The Social Network has been getting rave reviews all around the world (if you want to read a massive, intellectual but quite excellent summary, check out Generation Why? by Zadie Smith). Our crack team of movie experts can confirm that it is indeed a tour de force, a triumph, a gripping social media-related romp—and, after heading along to Val Morgan’s 3D ad showcase last week, we can also confirm that the 3D ads shown before the movie were pretty damn good too. We’ve got a couple of double passes to give away to this rather engrossing tale of mystery, intrigue, skullduggery, powerful nerds and the modern human condition, so put up your most banal Facebook status update on the comment wall and to the most banal will go the spoils.

Thanks to a successful relationship with Canon New Zealand over the past six years, Auckland marketing agency BallantyneTaylor has added another big string to its B2B bow, beating out two Sydney agencies for the Canon Australia business in a joint pitch with Datalicious, which will be providing data collection, analytics and facilitation.

Plenty of back patting and flute chinking ensued at last week’s official opening of Oktobor Animation in Auckland. And fair enough, too, because it’s now New Zealand’s largest purpose-built CG animation studio and it’s already working away on some rather large international projects, including DreamWorks’ Penguins of Madagascar, a spin-off of the massive hit movie Madagascar. No pressure, then.

Both loved and loathed, the New Zealand Truth newspaper prospered throughout the twentieth century and wielded considerable influence at all levels of society. And its colourful warts and all story is now the subject of a book by author and former staffer Redmer Yska called Truth: The Rise and Fall of the People’s Paper.

2009 was a bit of a watershed year for cider in New Zealand. And to celebrate, Monteith’s recently launched its new Crushed Pear Cider—which is made entirely from good old fashioned New Zealand pears, not from apples like some of its pear-flavoured competitors—with a rather unique take on comparative advertising and a fake protest outside DB HQ. You’ll be overjoyed to know that we’ve got some of the delectable nectar to give away to parched StopPress readers and because everyone loves sloganic frivolity, we want you to come up with a slogan for Monteith’s Crushed Pear Cider. Add it to the comment wall and the three best efforts will get 12 bottles of the good stuff to sup on contentedly during these warm tropical nights. Extra points for bad pear-related puns.

Hey, look, Masport celebrates in 100th, too much Countdown family, facial topiary embraced for Movember, Wanganui attempts to lure domestic tourists, Unilever continues to make almost every product on the face of the Earth, New Zealand’s taxi companies unite under a blue bubble and kudos directed to the Sovereign ads that play before TV One’s sports news.

It seemed like a promising start—and it also seemed like a win-win scenario—but the commercial realities have hit home for public bike provider Nextbike and it has been forced to suspend its operations and remove its bikes from the Auckland streets due to a lack of advertising revenue.

With Kiwi consumers increasingly heading online to do their buying, Loyalty New Zealand has added another five e-tailers to its Fly Buys e-stores list, which brings the total to 23 after the service was launched late last year. 

More than 700,000 New Zealanders tuned in to say their final farewell to Outrageous Fortune—and to the much loved West family—last night, with TV3 nabbing a 51.5 percent share in 18-49 demographic and a 24.8 rating for the last ever episode of what was New Zealand’s favourite drama.

In a sordid tale of intrigue, subterfuge, poaching and skullduggery that could be worthy of a cover story in itself, ACP has made an already uber-competitive sector even more competitive by signing up Women’s Weekly editor Sido Kitchin as the new editor of what was not too long ago her avowed enemy, Woman’s Day, and also bringing Weekly’s deputy editor Fiona Fraser into the fold.