
Southern Cross, Beats, ASB and Meridian Energy win the applause this week.
Southern Cross, Beats, ASB and Meridian Energy win the applause this week.
TV3’s Grand Designs New Zealand is set to kick off early next month and today MediaWorks released the second phase of its marketing campaign for the show, which lives up to the Grand Design ethos of creative design including some clever eyeball trickery through interactive adshels. PLUS: partner ANZ’s campaign around the show.
Last Thursday Doritos released ‘Rainbow’ Doritos in support of LGBT teens, which were available to every person who donated to Dan Savage’s ‘It Gets Better Project’. The cheesy rainbow snacks sold out in just two days.
Interactive advertising continued its upward trajectory, with the latest IAB/PwC online ad spend report showing that it generated a record $184.73 million in the second quarter of 2015. And IAB chief executive Adrian Pickstock says that channel is nowhere near plateauing yet.
Once again Whittaker’s has taken out the number one spot on Colmar Brunton’s NZ most loved brand survey, even outranking the All Blacks on a Rugby World Cup Year.
Brands are increasingly looking to produce online content that viewers find entertaining enough to share. And as part of its sponsorship deal with the Winter Games, Audi set out to do something a little different by inviting a collection of 20 lucky Kiwis to attend a pop-up bistro event high up in the Pisa Range hosted by celebrity chef Simon Gault.
Southern Cross Health Society has gone the emotional route with its new campaign via Barnes, Catmur & Friends consisting of an ad narrated by an old man giving advice to his younger self along to a series of clips of his most significant life experiences and the lessons he’s learned.
Beats by Dre has a mixed reputation among sound bogans for the audio quality of its products, but it is renowned for the quality of its advertising and the brand has managed to worm its way into popular culture by getting endorsements—paid and otherwise—from stars like Lebron James, Richard Sherman, Serena Williams, Neymar Jr, Nick Kyrgios, Kobe Bryant and Lady Gaga. Now it’s moved onto rugby, with All Black captain Richie McCaw putting in the acting performance of his life to make what is one of the best rugby-related ads of the past few rugby-filled months.
With the Rugby World Cup about to start tomorrow morning, there are bound to be a few tired All Black fans over the next six weeks. There’s already a campaign from NZME called Push Back for Black that asks employers to go easy on rugby-loving employees. But if there’s no leeway from the boss, then ASB is ensuring Kiwis get some extra stamina through stimulants.
Earlier this week NZME announced plans for its print, digital and radio news teams to come together as an integrated 24/7 operation led by managing editor Shayne Currie, whose role has been elevated to report directly to NZME chief executive Jane Hastings. And as is usually the case with restructures, there will be a few staff changes, some of which were announced by Hastings and Currie to the newsroom on Wednesday afternoon.
Changes at FCB, MediaWorks, NZME, Bauer, Sovereign, Postr and DDB.
Meridian Energy has released a new campaign via Barnes, Catmur and Friends with its poster boy Jeremy Wells (clothed this time) about its use of renewable energy and how we can ‘Save the world right from our sofas’. Wells also stars alongside Freddy the goat, who makes a brief albeit important appearance.
Around this time every year, the television industry erupts in excitement as the shows for the upcoming season are introduced to viewers and—perhaps more importantly—advertisers. TVNZ was the first out the gates this year, putting on another exorbitant show on Wednesday night that left media types with very sore heads on Thursday morning. But before the chaos hit, TVNZ commercial director Jeremy O’Brien took a few minutes to reflect on what has been a good year for the state-funded broadcaster while also looking forward to what the business aims to achieve over the next 12 months.
Our weekly wrap of good things, strange things, funny things and other things from inside the intertubes.
As Dr Evil said: “I’m with it, I’m hip, takka takka takka takka … ” And it seems the NZ Police have taken a leaf out that book and tried to get down with the kids to warn them to stay safe during the Rugby World Cup.
Nobody expects a fast fashion chain to be both inclusive of all walks of life and sustainable in its ideals, but H&M has surprised everyone with its ‘Close the Loop’ ad. People of almost every religion, size and gender are featured, looking sleek and stylish in the company’s gears.
On a dark and windy night, six advertising-employed goth bands slithered into the King’s Arms, fishnets, face powder, bad eyeliner and all, to pay homage to the likes of 1980’s goth bands The Cure, The Cramps and movement-starters Bauhaus. And despite straying from the theme and playing songs which you couldn’t really call gothic, Colenso BBDO aka Pegasus and the Job Numbers were crowned the winner of this year’s Battle of the Ad Bands organised by CAANZ and Flying Fish, after a polished and upbeat set that wooed the crowd and judges alike.
