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Earlier this week, DraftFCB announced it would be handing the Westfield baton on for ‘commercial reasons’. And a few days later it’s announced something of a replacement, as it has been appointed as the full service advertising agency for Paper Plus Group after a competitive pitch process that was thought to have involved the late Publicis Mojo, Hotfoot and the incumbent Hyde, which relaunched the brand back in late 2011.
Nothing can stop Kiwis from shopping for bargains, especially not when everyone takes their mobile phones on holiday it seems.
The modern world is quick to jump on PR fails, and they certainly make for good fodder in an age of rampant sharing on social media. But in an effort to get people to appreciate the complexity of PR issues, Wellington PR agency BlacklandPR has created a list of what it deemed the most difficult PR challeges of 2012. And the merging of Christchurch schools took top spot.
“For the past few years, Radio Hauraki has been shit.” So says a very frank and rather Back of the Y-esque video clip involving petrol, a lighter and some hearty appliance violence. But with a new look, a new breakfast pairing and a new campaign via Saatchi & Saatchi, the Radio Network claims “things are changing” for the rock station in 2013.
The ham has run out, the afternoon naps are no more and the working masses are now mostly staring forlornly at their screens once again. Here are some of the moves and shakes that occurred before, during and after the Great New Zealand Slow Down, including new things for Guy Cousins, Renee Parsons, Kenny Yeon, Starseed PR, Bullseye, Senate, Mi9, and DB Breweries.
The YoungGuns awards aim to recognise the world’s best advertising and communications industry talent under the age of 30 and, after becoming the only agency in the world to win the YoungGuns agency of the year twice in 2001 and 2008, Colenso BBDO was named as the most awarded agency of the decade by the organisation in 2010. And it’s obviously no fluke, because it’s also been awarded the 2012 agency of the year prize after winning four bullets in total—one gold, two silvers and a bronze—with Contagion the only other Kiwi agency to take home a prize after winning bronze.
First it was Droga5, and now, in the classic ‘Christmas dump’, where bad news is saved up for when everyone’s focusing on some well-earned festive cheer, it was announced yesterday that Publicis Mojo’s time in New Zealand is also up. It will be replaced by a new agency called Joy in the new year.
What’s more Christmassy than an inappropriate pash at the office party? Or a deep ham and alcohol coma? Or the disappointed look on your greedy kids’ faces when they don’t get what they want? A festively-themed, avian-heavy dollop of digital show-offery, says the gang from audio-recognition app Pluk. So Pluk the video and see what happens.
The tenth year of Auckland indie Big Communications has been another solid one, with new clients like Motorcorp, Barfoot & Thompson, ATEED and The Langham, and more good stuff as part of the long-running Vero campaign. Managing director Ant Salmon goes long.
When it comes to mergers, it doesn’t get much bigger than ANZ shutting the stable door on the National Bank. Everyone knew it was coming eventually, but having to say goodbye to the much-loved stallion still came as a shock to many. And from the relatively smooth IT switchover (thought to be the biggest IT project this century in New Zealand) to the roll-out of the different phases of communications, most would agree they did a pretty bloody good job of it. Matthew Pickering, head of retail marketing, pipes up.
Five Kiwi apps have floated above the rest in Apple’s pick of this year’s best in the New Zealand App Store.
2012 was a comeback year for the Whybin\TBWA Group after something of an annus horribilis in 2011. It put Middle-earth into New Zealand, oversaw the biggest thing in banking with the surprisingly smooth National Bank/ANZ fusion, launched the Digital Arts Network by merging Shift and Tequila\, and its PR arm Eleven won a couple of PR agency of year awards. So chief executive David Walden, who sold a few shares and began the hunt for a successor, ended the year a pretty happy chappy.
While MediaWorks’ ownership and debt issues continued to bubble away this year, there were plenty of positives for those working at the coalface, including Four’s media brand of the year award and a very successful first run of The Block. Liz Fraser, who moved from MSN and chair of the IAB to take up the role of director of sales and marketing at Mediaworks TV, has her say.
With a new office in Amsterdam, a host of awards, some massive international clients, a few stroke-inducing side projects and a cause-based cat telethon to promote internet freedom, Resn has further cemented its well-earned reputation as one of the world’s best—and most experimental—digital agencies in 2012. Kris Hermansson and Steve Le Marquand log on.
Tourism New Zealand and Whybin\TBWA’s 100% Middle-earth, 100% Pure New Zealand campaign has been the subject of much discussion recently, plenty of it based around the perceived gap between the fantasy of the slogan and the reality of the country’s environmental situation. But after some negative media coverage, it’s put one in the plus column by winning the World’s Leading Destination Marketing Campaign in the World Travel Awards 2012.
