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Browsing: TV

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Orcon’s FreeMyRugby petition won’t cause riots, but it draws attention to the growing trend of sports broadcast bidding wars
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Orcon is taking a leaf out of the ‘Politician’s Handbook’ by attempting to mobilise the Kiwi masses through a petition, which aims to break Sky’s hold on the broadcasting rights for live rugby games. The petition is hosted at a microsite called FreeMyRugby.co.nz and draws attention to the fact that only New Zealanders with a Sky subscription—available for $74.75 a month on a Sky basic and sport package—are in a position to watch the All Blacks play live. And while sharing this common knowledge is unlikely to cause a riot, it does draw attention to how the media landscape is changing and how this might continue to impact Sky’s hold sports broadcasts.

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Another username and password: why TVNZ plans to introduce registration for its on-demand service
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TVNZ has confirmed that it plans to require users to register with a username and password to access its on-demand service later this year. Thor Bayer, the broadcaster’s head of digital, says that the registration requirement is being introduced, because TVNZ plans to launch a range of new features that will enhance the user experience. Included among these is a feature that enables users to start watching a show in one channel and then pick it up at the same time on a different channel.

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TVNZ and Sky release financial results, plus Igloo subscriber numbers revealed
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Late last week, TVNZ sent out a release on its financials for the year ended 30 June 2014, showing an overall profit after tax of $18.1 million, up 25 percent on the figures posted the previous year. These results also came with the announcement that the company has sold its remaining stake in Igloo to Sky, which also took its financial report as an opportunity to reveal Igloo’s subscriber numbers for the first time.

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Stream wars: Freeview’s Sam Irvine on the shift from broadcast to broadband
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There’s been plenty of discussion about the rise of subscription video ondemand services recently, with Spark’s Lightbox getting set to launch, Sky announcing it is planning a new Netflix-type service and Slingshot offering a controversial workaround allowing Kiwis to access overseas providers. But sitting relatively quietly in the background is Freeview, which is now being used in 67 percent of New Zealand homes and is hoping to launch an ondemand service later in the year that will cater to the increasing number of New Zealanders with connected TVs. General manager Sam Irvine says it will offer “the seamless integration of linear broadcast TV and TV over the internet”, so what does it mean for the gogglebox scene?

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Make your vote count (in the StopPress/MediaWorks TVC of the Year 2013/2014)—VOTING ENDS 6PM
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We live in a world where targeting individuals is becoming increasingly attainable, where streaming and ondemand services (and, in many cases, illegal downloads) give viewers much more control over what they watch, and where online video has become a major sucker of people’s time. As such, the sceptics tend to believe traditional, primarily ad-funded TV is an anachronism. But, according to NZ on Air and Colmar Brunton’s recent media consumption study, Kiwis are still watching plenty of linear TV; according to ASA ad spend figures, brands are still spending up large on TV advertising; and according to pretty much everyone, good video content still has the biggest emotional impact when it comes to branding. So, once again, we’re aiming to celebrate the efforts brands, agencies and production companies put into changing perceptions and/or selling more stuff over the past year and a bit with our annual StopPress/MediaWorks TVC of the Year.

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MediaWorks aims to ensnare more ‘Block-a-holics’ with cross-channel marketing push
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On Sunday night, MediaWorks unveiled the four couples that will gain palm calluses, lose sleep and drink copious cups of Wild Bean Coffee during the third season of The Block NZ. And given the solid ratings the show attracted in previous seasons, MediaWorks has given the latest edition a strong promotional push across its entire offering. Here’s a breakdown of how the broadcaster aims to hold onto its stong fan base. PLUS: find out which brands are partnering with MediaWorks for this season.

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TVNZ plays up rivalry with Aussies for The Amazing Race and enjoys ratings success with Resurrection
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Over the course of the last few weeks, TVNZ has been riling up support of the Kiwi masses via a serious of humorous TVCs in anticipation of the cross-Tasman battle that will soon see team from New Zealand take on Australia in the latest rendering of The Amazing Race. The campaign has now been shifted into its next stage, which features a cross-Tasman tug of war and a mini Amazing Race featuring local celebs. PLUS: see which records were broken by the premiere of Resurrection.

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TVNZ wins with Germany as over 400,000 Kiwis tune in to watch the World Cup final
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Many of those who drove to work at the right time on 14 July claim to have found the Kiwi roads free of the traffic jams that usually typify the morning commute. This fortunate state of the road was largely attributable due to the nation’s universities and schools being closed for the winter break, but the fact that 419,000 people (according to Nielsen TAM) tuned in to TV One to watch Germany take on Argentina in the final of the World Cup definitely also played a part.

