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This post was created by one of the small but mighty StopPress team of journalists. Among their number are: Zahra Shahtahmasebi, Niko Kloeten, Penny Murray and Rachel Tsai. Send your news to [email protected].

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Ghost cars
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There was a lot of excitement when Google launched its prototype driverless car recently. But, as this impressive stunt for Hyundai shows, we already seem to have the technology.

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Fighting with film
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Satire is an important part of democracy, although judging by his various legal challenges, Colin Craig obviously doesn’t agree. And @nintendoug, “an angry man with a computer”, has given New Zealand a wonderful satirical gift in the form of Neetflux, which gives the right (and the media) a bit of a nudge with a series of fake movie posters.

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CAANZ and .99 aim to show ‘invisible trolls’ that the proof is in the Effies pudding
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The trade blogs are renowned for snarky, often anonymous comments that call into question the motivations for campaigns or their claimed success. But as part of it drive to get more entries for the upcoming Effie awards, CAANZ and .99 are aiming to show that, due to the focus on real-life results rather than the shiny, new and enticing, a trophy in this awards programme will go a long way to silencing those critics.

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Y&R scores Wellington Sevens account
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While the problems at troubled retailer Postie Plus, which is currently searching for a buyer, are causing a few headaches for Y&R at present, it’s continued its winning ways elsewhere after being appointed as the creative lead for the 2015 Sevens Wellington campaign following a competitive tender process involving five Wellington agencies.

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Mercury Energy puts FCB in charge of its media, creative, digital and direct business
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Mercury Energy has confirmed via a release that it has selected FCB as its integrated partner across media, creative, digital and direct. In May, when StopPress first reported on the Mercury Energy pitch, it was thought several agencies—including FCB, DDB-owned RAPP, Contagion and Chemistry Interaction—were simply vying for the energy company’s direct business, but this announcement confirms that FCB’s win includes both above- and below-the-line aspects.

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iHeartRadio hits 200,000 subscribers; Mike Lane chats about turning popularity into profitability
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Last week, iHeartRadio broke the 200,000-subscriber threshold and this certainly isn’t bad going given that it was only launched in August 2013. Since hitting the Kiwi market, the online radio platform has been used to stream over 10 million hours of content, and it has proved particularly popular among young listeners, with 38 percent of the audience aged under 25. Given the success of the online listening platform, we decided it was time to pick the brain of Mike Lane, TRN’s head of branding engagement.

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Ogilvy & Mather continues its run with Ad of the Month award, News Works brings digital ads into the mix
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Following on from its win of the Agency League, Ogilvy & Mather have taken another Newspaper Ad of the Month award with its WWF Maui’s Dolphin ad, with the judges—Andrew Davidson, Big Communications; Brad Stratton, Barnes, Catmur & Friends; and Phil Hickes, Saatchi & Saatchi—all agreeing it was a “good idea that packed a punch, with art direction that won’t get lost”. Plus: News Works’ announces a few changes.

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Air New Zealand and Diaries Downunder tempt snow lovers with synchronised, Euro-style routine
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Snow in May never stays. Snow in June still too soon. Snow in July, it will lie. That old adage seems to have been true this year, and the snow lovers are getting their wish this week with some big dumps around the country. So Air New Zealand, Host Sydney and content creators Diaries Downunder have decided to celebrate the welcome arrival of the white stuff with a spot of synchronised snow sliding on Isobel Glacier. Plus: Tourism New Zealand’s snow-related efforts to tempt the Aussies.

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The robot threat to our jobs
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The Associated Press recently revealed that it would be automating its business reporting through a series of algorithms that compose 150- to 300-word stories in lieu of actual humans. Powered by technology developed by a company called Automated Insights, these algorithms pull data from readily available statistics and are already used by the New York Times for its wedding announcements and by Forbes for its earning reports previews. According to Mashable, the technology resulted in 300 million automated stories last year, a number that’s higher than that produced by all the major media companies combined. And in 2014, they’re setting the bar even higher by aiming to produce over a billion stories.

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Dashboards and dancefloors
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To launch the new Mini Hatch in New Zealand, Goodbye Pork Pie got an upgrade courtesy of DDB and director Matt Murphy. And in Australia, it tried to impress the cool, creative kids by creating a unique Mini-inspired interactive dancefloor.

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A tale of two creatures
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Like many media organisations, we get sent a range of commercial detritus to draw attention to various launches or promotions, many of which seem like they help to keep the overseas crap factories ticking over. And in the past couple of days we’ve been sent two very different animal-related products, one celebrating continued survival, the other warning of impending death.

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Please do stop the music
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When you come up with a good YouTube idea, it can go absolutely mad, as evidenced by the likes of Epic Rap Battles of History (which, strangely, took an ad in the recent Wired magazine), Bad Lip Reading, Will it Blend, Epic Meal Time and Honest Trailers. And there might be another one to add to the list: the very entertaining Musicless Musicvideo.

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A hirsute history
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Monteith’s and Colenso BBDO showed us beer through the years in one of its recent campaigns. And Gillette is showing us hair through the years to promote its new male body razor, “our first razor built for male terrain”.

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Changing history: Newcastle goes back in time for Independence Day celebrations—UPDATED
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July 4 is a day where Americans wave flags, set off fireworks and marvel at their immense power. Plenty of brands jump on that bandwagon and tap into this intense patriotism, but renowned cheeky bastards and advocates of ‘No Bollocks’ Newcastle Brown Ale have decided to go the other way and, with the help of Stephen Merchant, Elizabeth Hurley and Zachary Quinto, show everyone how much better America would be if the Brits had won.

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Techno parenting
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As a story on Sunday recently showed, there’s a big debate about the role of screens in kids’ lives and whether they’re helping or hindering development. But Apple is looking at it in a different way, with its latest ad showing how the iPhone can help parents assist with child-rearing, whether it’s keeping tabs, finding the dog, teaching them maths or controlling the lights.

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Who are the floppiest footballers of them all?
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The Football World Cup has made for some bloody good, exciting viewing. But in New Zealand, where playing rugby with a broken rib, a ruptured scrotum or a severe brain injury is practically demanded of our international players, many Kiwis seem to find all the rolling around in largely faux agony hard to swallow. Thankfully, The Wall St Journal has conducted an exhaustive study of the first 32 games to find the winners of the “first ever international soccer injury-embellishment awards”.

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Impropitious bits
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While wandering down the main street of Whakatane recently, we couldn’t help but notice this gift shop mascot and his unfortunate hand placement. And that got our immature minds thinking about other unintentional genitalia.

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Wells channels his inner Hosking
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Mike Hosking is one of the country’s most popular broadcasters, and he’s renowned for his strongly voiced opinions on Newstalk ZB and Seven Sharp, where many believe his introduction as host along with Toni Street has been the catalyst for improving ratings this year. But not everyone agrees with his sometimes controversial views, with one Facebook commenter saying he’s a “bitter middle aged men with too much money and power”. So Jeremy Wells, breakfast co-host of Newstalk ZB’s sister station Radio Hauraki, has riffed on Hosking’s love of ranting with a series of brilliant impressions.

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