New Zealanders really enjoy a catchy tune mixed with a bit of schadenfreude, a fact demonstrated by the most searched for ad on Google this year.
After saying goodbye to BNZ, ‘recalibrating’ the agency and adding a couple of ex-Ogilvy chaps to its creative arsenal, Sugar&Partners had plenty to contend with this year. But it took it in its stride and released some quality campaigns for TAB, new challenger telco Flip and, slightly controversially given its similarity to a popular cat video, Mammoth Insulation. Dave Nash and Damon O’Leary sum up their 2012.
Creative ideas increasingly need to be media ideas—and specifically social media ideas. And OMD recognised this earlier this year by hiring social strategist, self-proclaimed ‘askhole’, opinionated mofo, treasure hunt lover and enthusiastic supporter of the Herne Bay Local Anthony Gardiner. So get these opinions down ‘ya gullet.
Following up from a win in August for Consumer NZ, Ogilvy Wellington duo Nigel Richardson and Steve Cooper have taken the November ORCA with their ‘Silly Season’ ad for Consumer NZ.
Once again, online advertising continued its steady rise in New Zealand in 2012, hitting its high water mark in the last quarter. And as the head of Yahoo! New Zealand (which recently launched its year-in-the-making new homepage and mobile site) and the new chair of the local Internet Advertising Bureau, Laura Maxwell-Hansen is well placed to see where it’s heading next. Here’s her take on 2012.
Dow Design is on a mission to prove the commercial value of good design. And with a win in the TVNZ-NZ Marketing Awards for Fonterra, a finalist in the new Best Effect Award for Hellers, a number of big redesigns for big FMCG brands, it seems to be doing a good job of it. Founder Annie Dow and business development director Jenny McMillan speak their piece.
‘Twas a big year for Barnes, Catmur & Friends, with plenty of success and international attention for the sado-masochistic Pizza Roulette, a long-awaited BOTAB victory for Friends Electric, one of the country’s best hauls at the EFFIES and some consistently good low-budget work for Independent Liquor’s Boundary Road Brewery, which is now thought to have gained 20 percent of the ‘gateway craft’ market after its launch last year. Say hello to managing creative partner Paul Catmur.
Fresh from Rapp Tribal’s hiring of ex-BMF Sydney creative director Tim Wood, DDB Group NZ has made it a double, with Shane Bradnick, the current executive creative director at BMF Sydney, joining DDB in February 2013 as creative director.
With a newish chief executive, a switch to Saatchi & Saatchi without a pitch, a rejigged marketing team, record profits, a new HQ being built, a couple of awards, a few more impressive innovations like Facebook payments and a classy if comparatively subdued response to the National Bank’s departure (something big might be brewing, however), ASB had a fairly eventful year. Executive general manager marketing and online Roger Beaumont shares the love.
It’s been a watershed year for APN NZ, with the Herald’s shift to tabloid and the resulting campaign by DraftFCB, a new nzherald.co.nz, the launch of The Listener’s digital subscriptions and restructures of the IT, editorial and marketing departments. Chief operating officer Todd McLeay, the man who swapped the comparatively easy job of selling Lotto tickets for positioning a newspaper for the rather uncertain future, looks back on an eventful 2012.
It’s been a cracking year for the crew of Clemenger BBDO Wellington, with the agency winning four Cannes Lions, three Gold Effies, New Zealand’s only D&AD Yellow Pencil for Ghost Chips and securing more work in The Work than any other Kiwi agency. Here’s what caught the attention of the lads at the helm, Philip Andrew and Andrew Holt.
With five golds at the Media Awards, a host of Yahoo DSA gongs, big campaigns for Vodafone, Instant Kiwi and ANZ, a re-signed agreement with Unilever and a new gamified planning system about to come onstream, Spark Group has had plenty to crow about this year. Chief executive Louise Bond takes the wheel.
Haven’t had your daily dose of The Hobbit? Then head on over to newzealand.com and take a look at New Zealand redrawn in the spirit of Tolkien thanks to WHYBIN\TBWA and Weta Workshops.
Fresh from winning more Caples metal than any other agency in the world over the weekend, Colenso BBDO followed that up by winning Campaign Asia Pacific’s New Zealand creative agency of the year award ahead of DDB Group and DraftFCB, with creative chairman Nick Worthington named as the Australasian region’s best creative director. DDB Group also backed up a good year on the awards front, with Rapp/Tribal winning digital agency of the year ahead of Colenso BBDO and TBWA\DAN, while Spark PHD was rewarded for an impressive year with the media agency of the year title, ahead of Naked and OMD.
It’s official; Instagram and Twitter are no longer BFFs.
After several weeks of thrusts and parries, Instagram no longer allows images from its 100 million users to be displayed on Twitter, according to a statement made by Instagram to AllThingsD.