NZME recently helped to raise in excess of $300,000 for children caught up in the Syrian strife through World Vision’s ‘Forgotten Millions’ campaign, which was fronted by journalist Rachel Smalley. And now, the company is turning its attention to another good cause by using all its available channels to raise funds for the RSA in the lead up to the centennial anniversary of Anzac Day.

The frisson of live musical events is what makes them so appealling, both for musicians and fans. And while video games aren’t likely to replace that sensation, the latest iteration of Guitar Hero is offering a dose of reality by allowing gamers to play in front of live crowds.

For many years, one of the primary tourism marketing strategies has been to pay for high-profile humans to come visit. Generally, that’s been in the form of travel writers. But as social media democratises publishing and individuals gain huge audiences through various social channels, that’s changing quickly. Tourism New Zealand has been embracing this for a while now (as has Contiki, which recently announced local YouTube star Jamie Curry would join its fourth roadtrip) and Tourism Wanaka got in on the act recently with its first official #instameet last weekend.

Yup, it’s that time of year again (already?), when FOMO-suffering tech lovers get all wound up about another new gadget. And this time it’s Samsung’s turn, with the Samsung Galaxy S6 and the Samsung Galaxy S6 Edge released in New Zealand over the weekend. Here’s how Samsung and the main telcos are ensuring the upgrades continue. PLUS: the environmental perils of obsolescence and the idea of modular phones.

Nielsen data from 2014 shows interest in cycling is increasing across all our major cities, with Christchurch showing the highest interest relative to its population size at 32 percent (since 2010 Auckland’s interest in cycling has increased the most, at seven percent to 29 percent). This is leading to a few tense discussions about safety and appropriate infrastructure to inspire more of it. But Spark has decided to tap into that interest and, in another slightly surprising marketing initiative that it says aligns with its ‘Never Stop Starting’ tagline, has announced it will be helping to launch a public bike share scheme in Christchurch in June.

Through its ongoing ‘Easy As’ campaign, Mitre 10 has shown that the Kiwi appetite for DIY extends beyond home renovation TV shows. In September 2013, the first phase of the intiative, which consisted of 27 clips, reached one million YouTube views. But general manager of marketing Dave Elliott says that this is only small part of what underpins the company’s digital strategy.

With driverless cars seemingly written in the automotive stars, those who get a thrill out of controlling their own vehicle might soon be forced to do it in private, rather than in public. And VW has riffed on the joy of driving with a great spot about a man with a very unusual dilemma.

Lightbox has released two new TVCs by creative agency Consortium and production company Kontent in a continuation of its campaign, which has been rolling out since March with the aim of drawing attention to some of the SVOD provider’s more popular shows. But the Spark-owned SVOD service is by no means the only player in the market eager to get viewers’ attention, as Netflix, Quickflix and Neon also running campaigns that showcase their respective shows.

Extreme close-ups can cause everyday items to look virtually unrecognisable as the characterising details are magnified under the photographer’s lens. And this serves as a reminder that though these tiny details might not be immediately apparent to the naked eye it doesn’t mean that they don’t exist. So, in an effort to draw attention to the design details that went into the new Kia Sorento, Work Communications has launched a new spot that gives viewers a close-up look at the various sections of the vehicle’s bodywork.

Yesterday, Sky was again reminded of how intense and instantaneous online outrage can be when advertisers don’t deliver on what’s promised. In this case, the promise involved simulcast streaming of the new season of Game of Thrones at the same time as viewers located in the United States. Sadly, as 1pm rolled in, the stream failed and the online fury ignited. And while it wasn’t difficult to find scathing comments about Sky’s streaming mishap, it was quite entertaining to see Slingshot engage in a bit of corporate banter.

According to a story in Digiday, The Onion makes 90 percent of its ad revenue through content creation, with a number of big brands looking to infuse a dash of the site’s humour into their commercial messages. And this series for Honda about an unassuming office worker who is convinced by a stuffed wolf to pack in his job, buy a motorbike and ride the road “righting wrongs and making wrongs right” is one of our favourites.

In 2012, Dave Schiff started ad agency Made in a coffee shop in Boulder, Colorado with two friends. They had no money, no clients and no idea how to run a business. Just three years later Made has more than 40 employees with a client list including a host of internationally recognised brands. And this week, Schiff is in Auckland to speak at Project15 on modern disruption and cause-based advertising.

Advertising veterans George Logothetis and Graham Clifford took part in a bit of blasphemous product placement over Easter, with their Product Placement Bible. The result is a humorous (or not so humorous depending on the individual) website which imagines scripture sponsored by some of the world’s top brands.

Our weekly wrap of good things, strange things, funny things and other things from inside the intertubes.

Netflix has finally arrived on New Zealand’s shores, and naturally one of our first responses is to parody the service in true Kiwi fashion, with the help of Taika Waititi.

Tim Murphy, the editor-in-chief of the NZ Herald has decided to step down after a 30 years with the publication. This announcement brings an end to Murphy’s three-year stint in the role that he took on after serving as an NZ Herald editor for ten years.

There are currently only 29,000 rhinos left in the wild, and this number continues to reduce every year as poachers continue killing these magnificent herbivores for their horns. And given that the conservation efforts are failing to stop this from happening, tourists on safaris often take advantage of what is becoming a quickly diminishing opportunity to take snapshots of the animals in their natural habitat. However, the problem with this is that smartphones often geo-tag images, giving poachers pinpoint coordinates to the the rhinos they so desperately covet.

ANZ has teamed up with the RSA to launch an online campaign that gives Kiwis the opportunity to publicly honour the heroes who were part of the troops that landed at Gallipoli on 25 April 1915. Hosted online on a microsite dubbed called Shadow Battalion, the campaign allows visitors to select a hero and then provide a reason for remembering this person.

Recent market research has forecast the economic impact of drone technology in the USA alone to be $82 billion dollars by 2025 and it’s predicted that 80 percent of the commercial market for Unmanned Aerial Vehicles (UAV) will eventually be for agricultural uses. Given our reliance on that sector, and our history of agricultural innovation, New Zealand stands to benefit from this development. But Callaghan Innovation is also hoping to drive its use in the film and screen industry through an innovation competition.

The rapidly growing ‘better burger’ segment has brought joy to the mouths of many New Zealanders—and some concern to the cheaper, more quotidian fast food incumbents (in a classic case of if you can’t beat them, join them, McDonald’s is attempting to ride the premium train with some new ‘create your own’ options). Burger Burger has quickly become one of Auckland’s favourite posh burger establishments since Mimi Gilmour, she of Mexico fame, launched it last year and Motion Sickness Studio (MSS) has helped make that happen.