Author Damien Venuto

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Everyone wins in the radio survey (especially The Edge and Newstalk ZB)—UPDATED
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The radio survey is generally a competitive affair, which pits the two commercial radio networks against each other and invariably results in the liberal use of superlatives. The latest edition was no different. The releases from the respective networks read like pages torn out of a motivational speaker’s speech, drawing attention to all the positives that the result served up. MediaWorks used its release to draw attention to the fact that it overtook NZME in terms of overall station share in Auckland for the first time. And on the other side of the divide, NZME highlighted the continued dominance of Newstalk ZB, and singled out Mike Hosking for again having the number one breakfast show in New Zealand. PLUS: Matt Heath and Jeremy Wells celebrate Hauraki moving from 13th to 12th.

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EFTPOS NZ and Paymark face competition as Spark and the big banks dabble in mobile payment technology—UPDATED
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Several weeks ago, Spark released the latest iteration of its ‘Never Stop Starting’ positioning via a 30-second spot that depicted a protagonist using Spark’s mobile payment technology across a varied range of jobs in different locations. And the telecommunications giant isn’t the only one dabbling in this space. We take a look at some of the recent moves made the major players.

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TV3 is the latest brand to trumpet the power of digital outdoor, but is this trend starting to squeeze revenue out of traditional OOH?
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On election night, MediaWorks collaborated with SparkPHD and digital media agency Ngage to feed live election results onto APN Outdoor’s digital billboard network around Auckland, making TV3 the latest brand to adopt a digital approach to outdoor advertising. So given all the hype centred on the versatility and effectiveness of digital OOH advertising, where does this leave traditional outdoor advertising? And is the growth of digital also starting to affect other industries?

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Horse’s Mouth: Jane Hastings, NZME
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After a few years running The Radio Network, Jane Hastings took over as chief executive at APN in May and she’s shaken things up since her arrival, hiring a new exec team, embracing cross-selling and cross-promotion across its channels and launching a new brand for the multimedia beast called NZME. Here’s her take on what’s been a whirlwind few months.

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Acclaimed writer Anna Funder writes short story for Special Group’s first major campaign across the ditch
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Special Group has announced its presence in the Australian market by collaborating with award-winning author Anna Funder, Warm Bodies actress Teresa Palmer and fashion photographer Derek Henderson in a campaign for luxury pearl brand Paspaley. At the centre of the campaign is a bespoke short story, called ‘Everything Precious’, written by Funder, which will be released to Paspaley subscribers daily in seven serialised instalments via email between 1 and 8 October. So is this a case of a writer selling out for commercial gain?

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Focus Research wins big at Research Effectiveness Awards as two industry bodies play in the same sandpit for the first time
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For most of the year, research agencies are the unsung heroes of the industry, with their insights outshone by the creativity that usually takes centre stage. However, last Friday, the limelight shifted and drew attention to examples of the most effective research conducted over the course of the last year. Hosted at Auckland’s Hilton hotel and attended by a full house of well-dressed researchers, this year’s edition of the biennial Research Effectiveness Awards was hosted by comedian and sausage ambassador Leigh Hart. PLUS: a brief look at the merger between the Market Research Society of New Zealand and the Association of Market Research Organisations (AMRO).

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$6 million of shredded cash stars in new BNZ campaign
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In an effort to give a more tangible representation of the statistical fact that Kiwis who hold mortgages pay $6 million in interest every four hours, BNZ has launched a new campaign via Colenso BBDO in which that amount of money will be shredded and put on display in Auckland’s Aotea Square from 29 September to 1 October. This outdoor activation is being supported across various channels, with a TVC, a Facebook campaign and YouTube clips that all use the shredded money as a provocative reminder of the amount of money that Kiwis burn through their mortgage repayments every day.

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Kiwibank and NZ Post hand combined media account to OMD, Starcom and Ikon left empty-handed
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In May, New Zealand Post and its subsidiary Kiwibank announced that they would merge their media accounts and appoint a single agency to take care of the media side of the business. This announcement came with the consequence that at least one of the long-time account holders for the respective businesses—Ikon (Kiwibank) and Starcom (NZ Post)—would lose its account. And now, after a pitching process, Kiwibank’s head of marketing communications and content Regan Savage has confirmed that OMD has won the account, leaving both incumbents’ ledgers a little barer.

