
Beer is fragile and precious cargo for many Kiwi blokes and blokesses, so Lion’s beer insurance campaign for its Crafty Beggars range isn’t nearly as absurd as it might sound.
Beer is fragile and precious cargo for many Kiwi blokes and blokesses, so Lion’s beer insurance campaign for its Crafty Beggars range isn’t nearly as absurd as it might sound.
D&AD is renowned as one of the world’s toughest awards shows (hence the brouhaha when Clemenger BBDO took a yellow pencil for Ghost Chips the same night it was denied at Axis). And while New Zealand has further cemented its reputation as a creativity hub and been ranked seventh in the world after the first round of judging, just four campaigns are in line to pick up yellow pencils: Silo Theatre Identity by Alt Group (Branding Schemes/Small Business), ‘Donation Glasses’ by Colenso BBDO for Mars NZ, Pedigree Adoption Drive (Direct Response/TV & Cinema Advertising); ‘Call Girl’ by DraftFCB for Prime Television (Radio Advertising over 30 seconds) and ‘Metamorphosis’ by String Theory for Good Books (Writing for Film Advertising).
The virgins have been sacrificed, the entrails have been sorted through and the creative oracle has spoken in the form of the Axis finalists lists, with Colenso BBDO on top with 57, followed by DDB on 31 and DraftFCB on 28.
None of the entrants for the March round of the Orca awards were deemed good enough to take the prize, but the judges handed out two merit certificates for two campaigns with very different alcohol messages for Crafty Beggars and the Health Promotion Agency (nee ALAC).
Give praise for the return of Tim, the rebirth of Hubbards and the arrival of Tip Top’s Nourish Our Kids.
Tip Top bread, a George Weston Foods brand, gained a few fans when chief executive Greg Coffey announced the establishment of its Nourish Our Kids programme on Campbell Live in February. The new initiative is a long-term commitment to work with Kidscan and help alleviate child hunger—and it fitted in nicely with Campbell Live’s quest to bring attention to and create solutions for child poverty. And now it’s promoting the programme with a simple but effective TV ad showing two very different worlds colliding.
Spark Group’s silo-breaking, DDB to welcome some senior muscle, Dow Design adds a senior (and musical) creative, Nikki Walker joins Finch, Yukfoo looks overseas, Air New Zealand honoured (again) and Social Media Club gets a jolt.
Monteith’s time traveller, Westpac’s human ATM and Dulux’s DoC hut love FTW.
‘Hand Outs’, the next instalment in DDB’s ‘Start Asking’ campaign for Westpac, puts the spotlight on the ‘sandwiched’ generation. But the ad, which puts a humorous spin on the group’s endless plight to keep their family financially supported and uses the Zorba the Greek track, has managed to rile up a few Greeks who believe the ad is racist.
DDB took a summer quinella by winning both the December and January rounds of the newspaper ad of the month comp with its YWCA and VW ads. And now it’s claimed yet more Beetle/paper-related victory with a classified ad to promote its Beetling campaign.
In April last year, VW released a series of ‘the same, but different’ ads to run before the main One News weather bulletin. And it’s back for more in 2013, with five more weather sponsorship idents that are imbued with VW’s now well-renowned sense of humour and show how the various features make life more enjoyable for people. And dogs.
According to the latest figures, Kiwis consumed 20 million fewer litres of beer in 2012 than the year before, something put down to a combination of average summer weather and a general shift away from the brown stuff towards wine and spirits. But there is growth in craft beer and Lion is continuing to get in on that act with its new Crafty Beggars range, “a craft beer you can actually drink”.
It seems we can chalk up yet another win for .99, with the retail specialist thought to have taken the Warehouse Stationery business in a competitive pitch, beating out incumbent M&C Saatchi and rumoured contenders of Y&R and DDB.
DDB is well-accustomed to showing off the spoils of spending through its work with NZ Lotteries. But it’s showing a different side of excessive consumption in its latest spot for Westpac.
Yellow Group has dropped DDB / RAPP Tribal and appointed True as its new agency, according to the directories company. Yellow says it is finalising one more project with RAPP, which will be completed by the end of the month, after which the relationship will end.
Holden’s twitch-curing cars and McDonald’s fusion of the real and the imagined stoke our advertising coals this week.
