Leo Burnett Sydney has won the McCafé and Family portfolios for McDonald’s across Australia and New Zealand, taking the business off DDB, which has held the account for more than 30 years.
Author StopPress Team
Air New Zealand filled up a room with social media sponges and marketers yesterday to hear Randi Zuckerberg, the former Facebook marketing director and less famous sister of Mark (some might say she’s the female equivalent of Doug Pitt) and Wildfire’s Jessica Gilmartin speak. And if any Kiwi company was going to sponsor a social media breakfast, it would have to be the very socially active national carrier. But in case you haven’t been paying attention over the past few very difficult years in the aviation industry, it has put together a video explaining the airline’s approach to social media and showing what it has managed to achieve as a result of its focus on it .
The ‘Shit People Say’ meme kicked off with a couple of stunners that clocked up 16 million and 8 million views respectively and then rapidly went downhill as everyone climbed aboard that particular bandwagon. But Beam Global has brought it back for its Bar Legends trade campaign, with a clip made by Young & Shand (eager eyes might be able to spot Mr Shand in the video) and The Downlowconcept detailing some of the interesting scenarios Kiwi bar tenders have to put up with.
Having recently departed his executive creative director role at JWT Sydney to return to New Zealand, Angus Hennah has joined a different member of the WPP family and taken the role of executive creative director at Ogilvy.
There weren’t too many particularly memorable promotional efforts from the wide range of Rugby World Cup sponsors last year. But a few stood out, and one of them was MasterCard’s Priceless Moments series by McCann Sydney and Prodigy. Now the agency has followed that up with a pretty funny spot promoting a competition that’s offering one lucky—and, judging by the ad, potentially very annoying—rugby fan a trip to Europe to watch the All Blacks play Italy, Scotland, Wales and England.
One of the smart things about Pak ‘n’ Save’s proposition is that it isn’t really based on price, it’s based on value. And that was proven recently when it was judged to be the best value brand in the country. Its entertaining corporate spokesstick Stickman has been beating that particular drum in his inimitable animated style for a few years now and DraftFCB’s self-reflexive, whimsical campaign is one of our favourites here at StopPress (not everyone likes him though). And the two latest spots reaffirm that.
As Lion says goodbye to one of its prize marketers, Frith Morrissey joins TBWA\, Will Seal shifts from PR to media and JWT’s Rod Prosser heads for France.
All the Kiwi design shops missed out in Cannes, but Alt Group has been awarded five red dots, including a sought-after red dot: best of the best in the red dot awards in Berlin for The Social Kitchen, a project created for Fisher & Paykel in collaboration with The Engine Room restaurant and furniture design company IMO, following on from the silver Clio award it won in New York.
Just as restaurants often find it difficult to operate successfully as bars, it’s tough for ad agencies to succeed as design shops—and vice versa. That’s partially because there seems to be an element of patch protection at play on both sides of the fence, perhaps as evidenced by some of the comments in the article about Designworks’ foray into advertising with the University of Canterbury’s latest campaign. But, as one of the few agencies that’s won both Best Awards for the likes of the ecostore rebrand and Four’s big yellow duck as well as a whole host of prestigious creative awards, Special Group seems to be doing a pretty good job of striking a balance. And its latest effort is the creation of a new brand identity for Omaha Organic Blueberries (OOB).
The APMA Star Awards, which celebrate the past year’s finest promotional efforts, took place last week in Oz, with New Zealand marketing agency Belowtheline the only Kiwi agency to take home a gold, winning the top award in the ‘best sponsorship leverage’ category for its ‘Game Plan’ promotion for Sanitarium’s sponsorship of the All Blacks before and during the Rugby World Cup.
Following on from the recent news that Carat took the Sovereign Insurance account off OMD without a pitch, the agency has further bolstered its client list after being appointed to manage strategy and media buying for Bendon brands like Lovable, Elle MacPherson Intimates, MacPherson Men, Davenport, Pleasure State and Stella McCartney Lingerie across New Zealand.
We wrote about Steinlager Pure, DDB and Taika Waititi’s new campaign on Friday, but had to wait until Sunday to see the ad, sandwiched as it was between Tom Scott and Plaza director Paul Middleditch’s very good Separation City on Sunday Theatre. Now, for your viewing pleasure, here it is, in all its zany, self-reflexive, patriotic cliche-busting and Waititi-esque glory. And we likey. Suggestions for the next local Steinlager Pure frontman welcomed.
The flappers were flapping, the pin stripes were thick, the feather boas were ticklish and the awards were plentiful at the Great Gatsby-themed Magazine Awards at The Pullman last night, especially for the big winners Good and Cuisine. And don’t you word and picture lovers scrub up nicely. Photos by Simon Watts from Getty.
This year’s Red Socks Day falls nearly 11 years since Kiwi legend Sir Peter Blake was killed by pirates on the Amazon. Today, the Sir Peter Blake Trust continues to honour not only the man himself, but also his leadership, love for the environment, and his dedication to New Zealand youth. And to help raise awareness for this year’s Red Socks Day, Westpac, which is the foundation sponsor for the trust and has supported it since it formed in 2004, and .99 worked with street artist Sparrow ‘Component’ Philips (co-founder of the Cut Collective) to create a one of a kind stencil-art styled image of Sir Peter’s face made from almost 3,000 red, white and black socks.
Put the over-achieving founder of digital agency AKQA Ajaz Ahmed and the vice president of digital sport at Nike Stefan Olander in a room to talk about the possibilities—and challenges—of the digital realm and you end up with Velocity: Seven New Laws for a World Gone Digital. We’ve got one copy to give away, and all you have to do is tell us what we might be doing, how we might be doing it and what we might be doing it with in the future. As John Elfreth Watkins showed, though the suggestions may sound wacky at the time, they often have a habit of coming true.
