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There was intellectual dissection, there were furrowed brows, there were plates of calamari (hopefully the kind from the sea), there were big jugs of beer, there were raised voices, there were occasional bouts of physical violence and, eventually, there was quorum as a panel of esteemed judges chose New World and Colenso BBDO’s rather fruity Fruit and Vege Pro as the victor in the StopPress/MediaWorks TVC of the Year, with Vodafone’s Piggy Sue and Sky’s Murmuration second and third. PLUS: other category winners for craft, degree of difficulty and clever use of TV.
Sky has opened up Sky Sport channels 1, 2, 3 and 4 to non-subscribers through its online sports streaming service Fan Pass. And this announcement means that sports fans will be able to access the quartet of channels through a one-day streaming pass for $14.99 or a week for $19.99. So what does this mean for viewers who don’t have a Sky subscription.
While Sky was officially founded 28 years ago in 1987, it was first beamed into New Zealand households 25 years ago. And to celebrate the silver anniversary it’s got a bunch of artists to capture the essence of why we watch TV. And it’s also repaying the loyalty of subscribers by offering them an opportunity to win one of 25 fan experiences in New Zealand and around the world.
In a recent opinion piece by Duncan Garner he said he strives to find more of a work-life balance and prioritise the important things after the loss of his father and realising Parliament was “a ridiculous place to work”. He might find that a bit difficult now, as it was announced today he will be a co-host on Campbell Live’s replacement Story alongside Heather du Plessis-Allan while continuing to present his RadioLIVE drive show from 3-6 weekdays. But no doubt the show will be welcomed with open arms after Come Dine with Me has failed to deliver in the ratings department as TV3 hits an all-time low.
As Sky TV continues to embrace digital marketing, it has brought the curtain down on Sky Sport – The Magazine.
While Sky was incorporated in 1987, its social channels were drawing attention to its 25th birthday yesterday. The remotes have changed a lot in that time, as has the broader media market, and while it still counts over half of the country’s 1.6 million households as subscribers and raked in record profits last year, there’s no doubt the competition has ramped up significantly in recent years. So, in honour of this milestone, here’s a story we wrote last year about Sky’s fruitful relationship with its long-serving agency DDB.
Sky’s History channel and DDB have teamed up for a unique Anzac activation in which fake trenches were set up in Auckland and Wellington with actors dressed as soldiers re-enacting what it would have been like during WWI.
Rarely do the players in the TV market set aside their fierce competition and come together in support of a common cause. However, the emergence of global mode options on internet service providers Slingshot, Orcon and other companies has risen sufficient concern for MediaWorks, Sky, TVNZ and Spark (the owner of Lightbox) unify. A joint statement by the quartet of companies today stated that they are “taking action against internet and technology companies who sell and promote services that enable access to international geo-blocked TV and movie services.”
A record 32 golds were handed out at the AWARD Awards last night. And of the Kiwi agencies, DDB, Clemenger BBDO and Colenso BBDO had most cause to celebrate. PLUS: local talent acknowledged at the Young Guns.
Huzzah! It’s reporting season. So here’s a selection of financial results from some of the country’s major media
With the proliferation of subscription video on demand services, some have started to suggest that the traditional paid-for TV model will come crashing down. However, in its interim report for the first half of 2015, Sky included an interesting graph that illustrates why the service might stick around for quite some time.
In the lead up to the release of Netflix on 24 March, Vodafone has become the exclusive communications launch partner for the company in New Zealand and is trumpeting the arrival via a promotion that will give Vodafone subscribers on one of the available 24-month Red+ mobile plans six months’ access to the subscription video on-demand (SVOD) platform.
With Sky’s Neon video-on-demand product having launched, Stoppress talks to the designers about developing a streaming service people actually wanted to use
While everyone has been waiting with bated breath for the impending release of Neon, Sky this week released Fan Pass, a sports streaming service that will give viewers access to NRL, Formula One and Super Rugby. PLUS: the head of Fatso Cuan Gray has been given the reins to lead the new offering.
This week it has been reported on the NBR and Stuff that Vodafone would be offering its broadband subscribers six months’ of free Neon as part of an extension of its deal with Sky, which sees the internet service provider offering reduced Sky subscription rates to its broadband customers. And while Sky’s director of corporate comms Kirsty Way has confirmed to StopPress that these initial reports are true, she would not provide information on new launch date of Neon.
