Digital advertising entrepreneur and founder of Uprise Tim Pointer has been voted in Forbes magazine’s “30 Under 30” list of young innovators and leaders in media, marketing and advertising in Asia.
Sovereign Insurance is encouraging young people to ‘take action’ through the launch of the next chapter of its ‘Life. Take charge’ brand campaign via J. Walter Thompson in an effort to tap into the millennial market. Though, the action taken in its latest ad is somewhat questionable.
As counterfeiters step up their game around the world, the need to verify products and their accreditation logos is increasing. So, in a bid to counteract the counterfeiters, and to promote New Zealand and its premium products to the world in a unique way, FernMark has incorporated augmented reality into its logo.
There are few things quite as inviting as the smell of freshly baked bread as you walk past a bakery. And while scent is not yet the easiest thing to incorporate into advertising, Bakers Delight’s ‘Labour of Love’ spot gave us a visual reminder of the freshly baked goodness available in their stores.
Shortly after his appointment as the new president of FIFA, Gianni Infantino* proudly announced that the third annual CAANZ Agency Football Tournament would be held at the end of April.
During last night’s Academy Awards broadcast, Google pulled at the heartstrings with a heartfelt spot for its Android product. And what’s interesting about this is that the big G isn’t the only major tech company tapping into TV to get its messages to the people.
Each year 50 people are killed in workplace incidents in New Zealand, with hundreds more dying prematurely due to work-related ill health. Worksafe New Zealand is aiming to reduce these incidents and raise awareness of work safety with its new campaign called ‘Home time’ via Assignment Group.
As the internet pulls audiences in all sorts of directions, and brands risk losing touch of their market, Motion Sickness Studio and Latch Digital have responded by creating The Social Club, a platform which aims to create meaningful connections between brands and influencers – and it’s not as exclusive as you think.
The Dentsu Aegis Network today announced that it had acquired a majority share in Barnes, Catmur and Friends (BC&F), an agency which has over the last two decades become one of the most prominent indies in the industry. PLUS: BC&F wins a bigger piece of the Jetstar business.
Southern Cross Health Society has appointed Contagion as its lead agency. The appointment means Contagion will now help develop and implement Southern Cross’ marketing strategy, creative, social and media work. Southern Cross Health society head of product and marketing Chris Watney says that Contagion will now be responsible for the day-to-day agency tasks and that Barnes, Catmur & Friends (the lead creative agency for the last eight years) “would be taking more of a backseat.”
Westpac has released the next stage of its ‘It’s time’ campaign by DDB, which promotes its 24-hour Smart ATMs, aimed at those who would benefit from late-night banking.
Fanta and NZME are taking their latest campaigns to the streets in the hopes foot traffic will provide ultimate brand engagement.
We’re gradually seeing a shift in retail advertising where shouty retail spots are being swapped out for more emotive material. Simply announcing a sale or displaying an item in a catalogue-inspired style isn’t enough to get through to an increasingly distracted and fragmented audience. Farmers recently cottoned onto this and continues to show its change in approach in its upbeat ad for its new season collection via The Workshop.
When the Australian media companies attempted to come together to form a similar alliance across the ditch, the effort failed because various players were simply unwilling to collaborate. But the local players did not allow the same to happen. Setting aside their partisan differences and prioritising the importance of creating a strong local programmatic network, Fairfax Media, MediaWorks, NZME and TVNZ successfully came together to form KPEX.
Here’s why the execs determined the move was worthwhile.
After only eight weeks in development Flick Electric Co. released a new app this week, called Choice, that gives Kiwis information about the carbon impact of the electricity they are using in real time.
Our weekly wrap of good things, strange things, funny things and other things from inside the intertubes.
Electric Kiwi has named Saatchi & Saatchi as its creative agency, after a pitch which took place in January.
With its announcement of the upcoming Survivor New Zealand TVNZ isn’t only searching for contestants keen to be stranded on an island during Survivor NZ. The broadcaster is also looking for brands that might want to get in on the action.
Every year, with the growing prominence of data, the skills used in direct marketing to target specific segments with personalised messaging becomes more important to marketers. For this reason, direct marketing is shifting from the fringes, where it existed as uncool but necessary, to play a key role in the industry. And as was indicated by the creativity on show at this year’s edition at the annual New Zealand Direct Marketing Awards, the industry is also doing a good job at improving its cool factor.
Super Rugby sponsor KFC has launched a new campaign via Ogilvy & Mather called ‘For the fans’, which celebrates that sense of camaraderie fans experience when heading to a game. It’s also released a spot for its picnic hampers, which is a bit of a departure from its usual ads, swapping light-hearted humour for the heart-warming family time card.
McDonald’s, DDB and Robber’s Dog want burger fans to join John Smith and make history by creating their perfect burger.
It’s been an advertising trope for years, but brands are increasingly shifting away from racy imagery in favour of a more inclusive alternative. Elly Strang investigates the trend.
Tiny mobile screens. Precarious cables traversing a room. Shared headphones and a laptop in bed. All familiar scenes to anyone who has delved into online streaming. And while any of these examples are acceptable in certain circumstances, a new campaign from Freeview NZ shows there are some advantages to the bigger television screen, particularly when watching a show with someone else.
As Faris Yakob argues, attention is a finite resource, yet the amount of content continues to grow, so something has to give. From inane Facebook posts to in-depth investigative pieces, the term content is nigh-on useless as a descriptor because it is so broad. And, writing in McSweeneys, Kendra Eash illustrates that brilliantly with her story ‘And on the Eighth Day, God Created Content’.
The solution to a cluttered office is here, with Nissan creating a self parking office chair inspired by the park assist feature on its cars.
While many of us probably take the honey sitting in our pantry for granted, mentally placing it in the same family as the marmite, jam and peanut butter, if you really think about it, honey is a small miracle. There are so many vital variables that make the production of the golden sweetener possible. Newly launched honey brand Lumojo has attempted to reflect honey’s value as a premium product through strong design, creating minimalist and streamlined packaging with Alt Group to, as it says, pay homage to the “natural designers” aka the bees. PLUS: we delve into the apparent increase of ‘premium’ products and take look at the honey industry in New Zealand.
With many New Zealanders facing a cold and damp winter, both outdoors and in, HRV has announced itself as the solution with a new campaign by Y&R.
L&P is going the online route for its major brand campaign this year, launching a weekly talk show, fronted by comedians Tim Batt and Guy Montgomery.
One Plus One Group founder recently read ‘Tim Bell: Right or Wrong’ – The Memoirs of a Spin Doctor’, and what he came to learn about the famous British ad man reminded him of similarly larger-than-life personality closer to home.
