Every year around this time, banks attempt to grease up the young’uns heading off to expand/erode their minds at University. But banks are rarely at the top of the priorities list at this stage of life and erecting a makeshift tent and handing out branded pens at a festival or over Orientation Week just doesn’t cut it anymore. So ASB is running a Snapchat campaign called Snap Scholarships—replete with the obligatory prizes—to try and lure them in.
Author Ben Fahy
The average speed of Kiwi drivers has come down considerably over the years. But NZTA and Clemenger BBDO released a new campaign early this year in an effort to drop those numbers even further.
2014 was a good one for the New Zealand automotive industry, with Motor Industry Association figures showing over 126,000 new vehicles registered. This beat the 30-year record of 123,247 units sold in 1984 and it was ahead of the 113,294 sold in 2013. And it was a particularly good year for Ford, which took New Zealand’s top selling ute title off the Toyota Hilux after a 32 year run.
If you believe the headlines, humanity is going to hell in a handcart. Over-population, climate change, ISIS, Ebola, race riots … the list goes on. But for all the negativity seen in the news, the data tends to tell a different story over the long term. This also applies to marketing. And, as the annual period of reflection arrives and StopPress heads off on holiday, that’s worth remembering.
Last week, MediaWorks continued its restructuring process by announcing it would operate one newsroom across its TV, radio and online assets, with Mark Jennings taking on the top role. It also announced the integration of digital across the business and, as a result of these changes, the roles of TV chief executive Paul Maher and head of interactive Siobhan McKenna were disestablished. Chief executive Mark Weldon said there would be no more job losses in TV and interactive. But it’s thought two more long-serving senior MediaWorks staff members are also set to depart: senior legal counsel/company secretary Clare Bradley, who has been with the company since 2000, and chief financial officer and director of technology Peter Crossan, who has been with the company since 1999.
As Mulberry’s #WinChristmas campaign showed, giving is basically a competitive sport these days. And that’s also true in the corporate realm, where many businesses attempt to one-up each other by giving expensive offerings of thanks to their VIPs. Just as The Downlow Concept took the opportunity to show off its skills and sense of humour with its Christmas message, Barnes Catmur & Friends has honoured its special friends with a bespoke whisky named in honour of the street where its office lies.
After a host of senior management changes and a fair bit of hunkering down on the marketing front, Fairfax seems to have got its ducks in a row and regained some confidence and is once again promoting its products and capabilities. And its latest effort is a new trade campaign that aims to switch the focus from volume metrics to its ability to target different groups across its print and online assets.
Kiwibank, Mons Royale, AMI and Samsung get an early Christmas present this week.
What do you get the 150 year old agency that’s got everything? A new digital agency, of course. After celebrating a big milestone last week, JWT has announced another large piece of news: it has taken a majority stake in Wellington-based Heyday.
As it says on the James Walter Thompson online timeline, the agency’s history is the history of advertising. And as it celebrates its 150th birthday, we talk to Simon Lendrum about its role in New Zealand’s cultural fabric—and its recent renaissance.
Plenty of good stuff to choose from this week, so we’re embracing the festive season and giving everyone props.
After Vodafone made the decision to move its global media business to MEC earlier this year, it was expected that Vodafone New Zealand would eventually follow suit and, as reported last week in a story about the arrival of GroupM in this market, it was widely known that the handover had already begun. For some strange reason, Vodafone was at pains to point out that nothing had been signed, but it sent through official confirmation today that it is indeed swapping SparkPHD for MEC as its media buying and planning agency in this market.
The programmatic bus rolls on, with Magna Global predicting a 31 percent annualised growth rate through to 2017. And with Google’s latest consumer barometer showing Kiwis use an average of 2.7 devices each, a new Kiwi agency called Made Media—a collaboration between sales manager and partner Michael Buhagiar and Latch Digital—believes it’s found a gap in the market for a locally owned and operated demand side platform that brings those two elements together.
The New Zealand media landscape is set to welcome a big name, with GroupM, “the world’s biggest media investment company”, planning to launch here early next year. We ask newly appointed local chief executive Sean Seamer a few questions about what that means for the market.
