
Run the Red promotes from within, Toni Street gets back on the couch, Sports Tonight draws to a close and AWARD School names its top students.
Run the Red promotes from within, Toni Street gets back on the couch, Sports Tonight draws to a close and AWARD School names its top students.
YWCA’s turning of the tables, Igloo’s double Ohs, 2degrees’ Christmas push and Telecom’s mistaken identity get the vote this week.
It’s been a rough few years for Christchurch, but when we spoke with Harvey|Cameron’s managing director Neil Cameron for NZ Marketing magazine a few months back (see interview below), he said the agency had managed to come through relatively unscathed after moving out of the CBD and into its new Merivale offices just before the Earth shook. He also mentioned the fact that a few curious souls were being drawn to the area as a result of the city’s potential and now, with Iain Harvey pulling back from the business slightly, “brand builder” Cam Murchison has added his name to that list of imports to become managing partner.
In a world where digital trickery is de rigueur, ‘traditional’ mediums like magazines are often seen as offering fewer creative opportunities. There are restrictions, of course, but great ideas often emanate from restrictions (Steinlager’s ‘We Believe’, for example). And to celebrate its 20th anniversary—and to show the level of engagement it has with its readers—Wired created a brilliant Easter egg hunt.
Humans are into some strange things. Extreme ironing, scrapbooking, My Little Ponies, and slightly masochistic long-distance running, to name but a few. And now New Zealand’s trail runners have their own dedicated publication with the launch of NZ Trail Runner.
We’ve seen some pretty creative ideas used to increase pet adoptions and gather donations in New Zealand in recent years, with Colenso’s Doggelganger and Donation Glasses standing out in that regard. And now DraftFCB and Mini have joined the furry fray with a so crazy it just might work campaign for the SPCA that will see Porter, a 10 month old Beardie Cross from SPCA Auckland, attempt to drive a car live on TV.
3 Wise Men has found a good aerial niche with its entertaining long-copy ads in Air New Zealand’s inflight magazine Kia Ora. And in the Hobbit-heavy December edition of the mag, Assignment Group has used that niche to great effect with a novel campaign that aims to make the back of the plane slightly more appealing to fliers.
Wellington/Amsterdam digital agency Resn is renowned for pushing the envelope online, with the likes of Face Arcade, Rhizopods or the world’s first crowd-sourced feed. But it’s not all fun, games and weirdness. There are some serious issues currently bubbling away in the halls of power around internet freedom, so, along with a couple of its fellow digital dab hands rehabstudio and Stinkdigital, it has created a site that aims to get the internet to stand up for itself by threatening to take away the thing it loves most: a kitten.
New Zealand’s Got Talent launched with plenty of fanfare and massive ratings back in September, and, with Marlborough teenager Clara van Wel announced as the winner last night, it finished on a high note as well, cementing its place as the most watched show of 2012 and the biggest show of the past ten years.
Almost one year after it was officially announced (and a bit longer after it was unofficially announced), Sky and TVNZ’s joint venture Igloo has finally got its googly-eyed mascots to deliver its set-top boxes into the wild. And it’s also launched its brand campaign, via Sugar&Partners.
After the launch of The Listener’s new paywall last week, Fuseworks’ Matthew Harman puts forward his views on what publishers need to do to create an online experience he’d pay for.
Avanti Bikes, which celebrated its 25th birthday last year, is renowned as a design-led company, as evidenced by the gold it won at the Best Awards this year for its sexy Corsa DR. And that focus on design is helping it move into other overseas markets. Now it’s added another technology-driven advantage to its arsenal in the form of its multi-lingual, responsive website, which was built by Auckland digital agency Salt Interactive.
There was plenty of discussion about James Bond adding Heineken to his list of favoured tipples in Skyfall. But product placement/branded content/integration/cap in handing is an accepted part of the film and TV business these days (as Daniel Craig told Moviefone: “The simple fact is that, without them, we couldn’t do it. It’s unfortunate but that’s how it is. This movie costs a lot of money to make, it costs as nearly as much again if not more to promote, so we go where we can”). And the tie-in appears to be working for the brand because Heineken’s ‘The Express’ ad, which features the raspy tones of own Gin Wigmore, has won Colmar Brunton’s Ad Impact Award for October.
After an industry-wide review, The NZ Direct Marketing Awards had a big refresh this year, with a new name, a new judging process and a number of new categories and individual awards resulting in a 12 percent increase in the number of overall entries. And those entries have been whittled down to the finalist stage, with justONE leading on 16, DraftFCB on 12, Colenso BBDO on eight, Loyalty NZ on six, Affinity ID, Federation Rapp Tribal on five, and Twenty and ANZ/National on four.
We live in a world of information overload, says Andrew Lewis. And as consumers start entering ‘The Age of the Cull’, brands that enhance life through digital connections are the only ones likely to survive.