DDB has cleaned up the last two Newspaper Ad of the Month awards, with YWCA Auckland’s ‘Demand equal pay ad and Volkswagen’s ‘Beetle to win a Beetle’ taking out the December and January rounds respectively. The Judges for both rounds—Leisa Wall, DraftFCB; Paul Hankinson, Hanko; Lisa Fedyszyn, DDB (who abstained) and Kate Humphries, Media Design School—said VW’s ad “enticed people to make the iconic VW beetle shape with their bodies in order to win a VW, is an inspired way to induce beer gut envy, particularly if those beer guts have just enjoyed a good holiday season.”
Getting any salty old sea dog to share their secret fishing spots is nigh-on impossible. And this reluctance can sometimes be dangerous, because if they get into trouble no-one knows where they are. So, in an effort to deal with this problem and stop its customers from dying, Hutchwilco, DDB and Rapp Tribal developed a clever and helpful iPhone app that allows fishermen to log their co-ordinates to a secure database and if they don’t come home, a loved one can log on, see where they like to go, and send the details straight to the Coastguard.
Warehouse Stationery has put its creative account up for pitch. And it’s pretty close to a must-win for the incumbent M&C Saatchi.
Fisher & Paykel Appliances has reattached its wagon to Colenso BBDO after a head to head pitch with DDB at the end of last year.
After seven years with DDB Group, and three in the role of experiential creative director, Steve Kane has taken a role as “a senior, multi-faceted creative director” at Whybin\TBWA, where he will work under executive creative director Andy Blood.
Lloyd, Sky’s creepy envelope licker, and M&C Saatchi’s continuation of the guilt trip for NZ Fire Service are victorious.
Meet Lloyd. He’s got a tongue—and he knows how to use it. And, in this new spot by DDB and the Sweet Shop’s Damien Shatford, the rather weird Sky employee, who’s almost like a better-lubricated version of Fresh Up’s ‘Thirst is Creepy’ characters, is being introduced to the nation in an effort to convince the 800,000 Sky TV subscribers who receive their bill in the post to move with the times and sign up to email billing.
‘Flatties’, the entertaining home loan-related follow-up to Westpac’s ‘Start Asking’ brand campaign by DDB and Prodigy, managed to beat out its big brother in the Jan/Feb instalment of Campaign Review in NZ Marketing magazine after taking second place. And it’s followed that up by winning the November round of the Colmar Brunton Ad Impact Award.
Fresh from Rapp Tribal’s hiring of ex-BMF Sydney creative director Tim Wood, DDB Group NZ has made it a double, with Shane Bradnick, the current executive creative director at BMF Sydney, joining DDB in February 2013 as creative director.
Lindauer has been on a mission to empower the girls this year, and, in an extension of the Girs’ Night Out brand campaign, DDB played on the Sunday Star Times About Town section by creating an ad featuring forlorn, lonely male partners who were left at home to wallow in self-pity, iron, eat pizza, pat cats on stairs and watch TV with men friends as the girls got amongst it on Lindauer’s National Girls’ Night Out. And the esteemed judging panel of Matt Sellars from Saatchi & Saatchi, Crispin Schuberth from Barnes, Catmur & Friends, Paul White from AUT and Oriel Davis-Lyons from Special Group chose it as the best of the November bunch.
YWCA’s turning of the tables, Igloo’s double Ohs, 2degrees’ Christmas push and Telecom’s mistaken identity get the vote this week.
Instant Kiwi’s instore luck pushing and ASB’s retro vibes take the biscuit this week.
Here in the expansive and luxurious StopPress towers, Instant Kiwi’s ‘It Pays to Push Your Luck’ campaigns ranks as one of the funniest of the year, which isn’t entirely surprising given the comedy-loving combination of NZ Lotteries, DDB, Jesse Griffin and The Sweet Shop’s Stuart McDonald, he of Summer Height’s High fame, was involved in its creation. And after the first instalment, which saw the Alibi spot make it into the good bit of the Fair Go Ad Awards, it’s followed up with some entertaining/violating instore luck pushing that could almost be likened to the advertising equivalent of Trigger Happy TV.
Saatchi & Saatchi snaffles a digi-boffin, a word from our X Factor sponsors, the Media Design School kids are alright, Adshel brings in a chief organiser, DB stalwart steps down, Gopher adds one to the burrow and Murray Lindsay swaps stations.