The New Zealand student team behind a new social media platform based on horizontal scrolling hope it will be a platform for brands — and achieve the right balance between functionality and aesthetics.
If there’s one thing that Kiwis and Canadians have in common its a reputation for being polite to a fault. And if a recent spot released by JWT for the Canadian Film Festival holds any semblance of truth, then it appears that this stereotype also applies to the undead.
Two members of the FCB team will be heading to Rome in a couple of weeks to attend the 2014 Festival of Media Global as part of the agency’s prize for winning the Herald Advertising Challenge.
The cards have been printed, the stationery has arrived, the team is now in place and the doors to the new office in The Generator in Auckland’s CBD have been opened. And to celebrate Pandora NZ’s launch—and its first commercial partner, Sonos Wireless—it is offering a Sonos prize pack worth over $3,800 to one lucky StopPress reader.
Every year, TED compiles a list of its top ten ads worth spreading. And NZTA, Clemenger BBDO and Finch’s ‘Mistakes’ ad, which shows a conversation between two men without enough time to react to a life-changing accident, has made it onto 2014’s list.
Our media spending heavyweights have continued their dominance for the past three years, reflecting strength in supermarkets and retail, according to Nielsen figures. However, telco seems to be gathering force with Telecom ranking fourth and Vodafone sneaking into the top 10.
.99’s latest TV spot for Tower invokes the nautical metaphor of a lighthouse keeper to illustrate that the insurance giant is always looking out for its clients. Throughout the 45-second TVC, the bearded protagonist draws a parallel between lighthouse keepers and Tower, in the sense that both are “always on watch” and have wisdom on “how to avoid danger and how to put things right.” Updated with 2013 ad spend figures for insurance companies.
A high five this week, with Stihl, Tower, Treasury, 2degrees and Woodstock tickling our extremely ticklish fancies.
After 25 years on Wellington’s Courtenay Place, Saatchi & Saatchi will be moving to the capital’s swanky new Clyde Quay Wharf, with Starcom as a housemate. The agency says the move reflects a new team and a new era.
The sibling rivalry, cruelty and dastardly power (tool) games seen in Stihl and DDB’s advertising first kicked off in 2009 with ‘Bequeathed’ and returned a few years later with ‘Mercy Dash’. And now the brothers are back in another campaign that asks Kiwis a difficult question: in a raging barn fire, would you save your cherished chainsaw or a cute little lamb?
Unilever’s Old Spice has been ratcheting up the new product development recently, with new scents, sprays, soaps, shaving gel and hair products, all of them launched in typically absurd and generally very entertaining fashion by Wieden + Kennedy. Now Terry Crews, the long-time sinewy, shouty ambassador, is back to launch a new range of electric razors.
While conspiracy theorists might infer that St Patrick’s Day has some deeper meaning or historically significant origins, we all know that the day is actually just a great excuse to wear green hat, sip on a dark brew and hop around like a leprechaun for a whole day. And given that it has become such a jubilant day of unrestrained revelry, businesses, brands and politicians all take it as an opportunity to get some additional exposure. Here’s a breakdown of some of the interesting St Patrick’s Day-themed efforts that emerged this year.
Quite often, when companies operate across both the Australian and New Zealand markets, advertisers create generic marketing messages that are applicable across the board. But rather than adopting this cost-saving approach for its latest OPSM spot, the creative team from Saatchi & Saatchi Sydney took a flight across the ditch to produce content that was aimed specifically at the Kiwi market.
Like previous years, TVNZ shows made up the vast majority of the top 20 most-watched programmes list for last year, with a magician, a talent show and two current affairs offerings luring the most eyeballs in 2013.
Cavan Huang, an associate creative director at Interbrand in New York, recently published an article on the Getty Images website on the effectiveness of point-of-view videos and how they can be used to tell brand stories.
When clients shack up with a new agency there’s a tendency to torch the previous work and start afresh. 2degrees and its new partner Special Group certainly took a different approach with their recent business push, but it’s kept Rhys Darby on as the frontman and maintained the quirky, colloquial and self-reflexive style of the previous work for the pair’s first big brand ad.
Those working in the persuasive arts often get a rough time from ‘normal people’, who are quick to trivialise the work of this industry and regularly call into question its ethics. But, as this glorious piece from McSweeneys entitled ‘I should get the first lifeboat because I’m in advertising’ points out, it’s time those tireless creative souls were acknowledged for their massive contribution to society.
Moves and shakes at the Retailers Association, Facebook NZ, George FM, Porter Novelli and STW.
Vodafone has renewed its naming rights sponsorship deal with the Vodafone Warriors until 2018, taking the partnership, which started in 1999, to 20 years and making it the longest of its kind in New Zealand. And the Herald has also followed suit by renewing its deal with the team until 2016.
A couple of years ago, New Zealand men’s fashion brand Working Style launched a DIY print campaign that focused on New Zealand men who were making their mark overseas. Now it’s gone the other way, enlisting one of the world’s best male models, Aiden Shaw, to star in its latest campaign.
Our weekly wrap of good things, strange things, funny things and other things from inside the intertubes.
Mark Carter, the photographer behind Colenso’s Mountain Dew ad, recently got in touch with StopPress and gave us a behind-the-lens look at how his image was brought to bone-crushing life.
Technically, sex and alcohol aren’t meant to mix when it comes to advertising alcohol. That hasn’t stopped it from happening quite regularly over the years, with the Tui girls and an erection pun from Independent Liquor’s Woodstock brand treading a fine line. But Barnes, Catmur & Friends has continued the ‘Crack a Woody’ joke with a big new campaign featuring former Baywatch star and PETA crusader Pamela Anderson.
For the past week, Contagion’s Tom Bates has been hangin’ with the geeks and soaking up the knowledge at SXSW Interactive in Austin, Texas. And while he was there he caught up with a few expat Kiwis doing big things. First up, Sarah Robb O’Hagan.
In the middle of the polar vortex that held North America in its icy grip last winter, Toronto-based Cossette gave Canadians a Duracell-powered incentive to remove their hands from their pockets.
Only a week after leaving the Axis Awards with the Production Company of the Year gong for the third year in a row, The Sweet Shop has now been announced as the most-awarded production company in the Asia Pacific region in the 2013 edition of the Gunn Report.
In an effort to consolidate its agency partners—and in a show of support for Kiwi-owned businesses—New Zealand Trade & Enterprise has appointed Special Group as its lead design and communications agency following a competitive pitch late last year.
Gladeye carried out the full range of digital services in creating a site that showcased Air New Zealand’s support of scientific research in Antarctica. The website made full use of imagery and video supplied by National Geographic. Plus: Gladeye gets international recognition for its own site.
DDB NZ’s digital creative director Haydn Kerr shares five more digital nuggets from his last day at SXSW Interactive.
BNZ recently released its Online Retail Sales Index, which showed that online retailing grew at three times the rate of traditional bricks and mortar last quarter. And that’s both frightening and exciting, depending on which side of the fence you sit on, says Jenene Crossan.