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The fall of an empire: a look at the Publicis-Omnicom non-merger
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The ad world was in a bit of tizz last year when it was announced that the world’s second and third largest holding companies, Publicis Groupe and Omnicom, would merge to create the world’s biggest holding company and knock WPP off its perch. When we spoke to DDB NZ and Australia chair Marty O’Halloran at the time, he said the US$35 billion mega merger (the companies had combined revenue of around US$23 billion in 2012​) was unlikely to impact too heavily on this market. And it definitely won’t impact on this market now, because the lovers called the massive deal off late last week. Here’s a rundown of what the two parties and the international media are saying.

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A book that saves lives
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DDB NY has teamed up with not-for-profit organisation Water Is Life to produce the drinkable book, a short publication printed on specially designed filter paper capable of removing life-threatening bacteria from unclean water.

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40 years, 40 hours, over 40 countries: World Vision’s poetic tribute to hunger helping the hungry
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Since the 40 Hour Famine kicked off in 1975, World Vision says over one million Kiwis have taken part in it and raised $72 million to help people in over 40 countries. And to promote the 40th year of the initiative, which this year is focused on helping Malawi, Sugar & Partners enlisted the talents of renowned poet Sam Hunt, Exposure’s Brooke Benton and a number of other charitable young Kiwis to show how New Zealand’s largest youth fundraising event has become something of a rite of passage.

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Kiwi’s online portfolio shows off mind-blowing stop-motion animation
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The personal portfolios of cinematographers and directors often offer an unfiltered glimpse into the creativity of those working in the industry. And although the videos held within these portfolios rarely have a point beyond exhibiting art for art’s sake, the level of expertise on show often results in a worthwhile expenditure of viewing time. Looking at the work of Wield founder Ryan Kothe (previously a motion animator at MediaWorks), it’s quite evident that he’s a patient man with an almost obsessive-compulsive commitment to his craft, stop-motion animation.

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Clemenger picks up New Zealand’s only gold at One Show
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On 9 May, about three weeks after the finalists were first announced, the One Show awards were handed out, and the results were somewhat underwhelming for the Kiwi agencies originally shortlisted. Of the 18 awards that the Kiwi contingent could’ve won, only four resulted in silverware, with Clemenger BBDO, Colenso BBDO/Proximity and Shine picking up gongs.

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Clement and Waititi invite Kiwis to design promotional poster for ‘What we do in the Shadows’
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Taika Waititi and Jemaine Clement are outsourcing the design of the “unofficial poster” for their upcoming film ‘What we do in the Shadows’ to regular Kiwis by launching a competition that requires entrants to send in their best creative efforts. This winning poster, as decided by the vampires and the public, will be used in cinemas across the country and the designer will win a double pass to the New Zealand premiere in either Auckland or Wellington. The top ten will also be on display at the premiere events.

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Mum’s the word
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P&G has been beating its ‘Proud Sponsor of Mums’ drum for a few years now, largely in support of its Olympics sponsorship. And, to celebrate the 100th anniversary of Mother’s Day, it’s launched another heart-string tugger that’s already clocked up six million views. But not everybody appreciates the sentiment, with Mia Frazier laying into the patronising, regressive stereotypes in the New Republic.

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Kiwis tell power companies to stop the knockin’, Genesis listens
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Genesis Energy, the largest electricity and gas retailer in the country, announced yesterday that it would not be knocking on doors and offering switching sweeteners after a survey showed, lo and behold, that New Zealanders found the practice intrusive and annoying. So it’s launched a campaign via .99 and justONE that asks Kiwis to return the favour and go knocking on Genesis Energy’s door when they begin their search.

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‘Sage advice with a modern lens’: Sneddon launches indie media agency Super, GoPro experiment gives insight into modern media consumption
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After 11 years with Mr Smith, Ron Sneddon has cut the ribbon on his own independent media agency, Super, which has a heavy focus on digital media and branded content. And, after a small experiment involving GoPro cameras and a few Kiwi families showed him that traditional thinking around media consumption wasn’t keeping up with the reality, he says it was time for a different approach.

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New Zealand Radio Awards: MediaWorks collects mountain of awards, TRN dominates talkback
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Although radio usually sits in the background while the in vogue content delivery mediums soak up the limelight, the last few weeks have bucked that trend and brought radio to the centre of a varied range of media discussions. And given that radio is currently attracting so much attention, it’s only fitting that the New Zealand Radio Awards last night celebrated the best talent among those who are often heard and rarely seen (although, this is changing). As was the case last year, MediaWorks again led the charge in terms of numbers by picking up a total of 29 gongs throughout the course of the night, followed by TRN with 15 and Radio New Zealand with nine.

StopPress exclusives
Self high fives for Lotto as Powerball campaign wins February Ad Impact Award
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Since launching its over-arching Winning Happens tagline, NZ Lotteries and DDB have been aiming to show punters what it feels like to win. First up was its Instant Kiwi campaign, and next came Powerball and an overly-enthusiastic high-fiver called Craig. And it’s done the job and caught some attention, because that campaign has taken out the February round of Colmar Brunton’s Ad Impact Award.

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125 years of Tui: ‘Let’s make cheese. Yeah, right’
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The legacy of Tui largely owes its existence to the fact that its founder Henry Wagstaff was so bad at cheesemaking that he was fired from the cheese shop where he worked. Given that his questionable fermentation tactics didn’t work for dairy products, Wagstaff took the logical step of applying them to hops and barley instead. As it turns out, Wagstaff was something of a not-so-bearded, brewing Da Vinci and by 1889 his skills had earned him enough money to build the brewery in Mangatainoka.

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Tui kicks off 125th anniversary, presents beer glass as the original handheld device
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Given Tui’s recent history of covert plumbing activities, dishing out wads of cash at cricket and offending just about everyone in New Zealand with their infamous billboards, there was a sense of expectation that DB Breweries was planning something big for the 125th anniversary of the East India Pale Ale. And after a relatively quiet period, presumably planning the campaign, Tui has kicked off the celebrations with a new TVC via Saatchi & Saatchi NZ.

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V Energy calls on ‘V Heads’ to make a choice
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A new V Energy campaign launched via YouTube and Facebook by Colenso BBDO is offering consumers the opportunity to get their hands on a grand prize of a $20,000 experience. Hosted within the Vheadtohead Facebook app and promoted on billboards, can branding and through a YouTube pre-roll, the new campaign questions what type of ‘V Head’ consumers are and then encourages them to enter the competition by selecting one of four options: AdventureHead, PetrolHead, TechHead or MusicHead.

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TVNZ and oOH! embrace smell-o-vision for My Kitchen Rules promo
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It has been talked about for years—and experimented with from time to time—but, in what could be seen as the opposite of pull my finger, mall wanderers who push a button on a billboard will get to sample the smell of homemade cooking as part of a new campaign by oOh! Media and TVNZ to promote the new season of My Kitchen Rules Australia. PLUS: the numbers for the show’s first week.

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StopGear: Margaret Hawker
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Although Margaret Hawker has welcomed change in recent months by ending her five-year stint as the head of agency channel and integration at TRN, one thing that remains consistent in her life is an enduring love for her car. Despite its British name, the proportionality, flair and sleek finishing in the design of Hawker’s Triumph GT6 hints at foreign influence, so it comes as little surprise an Italian was involved in the design of the vehicle.

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