Vodafone, Whittaker’s and Pak ‘n Save win a solemn nod of approval this week.

The New Zealand Transport Agency has run various campaigns encouraging drivers to focus when behind the wheel. Much of the attention thus far has been placed on the distractions caused by mobile phones. However, a recent investigation conducted by Jono and Ben has found there might be a much bigger problem that’s being largely overlooked—namely, giant billboards featuring scantily clad All Blacks all over the nation.

Mozart, the Egyptian goddess Ma’at, the Apollo 11 mission and ancient Greece were some of the subjects among the entries for Google’s ‘Doodle 4 Google’ competition. Young’uns from years one to 10 submitted entries for a Google logo design about where they would go and what they would do if they could go back in time.

Emojis are on their way to global takeover. They’re appearing in all sorts of campaigns, including a recent spot by Spark for Morepork home security, which features a family of emojis that talk and think in emojis. Even the Pope has been emojified. Digiday asked ad creatives, strategists and account manage to describe a day in their lives with emojis, here are the results.

With the entire nation not necessarily willing to wake up ridiculously early to watch all games of the Ruby World Cup, daily highlight reels are playing an important role in keeping fans informed of the daily proceedings. And Whittaker’s is now getting in on the highlights action but it’s going about in a very different way. Rather than showing clips from the actual games, the chocolate company, recently chosen as New Zealand’s most trusted brand, is re-enacting key events with the use of All Blacks chocolates and an assortment of children’s toys and posting these to its Facebook page.

Having recently had himself 3D-printed as part of Spark’s promotional push for the release of the iPhone 6, Henry Oliver looks at whether the concept of queuing for readily available items might soon become a thing of the past.

As an official sponsor of the Rugby World Cup, Heineken is one of the few companies that’s actually allowed to mention the event by name. And given this privilege, the company has been incorporating the event into much of its recent advertising.

As indicated by the proliferation of headphones fastened to the ears of runners and gym goers, a personal soundtrack has become something of a necessity for an exercise regime. Given this affiliation between music and exercise, organisations such as Beats by Dr Dre has released a plethora of ads featuring sports stars using its products. Similarly, Spotify has also been making moves into this space, developing playlists specifically targeted at those engaging in exercise. And now, the music streaming service has taken it one step further by launching a feature that plays tracks matched to the pace the runner is moving at.

Radio New Zealand has launched its first podcast with John Campbell called ‘Pay day is broke day’ and in just an hour since it was published it’s already the most popular piece of content on the RNZ site.

Uber has now reached one million trips in New Zealand since it launched 18 months ago and to celebrate, it’s offering its users two free rides tomorrow and has released information on its impact in the country.

Social media is being used in all kinds of creative ways to market these days. One of the latest initiatives is by Tourism New Zealand and travel group Helloworld which has created the world’s first social media relay, through Instagram, in celebration of United Nations World Tourism Day.

Dr. Paul Bracewell, founding partner and chief data scientist at Dot Loves Data, says the statistics being thrown around in the media about the 2015 Rugby World Cup are typical of many applications of analytics in the business world: there are few actionable insights being provided. So he crunched the numbers and showed that the simplest solution is often the best.

Samsung has released its Samsung Galaxy Note5 and teamed up with designer menswear brand Working Style to promote the product in New Zealand, creating an analogy between the streamlined design of the device and the fine workmanship of a tailored suit via a TVC by Augusto.

The venn diagram that justified the creation of House of Cards showed that Netflix had big data on its side. And since then it’s had a pretty good run as far as creating original content goes. Its latest series, Narcos, follows the story of drug kingpin Pablo Escobar and it has also been a major hit. And, in keeping with a native ad strategy that has seen it work with The New York Times to promote Orange is the New Black, The Atlantic to promote House of Cards and Wired to promote a new era of TV, it’s called on The Wall St Journal’s commercial content division Custom Studios to create an impressive indepth series of the economics of the cocaine trade.

While everyone’s automotive attention is currently on the sneaky emissions-dodging Germans, Honda continues to pump out the advertising gems and, following in the footsteps of the classic Rube Goldberg effort Cog, the attention-grabbing Hands, the very clever The Other Side and the mind-hacking Keep Up, it’s weaved together around 3,000 hand-drawn images and used the power of stop motion to show 60 years of innovation.

Following on from the recent consolidation of the Slingshot, Flip and Orcon advertising accounts, M2 Group has released its first ad campaign via its recently appointed creative agency Rapp.

Earlier this year, Vodafone changed creative direction with the introduction of an adorable porcine character named Piggy Sue, whose heartfelt story relayed the point that ‘life’s better together’. And now, the red telco has built on the positioning with a new ad that shows the value of mobile technology in keeping people connected through a brief story about a grandfather playing a game of chess with his grandson.