
Day two was a good one from a New Zealand perspective. And Day 3 wasn’t too bad either, with one silver, a few bronzes and plenty of shortlistings.
Day two was a good one from a New Zealand perspective. And Day 3 wasn’t too bad either, with one silver, a few bronzes and plenty of shortlistings.
The first winners have been announced, and there are a few Kiwi agencies in the money, with DDB NZ winning a prestigious Creative Effectiveness Lion for Steinlager’s ‘Believe’, DraftFCB NZ picking up seven lions so far for Driving Dogs and Call Girl and Colenso BBDO winning gold for Amnesty International’s Trial by Timeline. Plus: more Kiwi agencies on shortlists.
60 years ago there were 130 delegates at the first year of the Cannes Lions and no entries from New Zealand). This year it’s estimated there will be 12,000 attendees and, if last year is anything to go by, a few Kiwi winners. And to celebrate the evolution of the world’s pre-eminent marcomms festival, Sapient Nitro created this infographic.
There were a record 35,765 entries from 92 countries for the 60th Cannes Lions. Of course, we’re small-minded and patriotic so we’re focusing on the Kiwi contenders and here are the seven agencies in the running after the first shortlists for Creative Effectiveness, PR, Promo & Activation and Direct were announced.
Claudia Macdonald, managing director of Mango and founding member of the CAANZ Marcomms Leadership Group, was the first New Zealander to be a juror for the Cannes PR Lions in June. Here she reflects on the experience and what she learnt.
he means of distribution might be changing, but there’s still no better way to convey emotion and tell stories than with video content, whether it be a traditional TVC, a short film or an interactive music video. So herewith, all the gold winners from the film and film craft categories at Cannes.
New Zealand finished off its Cannes run with a few more nods over the weekend, with Special Group and Colenso BBDO adding two gongs each to bring the total local haul for the Festival of Creativity to 21, an improvement on last year’s paltry six lions but still not quite back up to the record 25 lions in 2010.
No local acts made the shortlist for the design lions, not even Alt Group’s well-received Auckland Art gallery identity, but a rightful grand prix winner emerged: Serviceplan Munich for its solar powered report for Austria Solar. The two local radio shortlistings—Saatchi & Saatchi for Tui’s ‘Father’s day Morse Code’ and BCG2 for Jesters pies—didn’t have anything to write home about, with Brazilian agency Talent Sao Paolo taking top prize for its ‘repellent radio’ work for Go Outside, which saw a high frequency broadcast essentially turn a radio into a mosquito repellent.
Digital shop R/GA won the grand prix in the Cyber Lions for Nike+ FuelBand along with Volontaire Stockholm for Curators of Sweden. And Colenso BBDO took silver for Mountain Dew Skate Pinball in food and drinks.
Colenso BBDO’s ‘The Wine is over’ campaign for DB Export Dry has already taken a few local awards, including the most recent Glossie, and it was the only Kiwi winner at the Press Lions at Cannes last night, with ‘The Wine List‘ winning a silver for best copywriting.
Kiwi agencies have added to the Cannes Lions haul, with two silvers and two bronzes in Media. Clemenger BBDO/OMD Wellington picked up two silvers, one for Dulux ‘What’s your Dulux colour of New Zealand‘ in best use of integrated media and the other for Tranz Scenic ‘See more of New Zealand by train’ in best use of print. Saatchi & Saatchi NZ/AIM Proximity Wellington/Starcom took bronze for Toyota FJ Cruiser ‘Top to Bottom‘ in best use of social media marketing, as did Colenso BBDO for Monteith’s ‘Sorry about the twigs, folks’ in FMCG.
Slowly but surely New Zealand’s Cannes tally continues to rise with the announcement of the Outdoor category winners. Eight Kiwi entries made the shortlist of 588, with three taking home awards. First hat tip goes to Colenso BBDO for taking out New Zealand’s only Gold in the category, awarded for its ‘Sorry about the Twigs’, folks‘ campaign for Monteith’s Crushed Cider, adding to the gold, silver and bronze the campaign picked up in the Promo & Activation category. The agency’s ‘Skate Pinball’ campaign for Mountain Dew also nabbed a Bronze Lion.
The first awards show has taken place at the Cannes Festival of Creativity, with the Direct, Promo & Activation and PR category winners announced. And Colenso BBDO is off to a good start, winning a gold for Pedigree ‘Donation glasses’ Adoption Drive and a gold, silver and bronze for Monteith’s ‘Sorry about the twigs, folks’ in the Promo & Activation category and a bronze Direct Lion for its ‘The Wine That Sold Beer’ campaign for DB Breweries. DDB scored bronze for Steinlager’s ‘We Believe’ in Promo & Activation. There were no New Zealand entries awarded in the PR Lions.
