As broadcasters around the world increasingly focus on the internet to distribute their news and content, as print media invests in additional video and audio assets to enhance its online offerings, and as previously separate mediums seem to become more and more alike, the quest for media convergence means many of these outlets are being forced to cut each other’s lunches and create content that can be used across different platforms. And, despite stellar ratings for its traditional free-to-air news and current affairs shows in recent months, TVNZ is preparing for this new digital frontier with what it says are the biggest changes in 20 years.
Browsing: Fairfax
Niche creativity, consumer empowerment via social media – and, therefore, engagement measures – and the innovative uses of media hardware are the themes dominating Cannes Lions this year.
It’s not just the grizzled old leaders of the advertising pack that can be found wandering the halls and corridors of the Palais des Festivals. Slinking along in their shadows, sniffing the air for any sign of weakness are the Young Lions. Our maan in Cannes (or, depending on your pronunciation, our mans in Cannes), Martin Bell risks his personal safety in pursuit of Leonine quarry.
Fairfax Media is harnessing the raw power of the crowd to try and weed out a few more dodgy financial dealings from our elected officials, giving the public the chance to trawl through the thousands of pages of credit card transactions and receipts from 2003 to 2010 that were collated by The Department of Internal Affairs and review them online.
On a high after its big Qantas Media Award wins, APN New Zealand’s advertising rates are heading in the upwards direction as well.
It’s fairly standard practice for publishers to beat their editorial chests after the Qantas Media Awards are dished out. Of course, victory is always in the eye of the beholder (and, given the number of awards handed out and the size of the New Zealand market, there always seem to be plenty of beholders). But this year APN has nabbed the big ones: the Herald on Sunday was judged to be New Zealand’s Best Weekly and Best Overall newspaper for the second time in its five year history and The New Zealand Herald took the award as the country’s best daily newspaper.
Fairfax Media hasn’t been making too many friends recently: last week it decided to close business newspaper The Independent. And now it has fallen foul of a rival publisher after incorrectly claiming ownership of a magazine in some of its recent sales material.
The Cannes Lions advertising festival, the Big Daddy of the global advertising awards calendar, will be kicking off in just over one week. And StopPress will be bringing you all the action, every single bit of it, almost constantly.
The Independent newspaper is on its death bed and, as of 1 July, will cease to exist. But the newspaper’s owner, Fairfax Media, seems surprisingly upbeat about its passing.
The latest Nielsen Media Research data for readership numbers in the 12 months ending March 2010 has been released, and so has the obligatory combination of excessive adjective use, trumpet blowing, chest beating, questions about the research methodology, some oft-times fairly creative use of statistics and, if you look at the image above this paragraph, funny pictures of people with very white teeth who smile when they read.
Fairfax Media is the toast of at least four towns today after the winners of the Fairfax Young Lions Cyber and Media competitions were announced.
As Mother always said, the best kind of trip is an all expenses paid one. And there’s one up for grabs at the moment, with Fairfax Media urging New Zealand’s aspiring young creatives to enter the Cannes Young Lions YouTube competition for their chance to win a trip to the 57th Cannes Advertising Festival in June, compete in the Young Lions Film competition with a foreign stranger as Team YouTube and hobnob it with the world’s advertising elite.
Time is running out for young creative and media prodigies to enter the Fairfax Media Young Lions competition, which offers four fresh-faced souls a chance to attend and compete at the Cannes Lions, the largest and most prestigious advertising festival in all the world.
Fairfax Magazines has purchased Driver magazine and will merge it with New Zealand Autocar from the May issue, after it became clear to John Baker, of former Driver publisher Tangible Media, that the publishing landscape had changed and two magazines devoted to new cars couldn’t be supported, particularly given the large decrease in sales of new cars in recent times.
After a stellar 2009 – so good, in fact, that it’s currently on a pitch ban – DraftFCB has taken the 2010 Fairfax AdMedia Agency of the Year award.
Fairfax Media has announced the launch of the 2010 Fairfax Media Cannes Young Lions competition, which will give four of New Zealand’s top advertising talents the chance to compete at this year’s Cannes International Advertising Festival.
New Zealand’s top-selling gardening magazine, NZ Gardener, has appointed Jo McCarroll as its new editor. She will lead the team but will be under the watchful eyes and green fingers of current editor Lynda Hallinan, who will take up a new role as editorial director.
Sarah Nicholson will take over as editor of Cuisine magazine in February, replacing outgoing editor Eric Matthews, who is returning to Sydney to work as a design consultant.
Despite Rupert Murdoch’s News Corp making serious noises about charging for its online news, a recent Pure poll of 18,000 Australians are not impressed; 78 per cent don’t want a bar of it.
Only 5 per cent said they would pay for “high-quality articles” and only 7 …
Despite admitting it was “a bit unfortunate”, NZ Life and Leisure editor Kate Coughlan stands by the “impeccable” reputation of Fairfax pictures editor, Sybille Hetet.
“We went through the right channels and presumed this was cleared. We have strict processes for use of photos.”
L&L was pilloried by ACP …
Seven Media Group’s 2009 annual report reveals profit dropped to AU$12m from AU$142m last year, a fall of 91.2 per cent. This is due to its writedowns—reducing the book value of its media assets because they were overvalued compared to the market value. A company …