Speight’s comically masculine southern man campaign idea had a long and very successful run, and its previous agency Shine attempted to bring the idea into the modern era with the ‘Knowing What Matters’ campaign. DDB took over late last year and, in one of its first major campaigns, it’s moved it even further away from ‘Good on ya mate’, with its ad for Speight’s Alchoholic Ginger Beer featuring some major self-deprecation from ex-Shortland St star Karl Burnett and a massive pun.
The inaugural Ad:Tech New Zealand conference took place yesterday at the AUT Business School, with around 400 people in attendance. And while measurement is one of the digital realm’s major strengths, Todd Wheatland, global head of strategy at content marketing agency King Content, used his time on stage to prove the famous quote (that wasn’t actually uttered by Einstein) of ‘not everything that counts can be counted, and not everything that can be counted counts’.
Good old fashioned interruptive display advertising is the golden goose that keeps laying for the local TV networks. But integration is so hot right now. And, whether it’s sponsorships, programme partnerships, production partnerships or one-off branded content projects, it’s a big part of TVNZ’s focus for the future. Following its new season launch this week, head of sales Jeremy O’Brien and general manager of media solutions and insights Lyndsey Francis talk turkey about its plans for next year and what the TV landscape might look like soon.
Brands are increasingly looking to put their messages inside the content, rather than inbetween it. Formats like The Block NZ and Masterchef allow for what the broadcasters like to call ‘seamless integration’, even though it can sometimes be slightly gratuitous. And a rare few other shows, chief among them Jono and Ben at 10, are using their skills to weave brands into the content without annoying the audience or even creating content outside of the show. Chris Lloyd, sales manager at MediaWorks’ integration team, discusses its process.
Attitude Pictures has been telling the stories of New Zealanders living with disabilities, recovering from injuries and dealing with health problems since 1992 and broadcasting on TVNZ since 2005. It brought those stories into the real world in 2008 with the creation of the Attitude Awards and, around one year ago, it moved online and into the world of live streaming when it launched its website Attitude Live. Producer Dan Buckingham and managing director Denis Harvey share their thoughts on running a successful niche media group, how it intends to make a profit and why corporates should get involved.
After shifting its business from Saatchi & Saatchi to Ogilvy & Mather, Sealord has added another new name to its new agency group—and bolstered its presence in the growing Aussie market—by appointing The White Agency as its trans-Tasman digital agency.
After eight-and-a-half years at FCB Media—and “too long to remember working in media agencies”—managing director Derek Lindsay has decided he’s achieved all he can with the agency and is off to seek out new challenges.
After M&C Saatchi closed its doors, Whybin\TBWA has been looking after the Fire Service’s business. Now it’s looking for a more permanent partner and, in an unusually forward move, Y&R has showed its stripes very publicly by producing a blasting season PSA that advocates fire awareness.
MediaWorks has had a fairly rough ride over the past few years. But the big guns were all smiles last night at the new season launch. We sat down with two of them—chief executive of MediaWorks TV Paul Maher and group head of revenue Liz Fraser—for a chat about the company’s content strategy, results and evolution.
If you’re in show business, you’ve got to put on show and MediaWorks, a company with a new chief executive, a new sense of confidence after negotiating a receivership and plenty of big new shows to crow about, put one on last night for its new season launch at Shed 10 in Auckland. So should it be exuding this much optimism?
Sky had a stunner last Friday when it announced great numbers, a new five year rugby deal and plans for some fancy new additions to its boxes. It also announced the launch of its much-discussed SVOD offering Neon, which is set to launch in December. Here’s what managing director Dave Joyce had to say about the strategy behind it.
ANZ holds around one third of the country’s home loan market and it’s made a concerted push to retain that—and presumably improve that—recently with a new campaign showing the frisson of buying property at auction. Last year it put its name beside TVNZ’s Art of the Architect and now it’s backing the other team, signing on as a production partner for the upcoming New Zealand version of Grand Designs New Zealand.
Earlier today, Sky officially announced it has signed another five year deal with Sanzar and NZ Rugby, giving it the rights to the precious code until 2021. And at its AGM at the Langham, it had more good news for investors and subscribers, announcing some impressive numbers, detailing how it will soon be embracing internet-delivered television and launching its SVOD offering Neon.
After a competitive pitch, Meridian Energy is thought to have given its business to Barnes, Catmur & Friends, bringing an end to a four-ish year relationship with Assignment.