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Adslot fuses its tools, facilitates ‘world first’ deal between Trade Me and Neo@Ogilvy
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Buying of ad inventory has traditionally been an esoteric art typified by Excel spreadsheets, PowerPoint presentations, and a continuous stream of back and forth communications. This approach created various touch points that collectively sapped the resources of media companies and slowed down the entire process. However, the emergence of programmatic buying has over the last few years expedited the process by centralising communications through innovative software solutions. One of the companies that has successfully provided such services across the Australasian market over the last few years is Adslot, but the company’s business director Stacey Perillo believes that programmatic buying in the digital space has not been quite as effective as it could’ve been. So, in an effort to streamline the process, the company has made some key changes to its offering.

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Vodafone sends James Rolleston to the end of the internet
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In a new TVC, which appears to borrow from the long run scene in Forest Gump, a dishevelled and impressively bearded James Rolleston is depicted walking with a smartphone in hand while watching online video clips, before an on-screen notification informs him that he has reached the end of the internet. As with several of Vodafone’s recent campaigns, this ad again draws attention to the fact that Vodafone’s major point of difference lies in the extent and reach of its 4G network. But how much longer will Vodafone be able to rely on 4G as a point of difference?

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The new media battleground: content marketing banks
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Following on from ANZ’s move into publishing with BlueNotes, BNZ, RaboDirect and Westpac have now made their own forays into the content marketing landscape. But the approach that each bank has taken differs not only in terms of the content being covered but also in terms of who produces the material for publishing. We take a look at what each bank is doing in this space.

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15 gongs for Kiwi agencies at Clio Awards, Clemenger and Finch nab only golds—UPDATED
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Kiwi agencies have once again pulled in a decent haul of silverware on the international awards circuit, with the latest tally of gongs coming from the prestigious Clio Awards. And although the New Zealand contingent missed out on picking up a Grand Clio, NZTA’s ‘Mistakes’ campaign picked up two golds. The first of these awards went to Clemenger BBDO in the film category, while the second was awarded to Finch in the film technique category. PLUS: see which other agencies picked up awards. Updated with Clio Healthcare results.

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Rebel Sport explains why lefties have a natural advantage
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Rebel Sport is continuing its facts-based advertising approach with a new spot that alludes to the natural advantage that left-handed batsmen have over their right-handed counterparts. The 30-second clip, which was conceptualised by Ogilvy and shot by Film 360, is the latest iteration of the ongoing ‘no one gets sports like us’ positioning, and follows on from Rebel Sport’s ‘Sprinting or Flying?’ TVC that was released toward the end of last year.

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Izzy Dagg showers with his phone for Samsung
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The growing prevalence of the online channel has made it more common for the regional arms of major organisations to make locally produced content. And this trend has now seen Samsung release a new YouTube clip that features rugby star Israel Dagg showing off the full utility range of the GS5. But placing your brand’s message in the hands of a sports star comes with its risks.

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Orcon’s FreeMyRugby petition won’t cause riots, but it draws attention to the growing trend of sports broadcast bidding wars
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Orcon is taking a leaf out of the ‘Politician’s Handbook’ by attempting to mobilise the Kiwi masses through a petition, which aims to break Sky’s hold on the broadcasting rights for live rugby games. The petition is hosted at a microsite called FreeMyRugby.co.nz and draws attention to the fact that only New Zealanders with a Sky subscription—available for $74.75 a month on a Sky basic and sport package—are in a position to watch the All Blacks play live. And while sharing this common knowledge is unlikely to cause a riot, it does draw attention to how the media landscape is changing and how this might continue to impact Sky’s hold sports broadcasts.

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Insights into outdoor media effectiveness – Millward Brown
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APN Outdoor recently commissioned research consultancy Millward Brown to undertake what has been called the “largest outdoor media study” of its kind in the Australasian market. Millward Brown found that outdoor and television advertising were the best performers in terms of ad recall, with 82 percent of respondents saying they recalled seeing ads in these channels.

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Number One Shoes harnesses the power of the freebie for store relaunch campaign
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In 2010, Number One Shoes dropped the word ‘warehouse’ from its name in an effort to shift the brand from being associated with large storage facilities. And now, in a continuation of this move away from all things utilitarian, the chain is revamping its stores to create an improved shopping experience for those that walk through the doors. The Albany store, located in the Westfield shopping centre on Auckland’s North Shore, was the first store to be relaunched, and the shop at St Luke’s will follow suit next month. And to draw attention to the changes, Number One Shoes has launched a quirky series of campaigns via PR agency Starseed.

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What Pandora, Spotify and iHeartRadio are doing for a cut of online (and mobile) ad spend
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References to the rapid growth of online and mobile ad spend in the industry have been so ubiquitous in recent months that they’ve become something of a media cliché. And with this growth in revenue has come an inevitable attempt on the part of online media owners to get a piece of this burgeoning pie. And nowhere is this more evident than in the online radio market, which, despite its relative infancy in the local market, is starting to catch the attention of Kiwi advertisers due to its resonance with the mobile-hungry youth market. So, given that there have been some interesting moves made by the major players, StopPress decided to take a look at what they’re doing to get in on the action.

