New Zealand has one of the highest rates of per capita magazine consumption in the world. And, despite plenty of crowing from the online sector about increasing revenue—and more than a few digi-evangelists still predicting the demise of paper—the domestic magazine market continues to grow.
“Winning a Canon” will be the new goal for the nation’s journalists and publishers after news the electronics giant has taken over from Qantas as naming rights sponsor of New Zealand’s premier media awards.
The scramble for free television advertising space is on after TVNZ announced applications are open for its CSR programme, which gives a handsome $50k worth of filler time every month for two years to four national charities or NGOs.
In yet another example of using consumers to come up with the marketing material, Apex Car Rentals has opened the door for the public to suggest the direction of the next instalment of its recent “hugely popular” television commercial, which was made by Christchurch ad agency Strategy and directed by Gregor Nicholas of Flying Fish.
‘Tis the season to embarrass yourself at the workplace Christmas party. ‘Tis also the season to think about presents for your loved—or, if Secret Santa’s on offer, unloved—ones. And while it’s tempting to get everyone you know a life size cardboard of yourself, charities are making their annual call for us to resist our childish, consumerist urges and instead be more grown up in our approach to giving.
Westpac’s annual Westie Pac campaign has been pimped out like a matte black 1979 Holden Kingswood thanks to a handful of student marketers who attacked the bank’s student campaign like a Bull Terrier on a Sunnyvale Postie’s gastrocnemius. And now, five creative pairings have been chosen by New Zealand Post as finalists in its Student Marketer of the Year Award.
Fairfax Media has announced it will be making some sizable changes to its organisational structure in an effort to adapt and prosper in a world where convergent, digital and multi-platform media rules the day. But the New Zealand media operations, it seems, won’t really be affected.
As part of its big brand launch, New World staff, with the help of .99, recently breathed some life into vegetables (literally, to the tune of ‘Slice of Heaven’). And they’ve followed that up by breathing some life into the humble shopping basket, with its cutesy animated mascots, the Cleverbaskets, assuming their position as the new faces of the supermarket’s retail marketing.
In news that’s sure to rip the grundies of the Media Design School students who recently showed off their portfolios to a range of creative big wigs at the 2010 end of year show (three creative pairs were snapped up beforehand), next year’s Adschool students will not only be honing their skills, they’ll also be competing for a new $5000 cash scholarship sponsored by specialist communications recruitment company Marsden Inch.
The Yellow Treehouse and Tourism New Zealand’s Giant Rugby Ball campaigns have been identified by the CAANZ Marcomms Leadership Group as two of ten examples from around the world that best show the value of PR and experiential marketing as part of the marcomms arsenal.
With a pesky global financial crisis, the Rugby World Cup sucking up the corporate cash and the six year relationship with Air New Zealand as naming rights sponsor coming to an end, necessity has dictated a few new, cost-effective marketing tactics in the tenth year of New Zealand Fashion Week (NZFW).
High culture is often seen as the exclusive domain of the rich, old and über-educated. And “stuffy” is the word Kirsten Leighs, an account director at design agency The Church, uses to describe the highfalutin image of the New Zealand Symphony Orchestra (NZSO) before 2009, when the two outfits started working together.