Vodafone’s Keith the postie and piggy Sue celebrate Christmas.
Vodafone’s Keith the postie and piggy Sue celebrate Christmas.
Recently, ASB re-developed Kashin the money box to bring it in line with the increasingly cashless society. And for its latest campaign in support of St John, the bank is keeping the focus on children by telling the story of an animated toy ambulance saving a solitary teddybear lying in the garden.
Every year, Canada’s Strategy Magazine asks local agencies to indulge in some creative self-flagellation to celebrate its agency of the year awards. Last year, there were riffs on vending machine stunts, the industry’s culture of long hours and many other advertising-specific issues. And this year is no different, with fun poked at everything from brands co-opting female empowerment to the ridiculousness of “spec” work to the benefits of early targeting.
Our weekly wrap of good things, strange things, funny things and other things from inside the intertubes.
In conjunction with News Works, the Up Country series talks with some of New Zealand’s top regional newspaper editors about the performance of their titles in print and online, the role local news plays in regional communities, where they see the industry going and why advertisers should stick with them. And for the final instalment, The Northern Advocate’s editor Craig Cooper offers his $0.02.
A big chunk of Resn’s business comes from working with international brands, and plenty of that work has ended up winning international web design awards. That trend has continued after the website it built recently to help tell the tale of Subaru of America’s environmental legacy took out two site of the month awards.
Those working in marketing, advertising and media are generally suckers for a new trend and live in constant fear that are somehow behind the times. Like magpies, they swoop around, find shiny things to take back to their nests and regularly attack cyclists. Many are betting big on virtual reality being the next big platform and a range of brands—from Samsung’s live-streamed birth to Jaguar NZ’s recent ‘actual reality’ stunt—have jumped on that bandwagon recently. The New York Times has also embraced it (with the help of Google Cardboard) and sees it a nascent form of storytelling, but The New Yorker is slightly less convinced the technology will be able to improve the reading experience, as the very funny video about its ‘mind-blowing virtual reality experience’ shows.
Globally, eSports is surprisingly big (at least to non-gamers). And, with news that a local tournament is set to come to a Sky TV pop-up channel, it’s starting to gain traction in New Zealand. At this stage, MyRepublic has put its name on the hoardings, but sponsors are few and far between for the local event and it’s not clear if Sky will sell advertising around it. But due to the growing popularity of eSports among the hard to reach younger (and predominantly male) demographics, it is starting to attract interest from major brands, including Snickers, which recently punked thousands of people on the gaming platform Twitch.tv.
Not surprisingly, given the local rags were pretty much dominated by rugby in recent weeks—in both an editorial and advertising sense—three rugby-themed ads from Prime, Specsavers and Barkers were given a celebratory bum pat by the judges of the October round of the Newspaper Ad of the Month Awards.
We’ve created an extremely prestigious, potentially quite scandalous list*. Don’t tell us you’re not on it.
Earlier this year, Toyota and Saatchi & Saatchi enlisted the services of comedian Dai Henwood to star in an entertaining campaign for its Genuine Parts business that played on the Japanese brand’s high levels of trust—and on the fear we all have of being ripped off by automotive cowboys. In the clips, Henwood did an Eddie Murphy/Martin Lawrence and played a dodgy-yet-loaded business owner Frank, a boganic secretary Sherl and a salty tow truck driver Trev. And now he’s back for another round where he again shows his acting versatility by adding an uptight businessman, a disinterested student and even a mum and her beautiful baby to his repertoire.
A strong creative period across the industry sees Rebel Sport, Jaguar, Daikin, the Earthquake Commission and Skinny share a crowded podium this week.
While the profligate days of very long lunches and company credit card-funded excess are seemingly—and for some, unfortunately—well behind us, there’s no doubt that many of those in the persuasive arts still engage a fair bit of corporate hospitality. Colenso BBDO’s ex-chief executive Nick Garrett, who recently took on a job at Clemenger BBDO Melbourne after five and a bit years in the role, was certainly in that category. So what better way to honour his legacy than with a visual reminder of one of his favourite haunts, SPQR in Ponsonby.
“Data journalism is absolutely critical to our future,” said NZME managing editor Shayne Currie when speaking to StopPress about the restructure of NZME’s news teams. As part of the shift to a more digital-centric publishing operation, Currie said NZME would be investing more into data journalism in the near future. And this seems to have now come to fruition with the launch of Insights, a website dedicated to the Herald’s data journalism.
While the numbers competing in the Auckland Marathon were down significantly this year due to the clash with the Rugby World Cup final, ASB had a foot in both camps as a sponsor of the All Blacks and the event. So it couldn’t really lose. And its clever ‘Run down Your Rate’ campaign was the latest in a series of impressive sponsorship activations from the bank and its agency Saatchi & Saatchi.
