Mana Magazine, which has been in circulation since 1993, will from issue 118 be relaunched by Kowhai Media, the current publisher of New Zealand Geographic. Until now, the bi-monthly magazine has been published by Mana Productions, a company owned and operated by Derek Fox and, according to a release on the Mana website, this move will see Fox’s responsibilities limited to only providing editorial contributions.

Dockers and Red Tettemer O’Connell + Partners are trying to put an end to the common fashion fail that is ‘Dad Pants’.

If there’s one thing everyone associates with glasswool insulation, it’s rock music.

The New York Times’ Snowfall was a great example of how a major publisher can use modern tools to tell stories. And now its Brand Studio has launched what some are calling the paid-for equivalent of that project, a multi-media series on women in prison that ties in to the new season of Netflix’s Orange is the New Black.

The Onion is America’s Finest News Source—and the world’s finest source of satire. And it’s taken aim at the prevalence of listicles, quizzes, surveys, you’ll-never-believe-what-happens-next headlines and other assorted clickbait featured on websites like Buzzfeed and Upworthy with ClickHole.

No? Because Nikki Mandow, the editor of Idealog magazine went to a fair few. She kindly bought in a few of the posters that served as invites for us to have a look at.

David Farrier takes a look at what Taika Waititi and Jemaine Clement have done to spread the hype about their upcoming vampire satire, What we do in the Shadows.

London traffic became even more congested recently as 12,000 taxi drivers staged a protest by blockading various streets throughout the English capital. Their dissatisfaction finds its genesis in the expansion of Uber, an app that allows potential passengers to connect with nearby taxi drivers. We chatted to Roger Heale, the executive director of the the New Zealand Taxi Federation, about the potential of the same happening here. Updated with comments from Uber.

Brother Design is lending its award-winning design skills to a good cause in a new campaign for not-for-profit organisation Look Good Feel Better (LGFB) by launching a print campaign to raise awareness about ‘Feel Better’ month, which runs over the course of July. LGFB focuses on improving the self-esteems of cancer sufferers by teaching them make-up techniques in an effort to help them overcome the taxing toll that treatments take on the body. The make-up training sessions are held periodically at workshops, which cancer suffers can register for via the LGFB website.

As a story in Adweek noted recently, “purpose transcends business and product (the what) and delivers on human principles (the why).” A lot of companies tend to tack this purpose on to the marketing department, or make it part of a corporate social responsibility programme. But All Good Organics, as the name implies, has goodness running through its veins and its efforts have been rewarded with a global award as the fairest trader of them all, beating out 27,000 products from 120 countries that carry the Fairtrade mark.