Progressive Auckland church St Matthew-in-the-city has put up its Easter/April Fools billboard, and this one, which features Jesus on the cross saying “Well this sucks. I wonder if they’ll remember anything I said,” appears to be much more palatable to fun-hating prudes and religious zealots than the last innuendo-filled Christmas number.
With all this talk of The Feelers and uninspiring marketing campaigns for the Rugby World Cup, it’s good to see some creative, interesting and slightly more challenging event promotion work from the folks at TBWA\Whybin\Tequila for the big dust-up between David Tua and Friday ‘The Thirteenth’ Ahunanya tonight.
Spencer Willis of Brand Spanking attended a few events over summer and lamented some of the insipid youth marketing efforts in this story. So who better to offer up six top tips on engaging youth audiences than Lil Cameron, a writer with 25 years experience in, well, growing up.
The launch presentation for the ‘first phase’ of the Rugby World Cup has been given, the phrase once in a life-time was used way too often and the rumours were true: The Feelers will be the voice (and, judging by the falsetto in the Jesus Jones song Right Here, Right Now, not a particularly good one) of the 2011 Rugby World Cup.
There are many online marketing tactics you can employ to drive traffic to your website or brand profile, but you can’t underestimate the importance of keywords.
Who it’s for: CAANZ Axis awards and the celebration of 30 years of creativity in New Zealand.
Why we like it: Technically, it’s not a TVC. It was a spot that kicked off the CAANZ Axis awards last week. But it’s bloody brilliant and we …
The first phase of the Rugby World Cup (RWC) 2011’s big international marketing effort will be launched in Auckland today and everyone involved is remaining extremely, disappointingly but impressively tight-lipped about the whole thing.
It’s been a long summer. And thank God it’s officially over, because I now don’t have to attend another event where Midnight Youth are playing. Talking of God, the big man’s disciples have been out in force during this summer of 09/10, with one of the big marketing revelations being the Parachute festival.
Yoghurt! MOVE! Birds, fish and Jazz! Barnes, Catmur and even more friends! Adstream, Karma and Freeview! Star Awards!
There’s a lot of buzz around social media at present. And it’s a space that every company feels it should be in. But, first things first, what exactly is it?
Some billboards bleed. Some offer diamond earrings. And almost all shout a call to action. But the Fairground Foundation, a not-for-profit organisation that was set up and funded by ecostore founder Malcolm Rands to create a healthier, more sustainable world, has taken a different approach to grabbing people’s attention after unveiling what it likes to call the “un-billboard”.
New Zealand maintained its reputation as a direct marketing powerhouse at the 32nd John Caples International Awards in New York late last week, with Colenso and AIM Proximity’s Yellow Treehouse once again in the upper echelons and DraftFCB and TBWA\Whybin\Tequila also claiming some precious metal.
For anyone unfortunate enough not to be at the 30th birthday shindig of the CAANZ Axis awards last night, you can read all about the glitz and glamour here. But why be forced to think and read boring words on a screen when you could instead let two of the exciting videos that were played at the event go inside your brain with the click of a button.
Ads@6, where the name says it all. No pithy comment this week. StopPress has got a hangover.
Fairfax Magazines has purchased Driver magazine and will merge it with New Zealand Autocar from the May issue, after it became clear to John Baker, of former Driver publisher Tangible Media, that the publishing landscape had changed and two magazines devoted to new cars couldn’t be supported, particularly given the large decrease in sales of new cars in recent times.
The Air New Zealanders have done it again, this time brewing up an interesting marketing ploy they like to call the Aviation Design Academy, which is asking customers from New Zealand and around the world to submit their ideas and add a few finishing touches to the offerings in the airline’s new 777-300 aircraft.
You can almost feel the collective hangover after 680 creatively-minded humans gathered together last night at the huge and rather impressive Orams Marine Boat Park to celebrate the 30th birthday of the CAANZ Axis awards, as well as the creativity, ideas and personalities the industry has fostered in that time.
Optimism was in the air at the New Zealand Marketing Association’s Northern Regional Event today, with the general consensus among some of the country’s bravest and ‘upto’ direct marketers being that with the fancy tools now in the box there’s never been a better time to be in the game.
In strange things for sale on TradeMe news, committed Mexi-Dougophiles can bid to get their hands on the authentic and presumably extremely valuable Mexi-Doug Instant Kiwi costume, with the proceeds from the auction going towards WWF’s Earth Hour.
Somewhat surprisingly, for a man who’s the president and chief creative officer of the massive behemoth that is the Time Warner Global Media Group (oh, and he’s also the senior vice president of Time Warner), Mark D’Arcy exudes calm and charm. And, with a silver tongue and a penchant for strange magazines like this, he seems like your quintessential creative director. The strange thing is he’s actually working for a media company and he’s at the forefront of what he sees as a move towards media-led creativity in marketing.
So I’m 32, I’ve been an advertising creative for almost a decade and I’m beginning to feel old. Worse still, I’m running scared. It’s the ‘kids these days’. Seems like they can do anything.
After analysing the visual searches and choices of more than 1.5 million creative professionals around the world and reviewing thousands of tearsheets, commercials and other websites to discover trends, the global creative research team at Getty Images has produced some rather revealing white papers that show how the kinds of imagery used in marketing material in the technology and telecommunications, pharmaceutical and financial sectors has evolved in recent years.
Over 150 marketing professionals are expected to attend the New Zealand Marketing Association’s (NZMA) Smarter Data: Working Harder forum next week, with Affinity Id’s chief executive Geoff Cooper leading the lineup of speakers.
The finalists for the CAANZ media awards have been announced, with OMD New Zealand (fresh from the agency of the year win at the Fairfax/AdMedia soiree), SparkPHD and Starcom NZ nominated for the big one, media agency of the year.
Wholly Bagels owner and founder Charlie Daily decided on his marketing strategy out of necessity: he had no budget for mainstream advertising, so, instead, he decided to use giving and generosity as his major marketing tool. And so far it’s proven to be a very effective approach.
All the news (about pyar, new baby food, ice cream, banned ads, loin tingling, non-profit organisations and green marketing) that’s fit to print – and now in handy meta format.
Why we like it: As Mother always said, put some animated needlework in your ads (or your songs) and you’re bound to win the TVC of the week prize on StopPress. And the artisanship on display in this quirky, handmade and awfully time-consuming little number that was …
Magnation, the purveyor of fine periodicals, has recently embarked on “its most revealing promotion ever” by offering customers that strip down to their unmentionables and head into one of the shops a reward for their brave exhibitionism. And, according to Sahil Merchant, the founder of Magnation and “chief magazineologist”, the promotion has been wildly successful, highly amusing and, given its unexpected popularity, nigh-on financially catastrophic.
Econsultancy and the Online Marketing Summit have produced a US-based report called the Value of Social Media that is based on a survey of more than 400 client-side marketers and agency respondents. And Andy Beal, founder and editor of MarketingPilgrim.com, took a gander, with his major observation being that 61 percent of the companies felt their measurement of the return on investment (ROI) from social media is either poor or very poor.
Claire Stapleton and Duncan Munro from Y&R Wellington have taken out the Bolly Award for their Metservice campaign ‘You Can’t Change the Weather’, impressing the boffins with a digital execution that allowed punters a chance to play God.