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Want to reach Kiwis? NZ On Air media consumption study shows the old dogs are still dominant, but digital is nipping at their heels—UPDATED
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When it comes to reaching New Zealanders, ye olde traditional broadcast media is still on top, with the results of NZ On Air’s independent media consumption study showing the majority of Kiwis are still consuming lots of linear television and live radio every day. But music audiences, the young and the Asian community are leading the charge to digital platforms.

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TRN launches Auckland radio station, extends ZM brand onto TV
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TRN has announced the launch of a new Auckland-based radio station and the extension of the ZM radio brand onto TV in the same week that MediaWorks is set to unveil the Edge TV. We chatted to chief content officer Dean Buchanan about these moves. PLUS: Radio Sport relegated to AM and TRN crashes The Edge TV launch party.

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A tale of rates and ratings: TVNZ and MediaWorks take divergent paths on price
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As Jeff Bezos says in his book The Everything Store, there are two types of companies: those that exist to raise prices and those to exist to try and lower them. Amazon is in the latter category, of course, whereas most media companies would be in the former. But Q3 has proven to be something of an anomaly, because TVNZ has decreased its ratecard prices while MediaWorks has increased them. So what’s the rationale behind those decisions?

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‘Sage advice with a modern lens’: Sneddon launches indie media agency Super, GoPro experiment gives insight into modern media consumption
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After 11 years with Mr Smith, Ron Sneddon has cut the ribbon on his own independent media agency, Super, which has a heavy focus on digital media and branded content. And, after a small experiment involving GoPro cameras and a few Kiwi families showed him that traditional thinking around media consumption wasn’t keeping up with the reality, he says it was time for a different approach.

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Sky becomes more democratic, extends Sky Go app to (some) Android users—UPDATED
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The wait for mobile viewing is over for Sky subscribers who don’t own iPads, as the broadcaster has just announced the launch of a new version of the Sky Go app that’s compatible on certain versions of Samsung Galaxy smartphones and tablets. Since launching in December last year, the Sky Go app has only been available to subscribers via Apple’s products—and the popularity of this initial release has led Sky to increase the inclusivity of its offering. Updated with statistics from Nielsen and with comments from TVNZ’s general manager of on-demand Jason Foden.

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C4 to make way for The Edge TV—UPDATED
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MediaWorks announced yesterday that it would be extending its radio brand The Edge onto television by launching a new TV channel on the Freeview and Sky platforms later this year. Described by The Edge programme director Leon Wratt as “radio with pictures on steroids,” the Edge TV will feature Jay-Jay Feeney, Mike Puru, Dom Harvey, Guy Williams, Sharyn Casey, Clint Roberts and other presenters on a daily basis. Updated with comments from MediaWorks group comms manager Rachel Lorimer and MediaWorks radio group programme director Andrew Szusterman.

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BuzzDial: inside a local start-up’s mission to become ‘the Google analytics of TV’
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You can tell by the particularly un-Kiwi job title on Ross Howard’s business card (Senior Vice President of Product & Design) that BuzzDial, the fledgling tech start-up he co-founded with similarly accomplished digital media bods Tom Cotter and Geoff Devereux, is looking much further afield than the small local market. And with M-Com’s Adam Clark coming on board as chairman, Stephen Tindall’s K1W1 fund investing in the business and positive responses to the product from a number of global broadcasters, it seems to be off to a pretty good start.

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Yet another helping of food TV: My Kitchen Rules NZ on the menu
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Viewers could’ve been forgiven for believing that the food cooking format had reached its capacity on Kiwi TV with the addition The Great Food Race. But the networks beg to differ, and TVNZ recently announced that it has acquired the rights from Endemol to produce a New Zealand version of My Kitchen Rules, the popular Australia show that enters its fifth season this year. Plus: find out which shows are being dropped by the broadcaster.

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A matter of faith? Why broadcasters don’t release minute-by-minute ratings
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There was a fair bit of chatter in the market last year after the Great Ratings Drop of 2013, something the broadcasters and their research partner Nielsen put down to a range of factors, including an improving economy, a mild winter and changing media consumption habits. Not surprisingly, the broadcasters remained confident that TV was an effective—and cost-effective—option for advertisers. But, in an age of supposed accountability and measurability, why don’t they release minute-by-minute ratings data to the market to prove it?