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Hot Cross Buns tune gets orchestral refresh with Woolworths and dentsu

Woolworths and dentsu have taken the tune Hot Cross Buns to the next level, transforming it into a full orchestral performance in collaboration with the Auckland Symphony Orchestra.

With the Easter break just two weeks a way, it is part of a campaign to celebrate the supermarket chain’s “epic range” of hot cross buns, said to be its biggest yet.

The 2026 range includes traditional fruit, chocolate, Cinnabon and even fruitless for those who are so inclined.

Woolworths says this year marks their biggest range of hot cross buns yet.

Woolworths senior marketing manager, fresh & own brand Sam Gujer says the campaign reflects the retailer’s focus on elevating seasonal favourites. 

“At Woolworths, we take the familiar and make it epic through innovation and collaboration, and that is exactly what we’ve done here, turning the humble Hot Cross Buns tune into a full orchestral performance with the ASO.”

Dentsu creative account director Tash Pinker adds: “Woolworths has been dedicated to making their hot cross buns epic, so it was great to partner with the ASO to celebrate them and take the idea to the next level.” 

Grand symphonic expression

The track was re-scored and orchestrated by composer Ryan Youens. It features a young child, who starts off the tune on the recorder as well as 32 musicians from the Auckland Symphony Orchestra (ASO).

Youens is known for his work as arranger for the Synthony Festival and as an orchestrator on The Hobbit film series.

“Taking this timeless piece, I’ve reimagined it into an epic orchestral arrangement,” says Youens. “It’s a journey from the familiar simplicity of a nursery rhyme to a grand, symphonic expression.” 

ASO president and musician Nicola Couch adds: “There is a wonderful magic in the contrast between a child’s rendition of Hot Cross Buns on the recorder and the epic sounds of a symphony orchestra playing the same tune.

“This highlights the powerful connection to the concepts of progress and achievement, and the importance of supporting our children to reach their full potential. By partnering with Woolworths on this unique project, we are celebrating that journey by bringing the simplicity of a time-honoured nursery rhyme to life in an enriched form.” 

Childhood memories

For the dentsu creative team, the idea came from the shared childhood memories of David Gillard-Allen and Jerome Toh.

They say: “When we were first briefed, we realised our strongest memory of ‘Hot Cross Buns’ wasn’t the food, but the song that was drilled into our heads when learning the recorder in primary school.” 

Dentsu’s chief creative officer Mike Felix adds: “Fun fact: the recorder used for the initial sound recording was my actual recorder from primary school when I learned ‘Hot Cross Buns’ 36 years ago.” 

The orchestral version of Hot Cross Buns starts with a child playing the opening notes on the recorder.

Audio-focused media campaign

The orchestral track will roll out across multiple platforms as part of dentsu media’s strategy.

It focuses on audio-enabled environments and channels, anchoring the campaign in both digital and linear radio. The strategy also aims to identify opportunities to integrate sound into unexpected spaces to create disruption.

The media campaign will launch with integrated partnerships & activity across major radio stations, extending into Spotify and social. 

Extending the campaign beyond the airwaves, an audio and video enabled Digital Truck activation will tour key locations.

Brand ambassadors will engage audiences on the ground by sampling hot cross buns and creating memorable, high-impact moments as the campaign comes to life in real-world environments.   

About Author

Writing is Zahra’s happy place – she’s been scribbling stories on any bit of paper she could find since she first learned how. She works across StopPress and NZ Marketing magazine and loves bringing the news and views of the industry to life both in print and online. She moonlights as an instructor with Chans Martial Arts, teaching Kung Fu (she’s a black belt).

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