NZ House & Garden’s April issue, which was shot at the home of avid antique collector Sandy Smith, has won the Magazine Cover of the Year at The Maggies.
What some call the Original Sin of publishers giving their content away for free online has meant media companies around the world have found it difficult to change that expectation among readers and monetise the online realm. But it does appear to be changing—slowly. As The Listener’s new push for paid content goes live, we thought we’d share this interesting infographic from bestcollegesonline.org and Mashable that showed what’s happening in the world of paywalls and how it’s affecting readership.
APN’s NZ Magazines has embraced the freemium model with the launch of a new responsive design website for the New Zealand Listener that combines free and paid content and enables subscribers to read the magazine on any device.
Job losses and a high-profile departure at APN, Tim Wood heads to Rapp Tribal, Paul Hancox heads to TV, Jordan Dale snaps up bcg2 scholarship and Pead PR bolsters its tech team.
Digital isn’t just about technology, says Dean Taylor. It’s also about people.
Digital graffiti artists are coming to the fore and swarming Mountain Dew’s website with 20,000 unique visitors since Colenso BBDO’s Beyond the Wall campaign began at the beginning of the month.
When Claudia Batten speaks about business, it pays to listen. Her career began in corporate law with Russell McVeagh in Wellington, where she specialised in contract, IP and technology law. But as the tech boom boomed, she moved to New York and set up gaming ad network Massive, which was sold to Microsoft in 2006 for a princely sum, with some reports at the time claiming it fetched US$400 million. This year, she left her second start-up Victors & Spoils, the Boulder-based, crowdsourced creative agency she co-founded in 2009 with ex Crispin, Porter & Bogusky directors Evan Fry and Jon Windsor, after French holding company Havas bought a majority stake in the business and positioned it for international expansion. And, as is often the way with serial entrepreneurs, she’s already started work on her next, still rather mysterious project. But she took time out to have a chat with NZTE as part of its advice from entrepreneurs series.
Marmageddon has been a harrowing time for lovers of yeast-based spreads. But it’s been a boon for the media. And, remarkably, there’s still a bit more blood to be squeezed out of this particular stone, because Saatchi & Saatchi, Spark PR & Activate, Sanitarium and photographer Chris Sisarich have come up with a novel way to raise funds for The Rebuild Christchurch Foundation this Christmas by auctioning 19 photographs of empty Marmite jars donated by New Zealand celebrities including Rachel Hunter, Sir Graham Henry, Jaquie Brown and Trelise Cooper.
Instant Kiwi’s instore luck pushing and ASB’s retro vibes take the biscuit this week.
Here in the expansive and luxurious StopPress towers, Instant Kiwi’s ‘It Pays to Push Your Luck’ campaigns ranks as one of the funniest of the year, which isn’t entirely surprising given the comedy-loving combination of NZ Lotteries, DDB, Jesse Griffin and The Sweet Shop’s Stuart McDonald, he of Summer Height’s High fame, was involved in its creation. And after the first instalment, which saw the Alibi spot make it into the good bit of the Fair Go Ad Awards, it’s followed up with some entertaining/violating instore luck pushing that could almost be likened to the advertising equivalent of Trigger Happy TV.
Just as humans will always react strangely when they see themselves on the big screen at the cricket, it seems they will also react strangely when they have the chance to see their name on a can of Coke, something the Share a Coke campaign has tapped into, first in Australia and now in New Zealand with the help of Ogilvy. And, continuing its long association with the festive season and adding to the more than 200 popular Kiwi first names (as this chap found out, Osama wasn’t one of them) and colloquial terms like Mate, Sis, Bro, Mum and Dad that have taken the place of the brand’s cherished logo, Coca-Cola has released another limited edition set of cans featuring the names of Santa and his nine reindeer.
Huffer, which turned 15 this year, joined forces with Absolut last year to design its own bottle and now it’s putting its special touch on premium cars, because 15 unique Audi A1s—the result of a collaboration with local fashion man and Audi ambassador Steve Dunstan—will hit Kiwi shores in January.
Beginning as just a way to use up leftover apples in the 1960s, one of New Zealand’s classic juice bevvies, Fresh up, is celebrating 50 years of production this month.
There are a number of factors that have come together to help shape the key digital trends for the year ahead, says Theresa Clifford. The move to the Cloud over the past three years has revolutionised technology, mobile has become the new platform of choice and the introduction of social media channels has brought with it the need for multi-channel engagement strategies. And, to paraphrase Charles Darwin, it is not the smartest or cleverest that will survive in this digital age, it will be those organisations that are most open to change.
A fat, shiny bull mounting a helpless cow: this is war launched billboard-style by Holy Moly ice cream, which claims dairy giant Fonterra is screwing over small businesses with what it believes is anti-competitive behaviour.