than its collegiality. But it’s nice to see The Radio Network’s ZM can still appreciate MediaWorks’ George FM.
Former Fairfax Media New Zealand executive editor Paul Thompson has been head-hunted by Radio New Zealand, now leading the public broadcaster as its chief executive and editor-in-chief.
T-shirts are blank canvases best left that way – this is the idea behind DraftFCB duo Freddie Coltart and Matt Williams’ radio campaign for AS Colour Apparel, which has won the May round of the new ORCA award year.
It’s certainly not the best of times for mainstream beer, with volumes generally decreasing due to changing tastes and the proliferation of other booze options. But there are still strong loyalties to certain drops. And Lion’s Waikato Draught and Hamilton agency King St have devised a regional outdoor and radio campaign to tap into that.
MediaWorks has signed a two year strategic partnership with the organisers of one of New Zealand’s iconic summer music festivals, Rhythm and Vines.
DraftFCB’s had an impressive run on the awards circuit this year, winning plenty of metal at D&AD, Clio, New York Festivals, Axis and a few others. And it’s added to the cabinet after Kelly Lovelock and Hywel James were awarded the Grande ORCA for their cunning Prime TV ‘Call Girl’ promotion.
The Radio Network (TRN) has tapped Yahoo New Zealand general manager (soon to be ex-general manager) Laura Maxwell-Hansen as its new commercial director.
The Radio Network’s (TRN) ZM music station has relaunched its iPhone app, giving it some much needed TLC and polish.
The Radio Industry Research Committee (which includes representatives from TRB, Mediaworks, and the Radio Network) has released its half yearly commercial radio listenership survey, which shows a year on year drop of 52,400 weekly listeners in the aged 10+ bracket.
It may be semantics to some, but the difference between ‘easy listening’ and ‘take it easy’ means a world of difference for media brands like The Breeze.
Cheerfully depressing BNZ Kiwisaver ads tells it like it is, making you ponder the outlook of your retirement years.
Radio revenue saw an upswing in January and February, with a year-on-year growth of 6.5 percent across the market according to the Radio Broadcasters Association (RBA).
It hasn’t been a particularly good month for old broadcasters and, following on from the death of Sir Paul Holmes, radio stalwart Kevin Black passed away last night at the age of 69 from a suspected heart attack.
Radio Hauraki is in the midst of an existential crisis. And, after rather forthrightly saying it had been pretty shit for the past few years and that it had to kill that station to save it, The Radio Network brand has come out of rehab with a new line-up (Martin Devlin and Laura McGoldrick, Angelina Boyd, Greg Prebble, Matt Heath and The General and Mikey Havoc) and a new campaign at the hands of Saatchi & Saatchi. And, as part of its ‘intervention’, legendary turntablist and Beastie Boys DJ, Mix Master Mike is venturing to New Zealand to celebrate the official relaunch.
NZGirl’s Regretgasm campaign pushed all the right buttons, winning the December / January Outstanding Radio Creative Award (ORCA) from The Radio Bureau.
Public radio broadcaster tops the charts for second year running.
MediaWorks confims it has axed Dotcom’s ads, but won’t say why. Dotcom uses sad-face emoticon to describe his feelings at the moment.
“For the past few years, Radio Hauraki has been shit.” So says a very frank and rather Back of the Y-esque video clip involving petrol, a lighter and some hearty appliance violence. But with a new look, a new breakfast pairing and a new campaign via Saatchi & Saatchi, the Radio Network claims “things are changing” for the rock station in 2013.
Following up from a win in August for Consumer NZ, Ogilvy Wellington duo Nigel Richardson and Steve Cooper have taken the November ORCA with their ‘Silly Season’ ad for Consumer NZ.
The best moment of my life was undoubtedly winning the meat pack at a friend’s wedding, closely followed by the time when three loyalty cards came due on the same day. So it was pleasing to learn that an ad celebrating sexy meat for Pak ‘n’ Save’s Meat Week has won DraftFCB the October ORCA.
Video hasn’t killed the radio star and, seemingly, neither will digital. In fact, not only has Kiwi radio maintained its share of all advertising, it now has more commercial listeners than at any time in the previous decade. But that doesn’t mean radio’s resting on its analogue laurels, as evidenced by the announcement from the Australian Radio Network (ARN) and subsidiary The Radio Network (TRN), a joint venture between APN News & Media and Clear Channel International, that popular all-in-one digital radio network iHeartRadio is coming down under.
When Special Group came up with The Gravity Coffee Run, they thought well beyond the parameters of the 30-second spot and drummed up a fully integrated, made-for-radio promotional campaign using the talents of More FM and one unsuspecting intern. And the ORCA judges loved it, naming it the winner for September.
Radio listeners across the country have once again taken pen to paper to log their listening patterns as part of Research International’s Radio Audience Measurement Survey. And the latest results show that audience levels have remained much the same when compared with the same period last year, with MediaWorks radio claiming its first ever most listened to network title.
The primary sector has played a massive role in propping up the New Zealand economy during this recessionary period and while farmers might not be tucking quite as much cash under their mattresses as they have been in recent years, they’re still very lucrative targets, as evidenced by the massive number of companies greasing up to them at Fieldays. And now Nielsen has released results of its inaugural Nielsen Rural Survey to show how they can best be reached.
Two winning campaigns from the same agency fold this month, with Ogilvy Wellington’s Nigel Richardson & Steve Cooper scaring the bejesus out of the judges—James Mok and Regan Grafton from DraftFCB, Phil Yule from Voicebox and Kate Humphries from Media Design School—with their Consumer NZ campaign ‘Appliance Nightmares’ and Adam Barnes & James O’Sullivan taking the merit for their KFC ‘Facebook/Double Down’ campaign, which was written at Ogilvy just before they popped over to join DDB.
If the last two rounds of the ORCAs are anything to go by, making the move from one agency to another bodes well for an ORCA win. Last month Clemenger BBDO’s Jon Pickersgill and Sarah Jackson picked up an ORCA just before they headed across the ditch to Sapient Nitro in Brisbane, and the July round has been won by Matt Williams and Freddie Coltart for a campaign they created just before they left Ogilvy for Draft FCB.
Last year’s PwC New Zealand entertainment and media outlook said conservatism needed to be shed if media businesses wanted to make hay in the rapidly changing modern era. And, according to the second edition, what previously looked like a wide gap between old and new operating models is now being bridged and the New Zealand market is finally starting to embrace the new ways in which punters consume content, with revenues in the sector growing four percent to $5.2 billion in 2011, PwC tipping an average of five percent percent growth throughout the 2012-2016 forecast period, and mobility seen as the biggest driving force of change.
There’s nothing like leaving on a high note and Clemenger BBDO’s Jon Pickersgill and Sarah Jackson have done exactly that because, just before they jet off across the ditch for new creative adventures at Sapient Nitro in Brisbane, they scooped the June ORCA with their back to front/front to back anti-drug-driving campaign for the NZTA.