The Lightship, a new site for contemporary art and the mastermind of CraveGlobal, has launched at Ports of Auckland. The large-scale digital light wall on Quay Street…
Search Results: Gallery (1059)
The ‘It starts with yes’ platform for Optus by Special Group has been given its second instalment, Chicken Marathon. Created by Special Group New Zealand for…
Special Group’s ‘Good Morning World’ campaign for Tourism New Zealand has been named world’s most effective at the Global Effie Awards. The accolade is as rare…
As our country is the first to see the sunrise each day, Special Group and Tourism New Zealand created the year-long ‘Good Morning World’ campaign, now…
With its lively cafe culture, quirky opshops, public art works and a mesmerising museum, it’s only fitting that Wellington has been labelled New Zealand’s creative capital.…
Just before Lockdown Special Group pitched for, and won, a seat at the table of Australian owned telecommunications company, Optus. Now, the local agency has shown…
Auckland-based Boyd PR is a full service agency combining fresh ideas and an innovative approach to delivering successful results for their clients in this new Covid-19…
Special Group has released a in-depth report on Kiwis habits during lockdown and following the lifting of restrictions. The report highlights a growth in local shopping,…
Last year, Women in Urbanism Aotearoa took our streets to social media in an enlightening Stop Street Harassment campaign. Following some time in the public eye,…
Owen Farrell’s smirk. The English ‘Flying V’ in the face of the Haka. The most polarising sporting moment of the year. Some loved it. Some hated…
With the All Blacks set to represent New Zealand at the 2019 Rugby World Cup in Japan, All Blacks Tours had the challenge of getting fans…
Aaron McMinn grew up exploring visual mediums and turned that passion into a job when he entered agency land. Today, he’s a creative director at Wunderman Thompson but not all his creative pursuits are for clients. Some are for himself. Erin McKenzie talks to McMinn about his extra-curricular projects and how they’re benefiting and his client work and agency.
We’ve given the mic to the industry’s future leaders. Henry Cooke, a senior political reporter for Stuff shares his thoughts on the media industry.
The 2019 Webstar Magazine Media Awards finalist lists are out for this year’s 39 categories.
FCB’s popping bottles of its very own champagne to celebrate its big wins this year including Creative Agency of the Year at Axis and Most Awarded Media Agency at the Beacons.
Following the acquisition of Adshel by oOh!media, we speak to general manager Nick Vile about how the business is leading the Out-of-Home sector with new data, digital and tech innovation, connecting advertisers with the right people at the right time, in the right place.
Rainger & Rolfe has won the Texas Chicken account as the chain looks to start cranking up the heat in the market.
Hard-working Dentsu staff are among the targets of a campaign for My Food Bag’s new ‘Made’ meal range, by Saatchi & Saatchi and Zenith, that pokes fun at people’s busy lives.
The first shortlists for the 2019 Cannes Lions have been announced and among the finalists are FCB, Colenso BBDO, Clemenger BBDO, and Special Group.
Earlier this year, StopPress gathered the industry for an evening of self-congratulation as we celebrated the work that made 2018 so great, as well as the moments that got lips moving. Winners across the 16 categories were chosen by the editorial team who — along with the application of very sophisticated algorithms, immersive VR experience, AI chatbots — discussed and debated the results. Now, we revisit some of those winners for a behind-the-scenes look at why they are successful.
Since its launch in 2018, Tricky has been delving into clients’ brands to solve problems and shift thinking from the core. Partner
Jill Brinsdon talks us through how it’s getting closer to clients’ needs and delivering on them in a sustainable way.
GfK’s first non-commercial radio survey of 2019 is out, showing Radio New Zealand’s audience is up 60,000 year-on-year to reach 696,600 New Zealanders each week, while RNZ National’s 616,200 listeners makes it the biggest station in the country.
In the midst of New Zealand’s ‘Darkest Day’, Kiwis flocked to news radio, where newsreaders and talk back hosts provided platforms for New Zealanders to vent their distress at the Christchurch mosque terror attacks, and a place for trustworthy news to be processed. The reliability of radio as a trustworthy source of news pushed ratings up, with total audience numbers rising since the final survey of 2018 – combined listening numbers of commercial and non-commercial radio has risen to 3.62 million New Zealanders (10+) tuning in each week, totally 83 percent of the population.
Graham Medcalf takes a look at the week that was, covering Vodafone’s restructure, reaching Chinese tourists, the cost of ad fraud, and tomato sauce ice cream.
Austin is a city of beige buildings and brown coloured brick, but the South by Southwest festival is a celebration of colour and creativity unlike any other. Anthemites Sarah Geel and Vincent Heeringa have thrown themselves into the fray of queues, speakers and bad coffee to find out what’s new in the world of marketing and media. Here’s their first five impressions from 24 hours on the ground.
The WARC Creative 100 and WARC Effective 100 results have been released with Colenso BBDO and Special Group New Zealand performing well on a global scale.
Special Group head of strategy Rory Gallery on the best being yet to come.
NZ Transport Agency and Clemenger BBDO are on a mission to prove the value of seatbelts, with an emotional campaign telling the real stories of Kiwi men whose lives were saved by belting up.
With journalism facing the challenge of social media and fake news, TVNZ and NZME are striking back, with campaigns championing their work.
Philip Morris – the largest tobacco company in the world – has declared it will transform the tobacco industry in support of New Zealand’s Smokefree 2025 initiative. In time, it plans to stub out its cigarette range – which includes Marlboro, Parliament and Virginia S and move towards a future of fruity, trendy vapes and e-cigarettes. It’s a tactical maneuver from the giant cigarette corporate as alternative cigarettes slowly receive validation by scientists, governments, and consumers – but is the move really a ploy for Smokefree 2025, or more of a smoke screen by Philip Morris? And in the midst of all this, has its sudden departure from cigarettes led to a branding identity crisis? We speak to the managing director, James Williams, who explains the company’s foray into the smoke-free market.