
TV3 is replacing its 5:30pm staple Home and Away with Jamie Oliver’s 15 Minute Meals cooking show.
TV3 is replacing its 5:30pm staple Home and Away with Jamie Oliver’s 15 Minute Meals cooking show.
Audio visual content is still arguably the best way to convey emotion, tell stories and flog things. And, as evidenced by its position atop the ASA ad spend charts—and despite all the rhetoric and predictions of death—the telly is still a bloody popular advertising medium in this country. The advertising that appears on it is not always good, of course, but in an effort to celebrate what we feel are some of the best efforts of the past year and a bit, we’re asking our audience to choose their favourites as part of the StopPress/MediaWorks TVC of the Year competition.
TV3 has lost the right to broadcast Aussie beach side soap opera Home and Away, a staple of its evening broadcast offering.
Last night’s season premiere of The Almighty Johnsons started with a whiz and a bang, but the Johnson lads were unable to bring in the crowds to watch their godly antics.
Pluk is taking its wares and projecting it onto the big screen, bringing its audio-recognition promotions app platform to the cinema.
Programmatic ad buying is a cornerstone of online advertising, spread by the influence of global ad networks such as Google. But MediaWorks Interactive and Ecostore have attempted to flip that model on its head—and they are shouting from the rooftops about their results.
The Online Media Standards Authority (OMSA) is open for complaints from next Monday (1 July). Says the Law Commission’s single regulatory body recommendation will take too long.
The marcomms sector is renowned more for its competitiveness than its collegiality. But it’s nice to see The Radio Network’s ZM can still appreciate MediaWorks’ George FM.
New Zealand’s second largest free-to-air broadcaster MediaWorks has been placed into receivership this morning – a very strange arrangement that will see the company change owners and shed massive amounts of debt, without losing a single job. Although the tax man might come off worse from this deal.
Inside most major TV networks there exists an often unrecognised group responsible for developing show promos, design collateral and marketing campaigns that aim to get viewers excited about the content. And these teams were rewarded recently in the second Promax New Zealand awards.
Rapp welcomes two (and says goodbye to Tribal), specualtion about the new MediaWorks board, another deputy ed for The Listener, APN hunts for new social media editor, Tamati Coffey returns to the nurturing bosom of TVNZ and Adam McGregor takes up some outdoor reins.
The psychology of food and the changing quest for employment receive a warm embrace this week.
As the broadcast sponsor of X Factor New Zealand, Ford and its agency JWT wanted to do something that would bring the various strands of music, aspiration and gratuitous car shots together. And, after filming wannabe stars and their various hangers on singing Che Fu’s ‘Fade Away’ in the back of a pimped out 2013 Kuga on the 27-stop audition tour, it’s released the final product.
In a display of some truly Hunter S Thompson-esque journalism, Radio Live presenter and the other half of Guyon Espiner, Duncan Garner took some synthetic canabis to show people it’s dangerous – or something like that.
In the first instalment of a new series where senior members of OMD’s trading team put forth their opinions on some of the issues facing the media industry, associate trading director David Turner looks at how local broadcasters are adapting to changing consumer behaviour and why a single trading currency is inevitable.
For years, pessimistic pundits have been talking about the death of TV. But TV viewership is still as strong as ever, and ad revenue is standing fairly firm. One thing that has definitely changed, however, is the integration of brands into programming and the ability of social media to light fires underneath content, as evidenced most recently by the launch of the X Factor NZ—and the way broadcasters are now working more closely with marketers and creative agencies to come up with original branded content ideas.
The X Factor New Zealand, the latest of many popstar search programmes, debuted on New Zealand screens on Sunday to much publicity in the form of TVC campaigns, billboards and online advertising. The ratings coming out in the wake of the first two episodes haven’t blown any ratings records to shreds, but X Factor NZ is providing MediaWorks with a solid opening act.
DraftFCB and Mini are on a bit of a roll at the moment, with SPCA’s Driving Dogs winning pretty much everything in sight (it has been shortlisted four times at the prestigious Festival of Media, second only behind ASOS’ best night ever with five). And the pair are victorious once more, with the ‘Ducks’ ad taking out News Works’ newspaper ad of the month for March and the Mini newspaper NIM campaign getting a special mention.
Swearing is funny, as evidenced by ‘tourettes karaoke’. And MediaWork’s hero station The Rock has tapped into that with some cunning wordplay in its latest outdoor campaign.
Sponsorship isn’t just about logos on hoardings any more. It’s all about ‘activation’ and ‘integration’. And, with the X Factor hitting TV3’s screens this year, broadcast sponsor Ford and its agency JWT have already got in on the act with The Passengers, a campaign that aims to find “traffic light tunesters and side-street singers” to feature on a remix of Che Fu’s ‘Fade Away’. Plus: Last two X Factor judges named.
The battle for New Zealand’s 7pm eyeballs in 2013 has been a topic of much conversation recently given the departure of Close Up last year and the arrival of Seven Sharp. That battle became even more interesting when the architect of those changes, Ross Dagan, resigned from TVNZ after less than a year in the role to head back to Australia. And, not surprisingly, Campbell Live, which kicked off again last night after its summer marketing campaign with a new logo, a new set and a renewed focus on “the issues that matter to New Zealanders”, is hoping to capitalise on the changes.
While MediaWorks’ ownership and debt issues continued to bubble away this year, there were plenty of positives for those working at the coalface, including Four’s media brand of the year award and a very successful first run of The Block. Liz Fraser, who moved from MSN and chair of the IAB to take up the role of director of sales and marketing at Mediaworks TV, has her say.
Run the Red promotes from within, Toni Street gets back on the couch, Sports Tonight draws to a close and AWARD School names its top students.
Almost one year after it was officially announced (and a bit longer after it was unofficially announced), Sky and TVNZ’s joint venture Igloo has finally got its googly-eyed mascots to deliver its set-top boxes into the wild. And it’s also launched its brand campaign, via Sugar&Partners.
Job losses and a high-profile departure at APN, Tim Wood heads to Rapp Tribal, Paul Hancox heads to TV, Jordan Dale snaps up bcg2 scholarship and Pead PR bolsters its tech team.
The shows and stars set to beam out to New Zealand in 2013 on TV3 and Four were announced last week. And now you can marvel at some of the humans who were there at the launch.
Kim Hill gets a big international plaudit, Colenso gets greedy, Geoff Devereux goes indie, New Zealand Blood goes digital with Young & Shand, MediaWorks swipes another TVNZer, TVNZ’s new 7pm show gets going, Hayley Holt heads to More FM and Jason Willis lights his Fuse.
What do you get when you cross glitter canons, cheerleaders showing their bums, overly dramatic sound tracks, media types eating all the nibbles and Paul Henry? A new season TV launch, of course. And first cab off the rank for 2013 was MediaWorks, which announced some of the goodies it will be showing on TV3 and Four at Sky City, interviewed some of 2012’s stars on the couch and introduced the first X Factor NZ judge, Stan Walker.
The TV industry, here and around the world, is currently dealing with some major challenges, but all that serious business was mostly forgotten on Saturday night as the stars—from in front of and from behind the camera—of the local industry turned up to accentuate the positive at the 2012 New Zealand Television Awards. And in the annual (mostly) two horse race, it was MediaWorks that wrested the big news prizes off TVNZ, and TVNZ that took home most of the prizes in the drama and reality sections.
Radio listeners across the country have once again taken pen to paper to log their listening patterns as part of Research International’s Radio Audience Measurement Survey. And the latest results show that audience levels have remained much the same when compared with the same period last year, with MediaWorks radio claiming its first ever most listened to network title.