From March, Prime News, which airs on Sky-owned Prime, will be produced by the MediaWorks news division at their Auckland Flower Street Studios as part of a new deal between the two networks. And the deal comes with additional revenue potential for MediaWorks, because the network will also be selling advertising and sponsorship associated with the show. PLUS: Top Gear heads to TV3.
Sky has kicked off its promotional efforts in the lead up to the 2015 Cricket World Cup with an outdoor campaign that features the visages of real fans supporting their teams.
The final tip of the hat, 21-gun salute and celebratory cheer of the year go to Sky, the Health Promotion Agency and Air New Zealand.
In recent months, Sky TV has been very active in the digital channel with a variety of promotions, including several Facebook campaigns and a pair of Buzzfeed-based efforts. And this trend is now continuing with the launch of a new competition called GameFace, which is designed to drive interest in the upcoming Cricket World Cup. Update: this campaign has been put on hold in respect to the passing of Philip Hughes.
The last year has seen subscription video on demand (SVOD) become a major talking point, with various players vying to become the Netflix of New Zealand. However, claiming this title will now be difficult now following the recent announcement that the actual Netflix plans to launch in both Australia and New Zealand in March next year. PLUS: we look at Neon’s lineup.
StopPress recently ran a story on how BuzzFeed is making moves in the Australasian market. And while most of the list-making juggernaut’s activities are focused on the other side of the ditch, Kiwi businesses are also starting to experiment with the company’s unique brand of native advertising, which holds such reverence for the power of the .gif. We look at what Sky and the NZTA are doing in this space.
We live in increasingly visual times. And no-one’s got time to read those pesky words anymore. So every week we’ll publish a few graphs that need very little explaining. This time, Sky’s impressive revenue and share figures over time.
Sky had a stunner last Friday when it announced great numbers, a new five year rugby deal and plans for some fancy new additions to its boxes. It also announced the launch of its much-discussed SVOD offering Neon, which is set to launch in December. Here’s what managing director Dave Joyce had to say about the strategy behind it.
Every day, around two million Kiwis log onto Facebook to scroll down their newsfeeds to see what is happening in their lives. And according to Stephen Scheeler, the company’s head of New Zealand, these aren’t sporadic single visits because the average user peruses the site around 15 times in a single day. “For those two million Kiwis on Facebook, about 12 percent of their media consumption is Facebook,” says Scheeler. “Remember, eight years ago it was zero. So this has been a massive shift.” The rapid migration of audiences into the digital realm is by no means surprising, but such statistics are increasingly serving as strong impetus for brands to shift their commercial messaging to where the eyes are. So we take a look at how brands are collaborating with the social media juggernaut to spread their commercial messages.
Earlier today, Sky officially announced it has signed another five year deal with Sanzar and NZ Rugby, giving it the rights to the precious code until 2021. And at its AGM at the Langham, it had more good news for investors and subscribers, announcing some impressive numbers, detailing how it will soon be embracing internet-delivered television and launching its SVOD offering Neon.
In recent months, on-demand streaming and subscription video on-demand services have enjoyed column inches in pretty much every publication even mildly interested in the changing media landscape. The emergence of Lightbox, the decision of Slingshot to launch Global Mode to give customers access to Netflix, Sky’s plans to launch an SVOD service in the near future and the on-demand streaming deals signed by MediaWorks and TVNZ have been just some of the areas of intrigue that this space has delivered—and a Kiwi public that previously had very limited viewing options suddenly finds itself spoilt for choice. So what exactly are Kiwis choosing and which shows are attracting the biggest audiences?
Copper’s Megan Clark recently judged the promo & activation and direct categories at Spikes Asia. And here’s what she learned.
DDB New Zealand has had a few good account wins recently, including Icebreaker and the Auckland Council. And it did pretty well at Spikes Asia over the weekend too, winning enough trophies to be placed second in the agency of the year category behind Dentsu Tokyo.
Sky TV has delved back in time to before certain movie stars were famous – featuring the casting tapes of famous Hollywood actors in TVCs as part of its its “Come With Us” brand campaign. Two 45 second TVCs have been produced by DDB, one featuring martial artist/actor Bruce Lee and the other comedian/actor Seth Rogen.