Every year, TED compiles a list of its top ten ads worth spreading. And NZTA, Clemenger BBDO and Finch’s ‘Mistakes’ ad, which shows a conversation between two men without enough time to react to a life-changing accident, has made it onto 2014’s list.
The adage that change is the only constant proves true at Whybin\TBWA, APN NZ Media, DNA and Finch. Updates regarding Finch.
McDonald’s made a big song and dance about the launch of its lamb burger last year before removing it from the menu due to poor sales. But that hasn’t stopped Burger King from trying, and it’s playing up the premium nature of its new King’s Collection product and aiming to show that “every man can eat like he’s rich, including the rich” with the help of its new spokestoffs: the frightfully wealthy stereotypical British aristocrats Sir Roger Poppincock and Baron von Cravat.
One big hit from NZTA and Clemenger BBDO, another big hit from Old Spice and Kiwi Steve Ayson, a curious child calls Christmas into question in a spot for ze Germans by Mark & Louis, and a collection of oddvertising for Carlton Dry from Taika Waititi.
Clemenger BBDO has once again delivered for the New Zealand Transport Agency with a new ad that targets drivers who think it’s safe to exceed the speed limit by only a few kilometres per hour.
Taking inspiration from the ‘Fix. Fasten. Forget’ campaign slogan from the well-loved Havoc and Newsboy campaign of the early 2000s, Y&R Wellington has now launched ‘Fix. Fasten. Don’t forget,’ a government-funded follow-on that aims to remind Kiwis of the importance of securely fastening items around the home. But rather than using a humorous educational approach, Y&R aims to catch the audience off guard with three ads designed to shock Kiwis out of their inertia.
Bell Tea’s historic arm-related journey, H Brothers keeps it cool, Kiwirail heads for the country, Lotto honours the chilly bin for summer and the Axis Awards shares the love.
Another week of quality Kiwi TV work, with DB Export, Sky, Steinlager, Trade Me and Telecom getting special ribbons to wear on their blazers.
The DB Export family has benefitted from a bit of extra attention in recent years. First, the story of Morton Coutts was used to establish the ‘let nothing come between a man and a great beer’ brand platform. Then DB Export Dry used wine to sell beer in one of the best campaigns of 2012. DB Export 33 was up next and showed the kind of sacrifice men drinking the low-carb version were making for their better halves. And now DB Export Gold is being given its time in the sun, with another entertaining ad featuring a heroic man and his trusty dog.
Z Energy’s follow-up road trip, F&P’s canine lament and a product destruction demonstration for Yours clock up some points.
Audi, Warehouse Stationery, Sony and a Vietnamese hospital get a gold star this week.
Jae Morrison shifts to Finch, farewelling Nick Coombe, more gold for Kim Hill, Spark PR picks up Pacific Brands, Trio shacks up with Tourism Malaysia, changes at Positively Wellington Tourism, the arrival of AAANZ, and Tourism Fiji welcomes a new regional director.
The psychology of food and the changing quest for employment receive a warm embrace this week.
Spark Group’s silo-breaking, DDB to welcome some senior muscle, Dow Design adds a senior (and musical) creative, Nikki Walker joins Finch, Yukfoo looks overseas, Air New Zealand honoured (again) and Social Media Club gets a jolt.
The golden pickings were fairly slim at the AWARD awards, with just 12 handed out in total. And of the Kiwi agencies, it was Colenso BBDO on top again.
After extensive drug testing, Telecom, Quickflix and Pink Batts take this week’s medals.
There’s been plenty of action at Y&R recently, with Jon Ramage departing and James Hurman cutting short his OE to join executive creative director Josh Moore at the top table alongside non-executive director Ross Goldsack. It also won the the ASX-listed Quickflix business for Australia and New Zealand in March and, with the help of Finch, it’s just launched a campaign starring two aspiring actors/film buffs discussing the merits of the streaming service between takes.
No local acts made the shortlist for the design lions, not even Alt Group’s well-received Auckland Art gallery identity, but a rightful grand prix winner emerged: Serviceplan Munich for its solar powered report for Austria Solar. The two local radio shortlistings—Saatchi & Saatchi for Tui’s ‘Father’s day Morse Code’ and BCG2 for Jesters pies—didn’t have anything to write home about, with Brazilian agency Talent Sao Paolo taking top prize for its ‘repellent radio’ work for Go Outside, which saw a high frequency broadcast essentially turn a radio into a mosquito repellent.
Doggelganger, last year’s Pedigree Adoption Drive campaign by Colenso BBDO, used facial recognition technology to match humans with dogs and ended up winning all kinds of awards. And there’s a technological bent to this year’s campaign, too, with production company Finch developing a system that allows two entirely different films to be screened simultaneously on the same cinema screen with the use of specially designed glasses.
Who’s it for: New World by Colenso BBDO/.99 and Finch
Why we like it: A long overdue brand refresh for New World, which has been battered by the big-spending Countdown in recent years. All three ads from the new campaign are bang on in terms of …
Countdown has been going hammer and tong on the marketing front recently. But New World has come steaming back into view. And its new brand campaign is about as far as you can get from animated shopping baskets and fruit and vegetable musicals.
There are a few tried and true methods of catching the attention of fans of erotic content and they usually involve body parts and vaseline (on the lens). But Sky and DDB have taken a slightly more tasteful, self-deprecating and some might even say intelligent approach to promote its Adult Channel.
They’re renowned as tough awards to win. And that was apparent at the AWARD awards ceremony in Sydney late last week, with Colenso BBDO the only Kiwi agency to pick up a gold for its viral film for Levi’s Rear View Girls, which was one of just 16 golds handed out on the night.
Who’s it for: PlaceMakers by JWT NZ and Exposure
Why we like it: Like a nature documentary—but with tradesmen as the focus. A classy reality advertising campaign that shows the nuances of the building site very well, portrays the builders as craftsmen who like …
Who’s it for: Meridian by Assignment Group and Perendale
Why we like it: Wells works very well as a quirky Meridian mascot and manages to spread its renewable gospel in a non-preachy, sensible and entertaining way. Plus, it shows off some of the best bits of New …
We’ve seen plenty of manvertising in recent times, with the likes of Mammoth, Lion Red, Speight’s Summit and NZTA all taking the over-the-top masculine approach to appeal to the guys (and, often, the girls). Obviously, the next logical step in this creative evolution was manchildvertising, so, to launch Arnott’s Shapes Roadies in the New Zealand market, Y&R Auckland and Finch director Alex Roberts constructed an oversized carseat, embraced the green screen and filmed “three manchildren on a roadtrip behaving like manchildren on a roadtrip” as part of its rather absurd but quite funny ‘Feed the Manchild’ campaign.