The amount of ink (mostly digital) that’s been spilled about ad blocking has only increased with the launch of Apple’s iOS9 yesterday. It doesn’t sound like good news for publishers or advertisers, particularly with the amount of time we spend on our phones these days. So, should they be changing their approach? And is there any way to get around an ad blocker? We spoke to the IAB Mobile Council’s Sarah Kavanagh and Postr CEO Milan Reinartz for their opinions.
Whether it’s the New York Times’ oft-mentioned Snowfall, Bloomberg Businessweek’s brilliant data visualisations, the story about the rise of Luis Surarez on ESPN, the custom features of Pitchfork, the clever comics of the two Tobys on The Wireless’ and many more besides, digital media offers a big toolbox for storytellers. And local shop Gladeye has played a part in another impressive effort, helping to develop a 15-part online expose—or, as it’s being called, “docuserial”—called ‘The Miracle Industry’ with Huffington Post Highline.
For this year’s edition of the Webby Awards, the organisers of the event put the finalists to work by asking them to produce a visual interpretation of the phrase ‘The internet can’t be stopped’. And these creative efforts have now been turned into a series of posters that are now being used to promote the event. As is to be expected, every poster takes a slightly different approach to interpreting the phrase, and skeletons, planets, graffiti and a range of surreal images now stand as testament to the creativity that the event celebrates every year.
There’s been plenty of talk about the haka in recent days, as there always is when the All Blacks head to Europe. And there’s been plenty of brand activity involving virtual reality recently too, with everyone from Kellogg’s to Contiki getting in on the action. Now AIG, the major jersey-hogging sponsors of the All Blacks, have combined both of those things for the Haka 360˚ Experience.
As part of its new season launch, TVNZ announced the impending introduction of a short-form platform called OnDemand Shorts, which will be housed with the overarching TVNZ OnDemand offering and feature three- to five-minute video clips. And the broadcaster’s looking to collaborate with advertisers to fill the new platform with content.
After an intensive judging process that saw entries scrutinised by 200 preliminary judges and 70 category judges, CAANZ has announced a shortlist of 99 finalists for the 2015 New Effie Awards. Leading the pack this year is Colenso BBDO with 24 nominations across the 15 categories in the award ceremony this year. This is followed by FCB with 17, Saatchi & Saatchi with ten, DDB with eight, JWT and Barnes Catmur & Friends with five apiece, and .99/JustOne with four.
Over the past few years YouTube celebrities and content creators have become a great platform for advertisers to market through. The target market already actively seeks out the material, so all they need to do is weave a bit of marketing magic into the content and see themselves put in front of a million pairs of eyes. Here’s New Zealand’s top 10 subscribed-to accounts making waves over the interwebs.
We’ve seen a few clever queue hacking campaign ideas in recent years, from Samsung’s Smartphone Line to Spark’s Emoji Queue. And Spark’s employed 3D printing technology for what it’s calling the world’s smallest queue for the world’s biggest phone launch.
While e-commerce only contributes a small percentage of sales to the overall revenue of the retail industry, Ogilvy managing director Paul Manning argues the influence of digital can’t be emphasised enough. With shoppable content, personalisation and real-time customer service becoming increasingly common, digital touchpoints often serve as important links to the final purchase—and this is only set to become more prominent as the industry evolves.
Kenyan javelin thrower Julius Yego recently won a gold medal at the IAAF World Athletics Championships event with a mammoth throw of 92.72m. Having already won gold medals at the Commonwealth Games, the All Africa Games and African Championships, this recent victory confirmed Yego’s talent in a full field of international talent.
When former Saatchi & Saatchi boss and ICG executive director Mike Hutcheson decided to do a master’s thesis on New Zealand creativity, he didn’t want to produce an unreadable 60,000-word treatise. Instead he used interviews with four senior New Zealand business leaders – former Saatchi colleague Kevin Roberts, Les Mills International chief executive Phillip Mills, Hobbiton director and ex-Tourism NZ head George Hickton, and Innovation Council chief executive Louise Webster – to put together a 30-minute video examining the paradox that New Zealanders come up with great ideas and largely fail to commercialise them. But the attitude that creates the problem may also be part of its solution, he says.
And as was the case at last year’s Brandcast event, Google again spared no expense as it put on an elaborate affair aimed at selling YouTube and the content creators to those who hold the purse strings in the industry.