Rebel Sport has kicked off its summer promotional push, with a brand campaign by Ogilvy & Mather that calls on Kiwis to take advantage of the warmer weather by getting outside and breaking a sweat. PLUS: Red Bull tries to get its brand messaging into consumers ears through Pandora.
Canadian agency John St has developed a reputation for skewering the latest marketing trends with its parody videos. So far it’s taken aim at click farming, real-time marketing, fear-inducing experiential and the internet’s undying love of cats. And now it’s released another gem showing how it can co-opt the idea of female empowerment that brands like Dove and Always have tapped into and prey on female insecurities to help sell more stuff.
Our weekly wrap of good things, strange things, funny things and other things from inside the intertubes.
As we approach the end of the year, the young up-and-comers who have been honing their creative skills at various ad schools set out on their quest to find gainful employment by showing off their handiwork. And the first of them was held last night when ten people graduated from the 12-week AWARD School course. Feast your eyes on some of the best scamps.
While we generally prefer to write about good advertising campaigns here at StopPress, we’re happy to give the bad ones a prod from time to time, whether it’s for blatant rugby bandwagon jumping or cringey beach cricket. So here are a few that have got our goats recently.
Spanning two wars and a bit of rugby in between, Dave Gallagher’s story, which is presented on a Steinlager ad alongside vintage photos and props, makes for compelling reading—and it comes as little surprise that the judging panel for the Newspaper Ad of the Month singled it out as the standout creative in September.
When people look back on the great heatpump wars of the noughties and 2010s/teenies/tenties/tenners, they will presumably think of rugby players on walls, cricket players cracking dad jokes on couches or slightly sinister bald men. Daikin farewelled Dan Carter as an ambassador earlier this year but attempted to maintain the humour in its follow up effort. But now it has switched its approach and, in a new Australasian brand campaign via Sugar & Partners and Robber’s Dog, is focusing on emotions rather than technology.
For the latest season of MKR NZ, TVNZ played the regional card pretty hard in an effort to drum up some parochial support for the contenders. And it seems to be a successful strategy, because Sugar & Partners, Carat and NZ Rugby are claiming victory after its outdoor and social media campaign got the punters talking about the ITM Cup.
Newspapers love big events, as brands hoping to show their tactical advertising flair tend to gravitate towards them. That was certainly the case after the 2011 Rugby World Cup win, as it was on Monday when the team backed that performance up by beating the Aussies. But we found a few more full-pagers in a special World Cup lift-out in the Herald this week, as well as some other rugby-related efforts.
Facebook announced a stonking third quarter result today, beating analysts’ expectations with US$4.5 billion in revenue and a 14 percent increase in the number of monthly active users. But, much more importantly for the world’s largest social network, Richie McCaw has finally signed up and got the blue tick after a bit of pressure from the socially savvy Dan ‘Mince on Toast’ Carter. And, just a couple of days in, he’s already close to the 300,000 fan mark. If he keeps that up, he’ll soon be getting thousands to post ‘authentic’ pictures of him in his Versatile house, wearing his Beats headphones and using his favourite teeth whitening brand.
Through a content partnership between Marketo and StopPress, we look at how technology is being used to automate marketing processes and what this means for industry. In the latest edition of the Fully Automate series, we chat to Marketo’s vice president of product management Cheryl Chavez about how automation is making it easier for marketers to roll out and track campaigns.
A few months back Vodafone launched a campaign aimed at teaching parents how to keep their kids safe online. But sometimes you need more than a parent’s guidance. You need technology. And Torch, a special router for parents that claims to stop kids from accessing dodgy content and imposes limits on the amount of time they spend online, created an ad that shows how innocent search terms are not always so innocent.
Something that stood out during our research for the influencer feature in the latest edition of NZ Marketing was the willingness of brands to relinquish creative control to the content creators they work with. So we followed suit by handing the cover creation duties over to a few brands we interviewed for the issue.
Celebrity endorsement is as old as advertising itself, spanning everything from Pope Leo XIII appearing on a poster for vin Mariani back in the late 1800s to Keiran Read giving Plumbing World the thumbs up to Homer Simpson designing ‘The Homer’. But the digital age has accelerated the trend and moved it in a different direction, with brands trying to cash in on the cachet of celebrities both traditional and new age. So how can they bask in the glow of these ‘influencers’? And how can they use imagery to make an impact? The next StopPress Presents event aims to uncover a few tricks of the trade.
Here at StopPress headquarters in Auckland, we unfortunately don’t have the promise of snow days during winter to get us excited for a few unexpected moments away from office. However, various states across the US get covered in a white blanket so thick during the colder months that it renders it virtually impossible for citizens to get to work or school. And rather than mourning the confinement that often coincides with snow days, Nike has decided to celebrate the freedom these moments offer in a new spot by Wieden + Kennedy.