You might have noticed that digital is not an ‘other’ anymore. And while a number of the larger agencies have been operating separate digital factions for some time, many of them now appear to be moving digital back to the centre of the agency offering. TBWA\ recently brought Ross Howard in as creative director of Tequila to sit beside executive creative director Andy Blood, Saatchi & Saatchi closed its digital outfit SaatchiDGS this year, and DDB is the latest to head in this digi-direction after merging its direct arm Rapp and its digital arm Tribal DDB, into one, Popeye-esque arm they’re calling Rapp/Tribal.
Browsing: DDB
Who’s it for: The Women’s Refuge 2010 appeal by Saatchi & Saatchi Wellington.
Why we like it: Powerful, tense and beautifully made. And the treading on eggshells metaphor (as well as that chilling hand on the armchair shot) really gets across how psychologically damaging it can be …
The judges had their opportunity to judge harshly at Adshel’s Creative Challenge a few nights ago and, while it was a pretty tight race, they eventually decided that the thought behind Publicis Mojo’s campaign was the best (read all about the one hour-long pressure cooker creative escapade here). But what would the stupid judges know? See if you agree with their decisions and impose your own judgements on these, the top three entries.
Obviously the Adfest judges aren’t offended by the sight of horses in the throes of passion quite as much as some members of the New Zealand public, because, slightly ironically, DDB NZ took home one of the top awards, the Grande 360 Lotus, at the Asia Pacific advertising festival for a Moro campaign that celebrated the joy of coming fourth.
The strife in Thailand had its wicked way with Adfest, the Asia Pacific advertising awards. But the dates were changed a few times and, instead of the usual Thai beach resort location, it was decided the big name judges would converge on Tokyo this week to make their decisions. And it’s fairly slim pickings on the finalist front for Kiwi agencies.
DDB NZ has added three new team members to its creative department, but it’s still on the hunt for a creative director to replace Adam Kanzer, who left in mid May. And Clemenger BBDO is in a similar position, with former creative director Paul Nagy yet to be replaced and a new managing director still to be found to replace Lesley Brown, who departed about 18 months ago to have a baby and chose not to come back.
For the second year in a row, DDB walked away with a cool $10,000 after the Sky Arts Channel Mark Rothco spot took out the Newspaper Ad of the Year prize last week (this Throaties spot won the 2009 edition). And the highlight of the night—aside, of course, from the big grand finale announcement, the delectable nibbles and the burly guard who was keeping watch over the silver briefcase on the table that was filled with $10,000 cash—had to be the Q+A video with Chuck Porter, the convenor of judges at this year’s event and co-founder of award-hogging US ad agency Crispin Porter + Bogusky.
The riches keep rolling in for DDB’s Sky TV Arts Channel campaign, after the Mark Rothko print ad, one of a series of newspaper advertisements promoting subscriptions to the channel, was awarded the Newspaper Advertisement of the Year for 09/10.
Colenso BBDO will be hoping that the 10-man Cannes Lions jury will perform a feat of advertising alchemy and turn their ‘Yellow Chocolate’ campaign for Yellow Pages into a Titanium Lion after it was named on the Titanium and Integrated Lions Shortlist at the 2010 Cannes Lions Advertising Festival.
Colenso BBDO’s award-winning work for the New Zealand Book Council has been shortlisted in the Film and Film Craft categories at the 2010 Cannes Lions Advertising Festival. Clearly not content to rest on their laurels, or indeed these other laurels here, Colenso has been shortlisted in the Sound Design and Animation sections of the Film Craft Category, whilst also making the cut in the Public Awareness Messages section of the Film Category.
DDB and Liquid Studios hit it for six at Cannes last night, taking home six Cannes Lions from six finalist placings for their Arts Channel radio campaign for Sky Television. And Yellow has yet again turned to gold for Colenso.
The finalist announcements have been made for the Press, Outdoor, Media and Radio categories at Cannes. And the Kiwis have continued their good run.
