Author Ben Fahy
DDB’s brand TVC relaunch campaign for ANZ empathises with everyday New Zealanders and aims to demonstrate the bank “lives in their world”. Awww, those caring banks. The ads were shot by local director Adam Stevens from Robbers Dog and were filmed in and around Auckland (check out …
It’s been almost four months since Glenda Wynyard and her company The Media Counsel ceased trading. And on 22 April Boris van Delden and Iain McLennan of “insolvency and business recovery experts” McDonald Vague (MVP) were finally appointed as liquidators.
In case you hadn’t noticed, that digital internet thingee has become relatively popular of late. And the second bi-annual survey by AUT’s institute for culture, discourse and communication (ICDC), along with a few other esteemed research outfits, have offered up a range of percentages to prove it.
OMD New Zealand, standing tall and gazing across the country’s media landscape, is planning for the future, announcing a strengthened senior management team with the creation of a new managing director role in the Auckland agency that will be taken up by OMD’s director of digital, Chris Riley.
New independent agency Josh&Jamie will be adding their unique creative stylings to the Premier and Beehive bacon and ham brands after winning the business without a pitch, a victory that may or may not be related to agency co-founder Josh Lancaster’s insatiable passion for swine (speaking of swine passion, this has to be the perfect gift for the pig aficionado that has everything).
nzherald.co.nz has signalled a strategic change in direction, moving away from page impressions as a predominant measure of a site’s success and towards metrics that provide greater transparency to advertisers.
Who it’s for: Pascall Pineapple Lumps by DDB
Why we like it: Stereotypes are always right. They’re also great time savers. And there are plenty on offer in this entertaining and moderately self-deprecating OE themed number. According to research and contrary to popular perceptions, adults actually …
Nominees for the 14th Webby Awards, the world’s leading international honour for online excellence, have been announced, with AIM Proximity, Resn and Terabyte Interactive nabbing two nominations and The Gap Year: Challenge New Zealand by Endemol Digital Studios also honoured.
Virgin sacrifices on the rise in Auckland
Whether it took place in the McDonalds carpark, behind the bikesheds or on your wedding night with candles, rose petals and Kenny G, the first time is a big occasion. And TVNZ’s new online social experiment aims to find out a little bit more about the nation’s sexual history by getting users to plot the location where they lost (or perhaps misplaced) their virginity.
Ray Avery, the founder, driving force and bona fide genius behind independent development agency Medicine Mondiale, has been chosen as the inaugural winner of TBWA’s new Disruption Award.
At StopPress, we like nothing more than laughing at the expense of others. We also like laughing at strange publications and were recently alerted to this outstanding magazine.
A Lean Year
The crafty, multidisciplinary creative boffins from Alt Group have nabbed a double whammee in Australia’s CREATIVE magazine Hotshop Awards, with the company crowned design agency of the year and in-house agency of the year. And Wellywood’s digi-gurus Resn also took home a gong for the second year running for best digital and interactive agency.
Much has been much written about the scourge of modern day washing that is the missing sock. It’s the bane of many a life, it is the subject of much conjecture and speculation and it is a mystery that, if Fisher & Paykel’s new Lost Sock campaign is anything to go by, seems likely to remain forever unsolved, because, despite the best efforts of its talented team of designers, engineers and scienticians, the appliance maker has admitted that it is the one thing it hasn’t quite managed to figure out.
Hark! The iPad hath been released, the feverish purchasing (300,000 on its first day in the US, Apple says) hath begun and the opining, reviewing, analysing and critiquing of one of the world’s most talked about devices is well underway. And, overall, it seems the opining, reviewing, analysing and critiquing of this ‘game changing’ gadget has been very positive.
Who it’s for: Tui Blond by Saatchi & Saatchi.
Why we like it: Tui sticks to what it knows and dishes out a few home truths and cheeky social observations on the Kiwi zeitgeist for April Fools, focusing on the many fools and some of the head-shaking foolishness …
It was a sell-out crowd at the Trust Events Centre for the Tua versus Ahunanya stoush last night. The businesspeople drank wine, ate canapes, and cheered for John Key; those in the cheap seats yelled things like ‘Kill his face’, ‘Hit the face’ and ‘permanently disfigure his face’ loudly and aggressively; the scantily-clad promo girls sashayed around the venue texting and being ogled by drunkards; and a particularly special guest came all the way from Miami to get in the ring.
The first phase of Australia’s new brand positioning was revealed yesterday and there’s no sign of any bikini-clad Bingles or shrimps on barbies.
With all this talk of The Feelers and uninspiring marketing campaigns for the Rugby World Cup, it’s good to see some creative, interesting and slightly more challenging event promotion work from the folks at TBWA\Whybin\Tequila for the big dust-up between David Tua and Friday ‘The Thirteenth’ Ahunanya tonight.
The launch presentation for the ‘first phase’ of the Rugby World Cup has been given, the phrase once in a life-time was used way too often and the rumours were true: The Feelers will be the voice (and, judging by the falsetto in the Jesus Jones song Right Here, Right Now, not a particularly good one) of the 2011 Rugby World Cup.
Who it’s for: CAANZ Axis awards and the celebration of 30 years of creativity in New Zealand.
Why we like it: Technically, it’s not a TVC. It was a spot that kicked off the CAANZ Axis awards last week. But it’s bloody brilliant and we …
The first phase of the Rugby World Cup (RWC) 2011’s big international marketing effort will be launched in Auckland today and everyone involved is remaining extremely, disappointingly but impressively tight-lipped about the whole thing.
Yoghurt! MOVE! Birds, fish and Jazz! Barnes, Catmur and even more friends! Adstream, Karma and Freeview! Star Awards!
Some billboards bleed. Some offer diamond earrings. And almost all shout a call to action. But the Fairground Foundation, a not-for-profit organisation that was set up and funded by ecostore founder Malcolm Rands to create a healthier, more sustainable world, has taken a different approach to grabbing people’s attention after unveiling what it likes to call the “un-billboard”.
New Zealand maintained its reputation as a direct marketing powerhouse at the 32nd John Caples International Awards in New York late last week, with Colenso and AIM Proximity’s Yellow Treehouse once again in the upper echelons and DraftFCB and TBWA\Whybin\Tequila also claiming some precious metal.
For anyone unfortunate enough not to be at the 30th birthday shindig of the CAANZ Axis awards last night, you can read all about the glitz and glamour here. But why be forced to think and read boring words on a screen when you could instead let two of the exciting videos that were played at the event go inside your brain with the click of a button.
Ads@6, where the name says it all. No pithy comment this week. StopPress has got a hangover.
The Air New Zealanders have done it again, this time brewing up an interesting marketing ploy they like to call the Aviation Design Academy, which is asking customers from New Zealand and around the world to submit their ideas and add a few finishing touches to the offerings in the airline’s new 777-300 aircraft.
You can almost feel the collective hangover after 680 creatively-minded humans gathered together last night at the huge and rather impressive Orams Marine Boat Park to celebrate the 30th birthday of the CAANZ Axis awards, as well as the creativity, ideas and personalities the industry has fostered in that time.