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MSN announces homepage update, aims to create personalised online command centre
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Following on from last week’s announcement that Yahoo had updated its website with features that allow for greater personalisation, MSN has now similarly given its homepage a facelift. And althought the website has not yet been officially released, Kiwis can catch a glimpse of the changes by visiting the preview site. StopPress takes a look at what the update will offer users and advertisers in the near future.

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Noel Leeming unveils new look and introduces the ‘mummy daddy time-maker’, ‘55-inch family glue’ and ‘the blender of destinies’
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Noel Leeming has invested roughly $5 million into revamping its offering in a move that will see the company’s 77 stores emblazoned with a new logo and reconfigured to reflect some key changes. To announce the repositioning of the brand in the market, Noel Leeming has released a series of three TVCs that have come as a pleasant addition to a category that is usually inundated with shouty advertising focused on sales and products.

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Hypermedia gives 200 dairies a digital update
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In an effort to modernise the way dairies are used to deliver promotional messages, Hypermedia Group has announced a new initiative called The Dairy Network, which will see digital advertising screens installed at the point of sale in more than 200 dairies across the country.

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Another username and password: why TVNZ plans to introduce registration for its on-demand service
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TVNZ has confirmed that it plans to require users to register with a username and password to access its on-demand service later this year. Thor Bayer, the broadcaster’s head of digital, says that the registration requirement is being introduced, because TVNZ plans to launch a range of new features that will enhance the user experience. Included among these is a feature that enables users to start watching a show in one channel and then pick it up at the same time on a different channel.

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Roadshow Films and Snakk cause a mobile storm for movie promo
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Roadshow Films has brought an ominous tremble to Kiwis’ smartphones with the launch of the mobile trailer of Into the Storm, the disaster film set to hit Kiwi cinemas on 4 September. The campaign, which has been running since 19 August and was pulled together by Snakk Media, takes over users’ smartphones by simulating a storm when certain websites are accessed.

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TVNZ and Sky release financial results, plus Igloo subscriber numbers revealed
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Late last week, TVNZ sent out a release on its financials for the year ended 30 June 2014, showing an overall profit after tax of $18.1 million, up 25 percent on the figures posted the previous year. These results also came with the announcement that the company has sold its remaining stake in Igloo to Sky, which also took its financial report as an opportunity to reveal Igloo’s subscriber numbers for the first time.

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The rise of fast-casual: Pita Pit launches its first TVC via Contagion
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Pita Pit has launched its first nationwide campaign via a new TVC conceptulised by Contagion, the agency which won the account for the food chain’s cross-Tasman business earlier this year. The 30-second spot, which was shot by Flying Fish and directed by Helena Brooks, features a middle-aged man, dressed in the garb of a stereotypical accountant, dancing awkwardly after having completed a meal from Pita Pit.

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Clemenger double: ‘Mistakes’ picks up StopPress/MediaWorks TVC of the Year, ‘Blazed As’ shares craft category spoils with DDB’s ‘Born to Defy’—UPDATED
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Last week, StopPress met with an estimable judging panel in an effort to determine which finalist in the StopPress/MediaWorks TVC of the Year competition was most deserving of this year’s title. Copious head scratching, contemplative groans and a fair bit of imbibing ensued as the judges weighed up the pros and cons of the campaigns over a lunch at Auckland’s Neighbourhood brew bar. And by the end of this highly scientific estimation of the effectiveness of the each campaign, the judges came to a final shortlist of three candidates: ‘Mistakes’ for the New Zealand Transport Agency (NZTA) by Clemenger BBDO, ‘Devil’s Chair’ for NZI by FCB and ‘The People’s Film’ for VW by Colenso BBDO. PLUS: ‘Blazed As’ for the NZTA by Clemenger BBDO and ‘Born to Defy’ for Steinlager by DDB took out the top spots in the craft category.

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The Electoral Commission turns to Pandora to target the youth
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In an effort to catch the attention of the increasingly uninterested youth segment of the population, the Electoral Commission has already commissioned Lorde to appear in a pair of videos in which she encourages eligible Kiwis to use the right she still doesn’t have. Tallying a cumulative total of about 30,000 views, these videos have attracted a decent level of attention, but they haven’t been shared sufficiently to reach all the young Kiwis who are yet to enrol. So, to consolidate these online and TV efforts, the Electoral Commission has now taken its message to a channel that is particularly popular among the younger segments of the population, Pandora.

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