52 awards acknowledging on-air personalities, programming, news and sports reporting, promotions, creativity and production, sales and community involvement were handed out via webcast last week at the 2012 New Zealand Radio Awards, and MediaWorks Radio is claiming victory after nabbing 21 of them, with More FM taking all three station of the year accolades.
Ogilvy’s Adam Barnes and Hywel James have taken out the March/April round of the new ORCA year after judges Karl Fleet (Campaign Palace), Lachlan McPherson (Publicis Mojo), Harriet Crampton (The Radio Network) and Chris Schofield (DDB) chose their KFC ads ‘Poor Old $5’ and ‘Ginga Note’ as the best of the bunch.
Supporters of publicly-funded media in New Zealand are feeling fairly tormented at present, with the National Government’s apparent ‘nice to have’ stance manifesting itself in a five year funding freeze for Radio New Zealand and the imminent switch-off of TVNZ7. But Nielsen’s Year That Was report, which includes info on New Zealand media trends, has provided more proof of the importance—and popularity—of Radio New Zealand National by showing it was the top ranking radio station in New Zealand in 2011 with a market share of 11.1 percent.
The latest ASA figures showed the radio industry grew its ad revenue by 2.5 percent and maintained stable share of all advertising at 11 percent. And it’s good news on the audience front too, with the latest six-monthly audience research figures showing that commercial radio in New Zealand has more listeners now that at any time in the past decade.
A galaxy of stars/people with faces for radio gathered at Atico Cocina in Auckland yesterday to listen to the year’s best radio ads. And, like last year, when Murray Watt from DraftFCB took both the Grande Orca and the people’s choice awards, and the year before that, Publicis Mojo’s Hadleigh Sinclair and Jack Delmonte walked away with both prizes, a giant cheque and a trip to the Cannes Lions for a very funny Subway campaign that detailed fat-related afflictions such as double chins, cankles and bingo wings.
February was the last month of the ORCA year and two very different ads came out on top. BCG2’s Chris Long and freelancer Martin Brown took the win with the euphemism-heavy ‘Ridiculously Refined’ ad for Jesters Pies. While at the other end of the spectrum, Sarah Litwin-Schmid and Emily Drake from Saatchi & Saatchi took the Merit for their powerful ‘Jane’ ad for Women’s Refuge.
As of yesterday, Kiwi FM could add “60 percent” in front of its name, as MediaWorks announced a new format that will see the introduction of 40 percent international music. But while the fully New Zealand playlist is set to be sacrificed, the government cash it receives won’t be.
As we’ve now come to expect, the *, #, ##, ** and ^ flowed freely as the two big commercial radio players made their usual claims for the top spots following the release of the latest National Commercial Radio Survey figures. And, despite the typical murmurings about the methodology of the Research International study, which gets respondents around the country to fill in a diary about their listening habits, Gill Stewart, general manager of The Radio Bureau, says the results paint a fairly positive picture when compared to the previous year.
M&C Saatchi has been busy with its emergency services accounts this year, with a slightly controversial Police campaign after the earthquake that gained some international media attention and a very personal campaign for the Fire Service. And it’s continued that momentum with two more good efforts, one featuring a few well-lubricated folks at the end of a big night slurring away about the dangers of drinking and frying and another radio campaign to try and stop foreign visitors here for the RWC from having to call 111.
The latest radio survey was released last week and, as expected, various ‘we’re number one’ claims came spewing forth. Of course, these claims are based on what the people actually listen to. But we all know the people don’t know what they’re talking about. That’s why we need experts to make decisions, and the experts have done just that to decide on the winners of the NZ Radio Awards.
… as David Innes hangs up his headphones, Charlotte Findlay shacks up with Telecom, Q Group New Zealand opens the doors to a raft of newbies, Paul Wright aims for US domination with Harcourts and Southern Hospitality goes trans-Tasman.
Every six months, about 15000 radio listeners scattered across the country take pen to paper—or pen to diary as the case may be—and share their most intimate of radio listening habits as part of Research International’s Research Audience Measurement Survey (RAMS). And the results for the second half of the year are out.
Our Maan in Cannes gets up close – and personal – with Chris Schofield, creative director at DraftFCB and one of just six Kiwis to be chosen for jury duty at the Cannes International Advertising Festival, to find out about his Cannes experience. He was judging the Radio Lions and, interestingly, while DDB NZ managed to take home a gaggle of Lions for its Sky TV Arts Channel campaign, this category was the only one to go ‘Grand Prix-less’.
Last night, at a secret location thick with the smell of cognac and cigars that must never be spoken of (unless the secret handshake is given and you sacrifice a virgin), some of radio’s biggest personalities gathered to eat things on sticks, eat things on spoons, drink things in glasses and take the piss out of themselves, their competitors, the medium of radio, the Auckland media, New Zealand politics, TV newsreaders and, the guests of honour, agency folk.
In this installment of Michael Carney’s Marketing Week: What’s the frequency, Kenneth? Big corporates to social media: ‘Hey, you can actually make us money’. So how can New Zealand businesses tap into it? Virtually possible: eWestfield on the cards. Rupert Murdoch begins his paid content experiment in earnest as the timesonline.co.uk closes its doors. Close enough is not good enough when it comes to advertising, as one Christchurch car yard recently found out. Google plans its next assault. This time, music.
In this edition of Michael Carney’s Marketing Week: Feature creep: how we really use our phones (and brains). Radio: now online and maybe even with pictures. The perils of mobile stalking via GPS. All hail the Super Marketer. If you’re going to spoil your kids, at least do it properly
In spite of the breakfast door shutting on TV3’s Sunrise show last week, it seems breakfast shows on the radio spectrum are doing just fine and dandy, if the results of the latest radio survey (available on The Radio Bureau site) are anything to go by.
You know it was a bad year when an industry organisation comes out and says it’s fairly happy with a significant core revenue decline. But that’s exactly what the papers have done after the release of the Advertising Standards Authority’s New Zealand Advertising Turnover scorecard. Online, however, is sitting pretty as the only sector to notch up an increase.
It was was a double-whammy for Anne Boothroyd and Brigid Alkema from Clemenger BBDO (WGN) at the Grande ORCA awards, with ‘The People’ overwhelmingly agreeing with the judges and picking ‘Sliding Doors’ for the New Zealand Transport Agency as their favourite radio ad.
March signals exciting times ahead, like the end of the tax year (!!) For others, particularly advertising industry creatives, it’s the chance to bathe in the glory of knowing you have created something of an outstanding radio commercial, with the announcement this coming Wednesday of the Grande ORCA winner.
This week from the Media Counsel. You’ll never guess who’s top of the pops in the latest radio ratings. Well, actually, you probably will. Or will you?
Did anyone listen to Karl Steven’s debut on Kiwi FM on Sunday? The Supergroove frontman hosts The Kiwi House from 5–6pm, with replays on Thursdays at 3pm. He interviews well known Kiwis and they play their favourite tunes. Steven’s first guest was Dave Gibson from ElemenoP, and …