Toyota has held onto its number spot in the 2012 rankings of Interbrand’s second Best Global Green Brands report, but Johnson & Johnson isn’t far behind and Danone (#9), Ford (#15), and Starbucks (#36) are rising fast, with tech and automotive brands dominating.
The New Zealand Herald’s Viva magazine turned 15 recently, and, as part of the celebrations, APN offered agencies an opportunity to submit a creative concept for a chance to win a spot on the front cover and inside front cover of the birthday issue. And JWT’s idea for Pernod Ricard’s G.H. Mumm champagne brand took the top prize, with the birthday edition of the magazine coming enclosed in golden bubble wrap and the phrase ‘enjoy the bubbles’.
justONE clients Farmers and Subway have respectively seen Farmers Club and the Subcard loyalty programme announced as finalists in the retail category of the prestigious Colloquy Loyalty Awards, which salute “the most transformative, customer-focused enterprise loyalty initiatives internationally”, with .99 and New World for its wine sale eDM the only other finalist in that category. And Fly Buys and Air New Zealand’s co-branded card is a finalist in the innovation in loyalty marketing.
The Research Agency welcomes an international research heavyweight, Eleven\PR snatches a couple from PPR, Ambient Group ramps up its experiential and talent offering, Firebrand does some of its own recruiting, Rob Fyfe wraps up warm with Icebreaker, Komli NZ wins About.com, In Motion Post gets a slice of Bunnings, JOOB announces one of its regional big dogs and a couple of Auckland dining hotspots get some international attention.
Haystac has been selected as Tourism Victoria’s New Zealand PR agency after a rigorous competitive pitch process that began in March. Expressions of interest from over 30 agencies resulted in 11 tender submissions, six shortlisted hopefuls and finally, three pitch presentations.
To celebrate its 21st anniversary, the TVNZ/NZ Marketing Awards were given a proper spruce up this year with the launch of the ’Everything Marketing’ platform and the announcement of eight new categories. And the changes have been met with approval, because a record number of entries and new entrants were received for the 2012 edition, with a total of 45 entries in the running for the top spots.
The Australian division of Fairfax has announced some massive changes to its business recently, including a plan to cut 1,900 jobs, erect paywalls, outsource subbing for some of its titles to New Zealand and take some of its broadsheets tabloid. Fairfax NZ boss Allen Williams has said it’s a case of two markets and two time frames and the shifts won’t affect the New Zealand business, but they have affected the local industry in one way because Andrew Holden, the editor of The Press in Christchurch, has been named as editor in chief of The Age in Melbourne, replacing Paul Ramadge, who resigned yesterday.
Swipe HQ, a Kiwi offering with echoes of US payment technology Square, is on track to hit the market in August. But founder Manas Kumar, chief executive of local tech company Optimizer HQ, which listed on the German stock exchange this year, says it’s more than just a transactional technology. It’s an “end to end” business solution.
he means of distribution might be changing, but there’s still no better way to convey emotion and tell stories than with video content, whether it be a traditional TVC, a short film or an interactive music video. So herewith, all the gold winners from the film and film craft categories at Cannes.
New Zealand finished off its Cannes run with a few more nods over the weekend, with Special Group and Colenso BBDO adding two gongs each to bring the total local haul for the Festival of Creativity to 21, an improvement on last year’s paltry six lions but still not quite back up to the record 25 lions in 2010.
ZenithOptimedia has once again gazed into its crystal ball and released its global adspend forecasts, including predictions for the New Zealand media marketplace. And both the global and local trends make for interesting reading.
Anna Gervai joins JWT, a couple of changes at DB, Sarah Fenton moves up the Yahoo! chain, Vodafone gives Jane Wilson a call, Stephen Williams joins Adcorp, Senate adds a pair, Hypermedia adds Hobday, Terabyte Interactive gets the nod in AUT Excellence in Business Support Awards and the EMANZ crew wag chins.
Sugar is on the receiving end of some extra attention at the moment for its supposed effects on health and, as this very interesting piece in The Guardian shows, the finger is being pointed at the food we eat and drink we swallow for leading to an average 19kg increase in weight since the mid-’60s. But hey, at least the ad campaigns for these sugary elixirs are cool. Right? Anyway, the next instalment of V’s Motion Project has gone live, with “technology experts, motion graphic artists, dancers, Burundi drummers, guitarists, marching bands and the vocal talent of Brandon Black from The Wyld” banding together to create the track, ‘Can’t Help Myself’. Pull your hoody up, let your pants hang low and download it here.
No local acts made the shortlist for the design lions, not even Alt Group’s well-received Auckland Art gallery identity, but a rightful grand prix winner emerged: Serviceplan Munich for its solar powered report for Austria Solar. The two local radio shortlistings—Saatchi & Saatchi for Tui’s ‘Father’s day Morse Code’ and BCG2 for Jesters pies—didn’t have anything to write home about, with Brazilian agency Talent Sao Paolo taking top prize for its ‘repellent radio’ work for Go Outside, which saw a high frequency broadcast essentially turn a radio into a mosquito repellent.
Last year, we wrote a story about SodaStream’s The Cage, a global PR campaign that aimed to draw attention to the effects of packaged soft drinks on the environment. But the campaign has earned the ire of one of its targets, Coca-Cola, with the South African outpost issuing a cease and desist letter to SodaStream demanding its bottles be removed from The Cage at the Johannesburg airport because it claims to own the used bottles.