As mobile phone technology has improved, there have been quite a few films and ads (like Bentley and Apple) made on them. But Land Rover and Y&R New York have taken it a step further recently with its 5 x 5 film project.
Self-service is common in supermarkets, petrol stations and at buffet restaurants, but not so much when it comes to producing content marketing pieces for publishing on a major website. And yet, this is exactly what Yahoo has been facilitating to certain selected clients over the last few months through the beta version of new native ad in-feed platform that it has recently made available to the wider market.
Far gone are the days where we got to the best point in our television show only to hear “cccsssshhhh” and see our screens produce an unnerving display of black and white fuzz as we frantically wrestled our bunny ear aerials into the most awkward and weird positions to get the picture back (only to have missed the best part). Luckily this hasn’t been a problem for a while, and our options for viewing television are always getting better, and today Freeview announced the launch of its new digital TV platform, FreeviewPlus, which allows Kiwis with the right technology to access on-demand video on new smart televisions.
For this year’s edition of the Semi-Permanent speakers’ event, Young & Shand has developed a slightly depressing campaign that looks at how over-worked creatives in the ad industry are. Showing scenes of the late-night activity going on in the offices of Saatchi & Saatchi, DDB, FCB and Colenso BBDO, the promotional video encourages creatives to remember to nurture their tired brains.
We are living in a millennial world. And Contagion’s Dean Taylor says their collective power is changing the way we do business. Here’s why.
Wellington-based craft beer brewery Garage Project has grown from humble beginnings since Pete Gillespie, brother Ian Gillespie and Jos Ruffel started out in 2011 using a 500 litre “glorified home brew kit” to moving to a 2000 litre tank and say a large part of their success is not just the quality of the beer, but also its unique branding approach, hiring different artists to design the labels for individual beers. The brewery has also been a frontrunner in the canning of its craft beer, much to the scepticism of some. But it has worked. Demand is strong, and over 140 beers later, a slew of awards and a team that’s grown from three to about twenty, it’s showing no signs of slowing down yet.
Using the premise that small, seemingly insignificant moments carry enormous gravitas when viewed in retrospect, the Danish Road Safety Council attempts to illustrate how a simple breath of air pushed out of your lungs could make a massive difference.
Last night, at an event hosted at the Pullman Hotel, CAANZ kicked off this partnership by introducing two new courses to the local market: The IPA Effectiveness Test and the IPA Commercial Certificate (CAANZ also plans to release a third paper focused on search marketing before the end of the year).
StopPress lifts a glass to DB Export, the Co-operative Bank and Q Card this week.
To promote the undeniably impressive feat of turning beer byproducts into biofuel, DB Export has released a series of TVCs that make the bold claim that this move could literally save the entire world—as well as the dolphins and pandas that inhabit it.
First there was a snappy saltwater crocodile named Brian and now The Co-operative Bank has unleashed another wild animal through Y&R, Jeff the snake in its latest TVC as part of a running campaign ‘It’s in their nature’ which urges people to make the switch to its service.
Industry happenings at DNA, Facebook, Adshel, Orange Productions, MediaWorks, Vanilla Brief, BTL and Maori TV.
With its haul of 16 gongs (one gold, six silver and nine bronze), Colenso BBDO was the standout Kiwi performer at the Cannes Lions International Festival of Creativity. The agency’s chief executive Nick Garrett was on the ground in the South of France and he recently got in touch to share his thoughts on the proceedings. And while he was pleased with the tally that Colenso accumulated over the course of the event, he says that the general consensus among attendees was that this was far from being a vintage edition of the awards event.
AA Smartfuel and Air New Zealand were the recipients of Colmar Brunton Ad Impact awards for March and April respectively. Air New Zealand doing so through its TVC promoting its retrospective exhibition at Te Papa in celebration of its 75-year history, and AA for its loyalty card offer illustrated through the eyes of a charming taxi driver.
Q Card has launched a new campaign via Federation that tells the story of campervan through a montage of nostalgic shots that show the vehicle being handed down from one generation to the next.