The 57th Annual Cannes Lions International Advertising Festival is underway with the announcement of the first three shortlists in the Direct Lions, Promo & Activation Lions and PR Lions categories. And, in keeping with the theme de jour (that’s French, don’t you know), the Kiwi contingent are off to a flying start, with 13 campaigns making the grade. Choosing another similar long skinny country as a random point of comparison, Italy has nine campaigns shortlisted in the same categories.
Winston Reid is currently New Zealand’s favourite son. And, following DDB’s recent print ad, Dr Peter Richmond from the John Street Family Health Centre is probably a close second.
Who it’s for: New Zealand Lotteries/Instant Kiwi by DDB NZ, Good Oil and Images and Sound
Why we like it: Exploding old people, mediocre dancing, a moonwalking cameo from Mexi-Doug, the funny dolphin noise, huge amounts of unbridled joy and the promotion of gambling makes for …
This newsy concoction is light and frothy on the nose, with undercurrents of naivete, overcurrents of aniseed, cassis and forest floor and aftercurrents of squash changing room. Can be served either brucewarm or lukewarm.
There are a few things we simply can’t abide here at StopPress: intolerance for other nations, the Dutch and using the power of song to express your emotions. So, you can imagine our horror when we laid eyes and ears on the new TVC for Australia’s new tourism push, ‘There’s Nothing Like Australia’.
The One Show and One Show Interactive pencil winners have been announced. And, unusually, despite nabbing nine nominations, Kiwi agencies have come away with a big fat donut and a few merit certificates.
DDB has been a bit of an arrivals and departures hall recently: Justin Mowday and Aimee McCammonn are soon to join and creative director Adam Kanzer and retail creative director Kim Ellison are soon to leave, with both of their resignations coming in the same week. And, if the old axiom is correct and bad news does indeed come in threes, DDB’s executive creative director Toby Talbot says he’s bracing himself just in case.
Who they’re for: SKY TV by DDB and Automatic films.
Why we like it: Only the coldest, darkest and most bitter of hearts would be unable to find some black comedy joy in SKY TV’s ‘Happy Place’ campaign. And these two new offerings, while …
The advertising Lazy Susan continues to spin. And there’s been another big switcheroo: Justin Mowday has swapped his managing director cap at DraftFCB for a snazzy new one at DDB.
There have been a plethora of announcements about finalists and nomination lists for international advertising awards in the last few days. And just a select few Kiwi agencies have garnered accolades and praise for their handiwork.
Another day, another dollar, another story, another story after that, and then a few more stories to finish. Who said story-telling is dead.
Today is Noise Awareness Day so, in an effort to draw attention to the perils of ‘loudocity’, DDB has created a nifty campaign for the National Foundation for the Deaf that aims to alert Kiwis to some of the DIY tools that could cause permanent damage.
DDB’s brand TVC relaunch campaign for ANZ empathises with everyday New Zealanders and aims to demonstrate the bank “lives in their world”. Awww, those caring banks. The ads were shot by local director Adam Stevens from Robbers Dog and were filmed in and around Auckland (check out …
Who it’s for: Pascall Pineapple Lumps by DDB
Why we like it: Stereotypes are always right. They’re also great time savers. And there are plenty on offer in this entertaining and moderately self-deprecating OE themed number. According to research and contrary to popular perceptions, adults actually …
The first phase of Australia’s new brand positioning was revealed yesterday and there’s no sign of any bikini-clad Bingles or shrimps on barbies.
In strange things for sale on TradeMe news, committed Mexi-Dougophiles can bid to get their hands on the authentic and presumably extremely valuable Mexi-Doug Instant Kiwi costume, with the proceeds from the auction going towards WWF’s Earth Hour.
Why we like it: As Mother always said, put some animated needlework in your ads (or your songs) and you’re bound to win the TVC of the week prize on StopPress. And the artisanship on display in this quirky, handmade and awfully time-consuming little number that was …