As we delve further into the depths of winter and you busy yourself with avoiding the rain and eliminating unsightly goosebumps and chapped skin, we warn you the following story includes references to lucky bastards lapping up the Summer sun in the South of France. The 59th Cannes International Festival of Creativity kicked off Sunday evening (local time) and the first two shortlists (which are actually very long ) have been released, revealing seven New Zealand finalists, a number of which have also received finalist nods in multiple sub-categories.
Sadly, after the annual week of Gallic hedonism and chinstrokery, it’s back to old clothes and porridge for the global advertising community because the Cannes Lions finished up on Sunday with the awarding of the Film, Film Craft, Creative Effectiveness and Titanium and Integrated Lions Awards. Here’s a round-up of all the winners from these and the special awards.
It’s the summer festival season in the south of France, with the Cannes Lions International Festival of Creativity coming hot on the heels of the Cannes Film Festival and the Formula One Grand Prix just up the coast at Monte Carlo. But the French Riviera isn’t just a micro-climate in meteorological terms. Its status as a playground of the rich and famous inevitably means it has a degree of insulation to the economic weathering that plagues more industrialised regions.
The organisers of the 58th Cannes Lions International Festival of Creativity, which kicks off on June 19, just couldn’t wait until the start date before handing out the first accolade, so they’ve given IKEA the prestigious Advertiser of the Year Award for distinguishing itself through inspiring innovative marketing of its products and embracing creative work.
An entry that seamlessly blends two curious elements together—Amish culture and Calvin Klein undies—has won the 2011 Fairfax Media Young Print Lions competition, beating out 26 other entries. Called ‘Reach the Unreachable’ the print ad is the clever work of young’uns Pip Perkins and Jennie Ko from DDB Group NZ.
The Cannes Lions International Festival of Creativity organisers have announced the line-up that will serve as the bringers of judgment to the worldwide celebration of influence and creativity. And seven talented chaps from the local biz have been chosen to head along to the Côte d’Azur, up from a mere six last year.
Hey, creative types, it’s the last week to enter the Axis awards. And, to ramp up the excitement (and patriotism), the Axis gang, with new convenor of judges Tony Bradbourne at the helm, has released the results of an extremely scientifically robust study that shows New Zealand is the most creative country in the world.
We reported on the unofficial results that placed New Zealand ninth best country overall soon after the big leonine haul at Cannes this year, and the just-released official report has confirmed our position in the top ten—and not per head of population, either, just flat out ninth most creative country in the world based on the awards Kiwi agencies won at the prestigious advertising event.
While the anatomy of TVC and online advertising mediums has been much discussed, a direct comparison of advertiser value is more elusive. But with so much video now consumed online (and online content consumed via TV and other screens) and more advertisers placing TVCs there, directly comparing the value of each medium comes into question. So, which one offers the best bang for buck? And how does one go about comparing value?
After every Olympic Games, New Zealand’s obsession with medal tables and country rankings becomes apparent as we do a few sums, take comfort in our per capita performance and repeatedly utter the phrase ‘punching above our weight’. But in the advertising world, if results from the Cannes Lions are anything to go by, New Zealand doesn’t even need to rely on per capita results, because the 25 Lions won by Kiwi agencies, which was up from 23 in 2009, meant we were again near the top of the pile in terms of total awards won.
In this week’s installment, Monsieur Pound wonders whether recycled ads in this year’s Cannes Lions are an indication of declining creativity, immoral agencies or unobservant organisers. And he also looks at the similarities between Good Health magazine’s viral video and a similar Volkswagen experiment conducted in Sweden.
This week the big news is all about the Cannes International Advertising Festival. So here are a few of the Lion winning campaigns you might not have seen. The big theme this year seems to be finding a way for technology and participation to come together for brand nirvana—and if it’s for a good cause well, gold.
With a record haul of Lions under his (and his company’s) belt after this year’s Cannes accolades were dished out, Colenso BBDO executive creative director, handyman of the land and Titanium and Integrated Lions juror Nick Worthington is sitting pretty. And in this clip, he’s also sitting with Our Maan in Cannes in a loud French restaurant.
Our Maan in Cannes gets up close – and personal – with Chris Schofield, creative director at DraftFCB and one of just six Kiwis to be chosen for jury duty at the Cannes International Advertising Festival, to find out about his Cannes experience. He was judging the Radio Lions and, interestingly, while DDB NZ managed to take home a gaggle of Lions for its Sky TV Arts Channel campaign, this category was the only one to go ‘Grand Prix-less’.
Colenso BBDO will be hoping that the 10-man Cannes Lions jury will perform a feat of advertising alchemy and turn their ‘Yellow Chocolate’ campaign for Yellow Pages into a Titanium Lion after it was named on the Titanium and Integrated Lions Shortlist at the 2010 Cannes Lions Advertising Festival.
Our maan in Cannes caught up with Barry Williamson, media director of Mediaedge:CIA over a seriously expensive breakfast at the salubrious Carlton Intercontinental Hotel.
Niche creativity, consumer empowerment via social media – and, therefore, engagement measures – and the innovative uses of media hardware are the themes dominating Cannes Lions this year.