Whittaker’s has done it again, releasing a new limited edition flavour-fusion with Tip Top’s Jelly Tip, but perhaps New Zealanders are feeling a bit exhausted by its attempts at innovation, as many have flocked to Twitter to suggest some of their own ideas for a new kind of chocolate, somehow we don’t think Whittaker’s will be so keen.
The fifth and final awards ceremony for the 62nd Cannes Lions International Festival of Creativity 2015 concluded in the weekend with Clemenger BBDO and Cirkus Auckland taking home a gold and a bronze.
While you’d be hard-pressed to find an advertising creative openly disappointed at winning a gold, silver or even bronze Lion at the Cannes Lions International Festival of Creativity, the grand prix awards are the ones that they all want. These elusive gongs are perhaps the most coveted perhaps in any advertising competition around the world, and winners over the preceding decades now stand as a veritable advertising canon, giving modern creatives the opportunity to take their place alongside the greats who came before. And as the festival’s days roll on, 2015’s generation of grand prix winners will simultaneously take their positions in the canon as they walk onto the stage at the Palais des Festivals et des Congrès in Cannes to collect their awards. Here is the list of Cannes Grand Prix winners thus far. This post will be updated throughout the week.
Kiwi-born Mark D’Arcy, the chief creative officer at Facebook, has spent the last week in Cannes attending a series of meetings with the advertising community that has converged at the French Riviera. As a veritable Facebook evangelist, his objective has been to encourage creatives to continue experimenting with the platform to see how far it can be pushed.
State Insurance, famous for its eye-catching and dramatised advertisements has drawn influence from the comic-book realm for a new TVC which promotes its online services with the help of Colenso BBDO and FINCH.
The average lifespan of a company on the S&P 500 has decreased from 67 years in the 1920s to 15 years today, and technology is the main reason for that change. Not surprisingly, the big consulting firms have been helping companies deal with this for a while now, but PwC has officially launched its new digital consulting arm, PwC Digital, in New Zealand and it went with a couple of indies—Sugar & Partners and MBM—to help do it.
Our weekly wrap of good things, strange things, funny things and other things from inside the intertubes.
DDB Paris went dark for this commercial, introducing a poor type-casted actor who over the course of his career is “The Man who Died the Most” in movies, for a commercial about organ donation.
Craft beer drinkers can be a fairly precious bunch. If it doesn’t have a weird name and hints of passionfruit or coffee or goat meat, it’s basically not worth drinking. But one man is hoping to solve the problem of tasteless beer forever.
Earlier this week, NZME announced it would not be renewing its contract with Pagemasters and that it would be taking its sub-editing requirements for The New Zealand Herald titles and regional papers in-house, bringing an end to a partnership that stretches back to 2007.
To keep their show in the public consciousness before its return to television, Jono and Ben have reached out to their Facebook fans to choose the show’s new motto. Suggestions have been pouring in on their page with a good mixture of the hilarious, the sweet and the outright offensive. They also asked some school children what they think should be featured on the show, their answers are priceless. PLUS: fellow MediaWorks comedian Dai Henwood adds L’Oreal Paris to his list of endorsers.
Ogilvy & Mather has been appointed the lead agency for the trans-Tasman account for Sealord, following a period of working with the brand on a project basis. And to coincide with this announcement, the brand has now released a new brand platform called ‘Savour the little wins’.
Electronic and dance music station MediaWorks-owned George FM has released a shiny new TVC in conjunction with its roll out as a national network.
In the past, much of the emphasis at advertising awards events has been placed on television advertising on account of the fact that this has traditionally been the area that attracts the biggest chunk of ad spend. But as more money shifts to the digital, the categories that have a digital element are attracting more attention. One such area is the cyber Lions category, which encompasses branded online, digital, and technological communications.
Social@Ogilvy has been “reinvigorated” with Mike Watkins now heading up the agency and Oliver Maisey jumping on board as executive creative director.