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A message from ‘Sally Midoff’
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After the Blackcaps play in the Cricket World Cup final on Sunday, you can be sure there will be a host of print ads congratulating or commiserating the team the following day, as there was when the All Blacks won the Rugby World Cup in 2011. But Ford has got in early with a full-page ad featuring in today’s Herald celebrating the glorious victory over the South Africans and warning Melburnian Mrs Mavis Madrigal to cover her gnomes and azaleas to protect them from flying round objects.

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Tourism New Zealand takes to Instagram to attract Aussie skiers
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For the third year running, Tourism New Zealand has reworked its ‘more magic every day’ campaign in a bid to attract Aussie skiers across the ditch for a winter holiday. The latest iteration of the ongoing campaign by Whybin\TBWA Sydney sees the Kiwi tourism body partner with Air New Zealand, Flight Centre, Instagram and the ski industry in New Zealand to drive holiday visitor numbers. And while Tourism New Zealand has previously collaborated with the other parties, this marks the first time that the organisation has partnered with Instagram to promote New Zealand through paid imagery and video content. PLUS: StopPress chats to Tourism New Zealand director of marketing Andrew Fraser about the organisation’s digital strategy.

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Nielsen multi-screen video consumption report shows Kiwis still favour TV
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Despite the rapid progression and expansion of all that is digital, with even five-year-olds owning iPads these days, television still remains the most dominant form of video consumption in New Zealand, according to a New Zealand multi-screen report issued by Nielsen. And, even more surprising, is that report shows television isn’t only the most popular video-viewing platform, but that its use is also increasing.

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Puns fly across print and social media after Air NZ and Westpac announce partnership
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It’s been just a few days since Air New Zealand announced its departure from Airpoints partner BNZ to team up with Westpac, but banking brands have fast taken action pushing themselves out through social media via sponsored posts (featuring an array of creative airline puns) to make sure they’re not overshadowed by the new partnership deal. Here’s what BNZ, Westpac, Kiwibank and ANZ have been up to.

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The ego has landed: MediaWorks gets set to launch Paul Henry’s media mongrel, new ad shows off its stars
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As Colin Peacock noted in MediaWatch this week, as two X Factor judges were sent packing for bullying and lambasted for having an over-inflated opinion of themselves, a man who has “built his reputation on his ego and on picking on people poorly equipped to defend themselves on air” is getting set to kick off his experimental, multi-media breakfast news show on April 7. And MediaWorks has launched the last phase of its marketing push to get New Zealanders to tune in.

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The SVOD knee-jerk: Lightbox, Neon and Quickflix respond to the arrival of Netflix—UPDATED
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Netflix, which launched in the Kiwi market today, yesterday announced that its pricing structure will include three different subscription options: $9.99 for single-stream standard definition plan; $12.99 for a two-stream high-definition plan; or $15.99 for a four-stream ultra-high definition plan. And this announcement has been met with swift responses by the players currently in the market. PLUS: traditional broadcasters also announce some changes.

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‘Don’t be like Guy Williams. Do something with your life’
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The One Percent Collective, which aims to create “a seismic shift in charitable giving in Aotearoa”, has already chalked up a few celebrity endorsements, with Dai Henwood, Conrad Smith, Kimbra and many others contributing to its first magazine, The Generosity Journal. And now ‘local craplebrity’ Guy Williams is helping out by imploring punters to do something good for a change and apply for the newly created chief digital storyteller role. PLUS: six more charities set to be added to the flock.

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In your face: Magic Leap and Weta Workshop’s take on the future of gaming
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The joy of prediction is that no-one tends to remember the incorrect guesses. But whether it’s Arthur C Clarke, Nostradamus or Minority Report, they’ll often cling to the correct guesses as proof of some remarkable soothsaying ability. And, with the help of Weta Workshop, Magic Leap, a fairly mysterious “cinematic reality” startup that received US$542 million of funding last year, posted a video of what it sees as the future of gaming a few days ago.

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MediaWorks targets lucrative older demographic with new station
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Following last week’s announcement that Kiwi FM would be switching off, MediaWorks has now released a statement saying that new nationwide radio brand called Magic will launch on April 20. Targeted at 50- to 69-year-olds, the new station will be programmed by The Breeze content director Ian Avery and feature classic tracks from the likes of Elvis Presley, the Beach Boys, Roy Orbison, Dusty Springfield and Rod Stewart, among others. And this move could make commercial sense, given the high level of disposable income this group has in its pocket.

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Who said Kiwi TV was boring? Host controversy, wheelbarrow mishaps and unexpected flatulence get global attention
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It’s been exciting times at MediaWorks in recent months, with big restructures in the business and man-slaughterers, fraudsters, bullies and drink drivers featuring on TV. Across at TVNZ, there hasn’t been quite as much drama and its new reality format Our First Home has been plodding along rather than taking the nation by storm, but one moment has made it to US clip show The Soup. Plus: searches for the word ‘fart’ spike after a case of flatulence on The Bachelor NZ.

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Goodnight Kiwi FM
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After around ten years of broadcasting, originally as a Kiwi-only music station and more recently with some international artists thrown in the mix, MediaWorks has announced that Kiwi FM will close on March 31.

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Toyota and Saatchi & Saatchi put Dai Henwood’s comedy skills—and automotive stereotypes— to good use
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Toyota is one of the country’s most trusted brands and has been a regular on the Reader’s Digest list (despite a couple of high-profile international recalls in recent years). This is a big part of the reason it’s still top of the pops when it comes to overall sales. And it’s playing on that trust—and on the fear people have of being ripped off by automotive cowboys—in a new campaign via Saatchi & Saatchi for its Genuine Parts business that sees Dai Henwood taking a leaf out of the Eddie Murphy/Martin Lawrence acting book and playing three different characters.

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Serj Tankian merges sight and sound
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System of a Down frontman Serj Tankian has taken on a slightly different career direction in recent years in developing a cross-sensory art exhibition that features a range of original paintings that have accompanying soundtracks.

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A true tourism campaign?
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We’ve all seen the rolling hills, smiling faces, water sports scenes, kiwi birds and rustic charm that have populated the nation’s tourism video canon over the years. And while these representations sure do help to sell the flights that drive one of New Zealand’s biggest industries, everyone that lives here knows that they aren’t 100 percent true most of the time.

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Staff shuffle likely as Fairfax rethinks its newsrooms
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Fairfax has actively been tweaking its strategy to facilitate better digital storytelling. This has included a recent update of its content management system, training journalists on how to film video on their smartphones, investing in an experiential and events unit, running digital marketing campaigns, and purchasing stakes in Neighbourly and Pricemaker. Now, off the back of yesterday’s ASA report showing that newspaper ad spend had dropped year on year by $25 million, Fairfax has announced a series of changes that will introduce more digital-centric approach to its news service. And these changes include news of the proposed de-establishment of seven editors’ jobs and the introduction of 12 other senior positions.

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A very modern rescue dog
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As part of a SXSW stunt for American mobile battery case company ​Mophie, St Bernard rescue dogs have been given smartphone battery packs instead of brandy barrels, giving some of those who tweeted the company detailing their lack of juice a much-needed charge for its Stay Powerful campaign.

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Moving upstream: ICG invests in creativity, welcomes Mike O’Sullivan’s The Collective to the crew
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Originally established as a pre-press company in 1990, Image Centre Group has gradually moved into other areas like design, web development, full service printing, publishing, digital signage and advertising in an effort to bring the idea of an independent, marketing communications group to life. Now it’s added a crucial—and up until now missing—cog to that wheel: the creative heft of Mike O’Sullivan and his business The Collective.

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