Browsing: Media

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Meet the ‘new you’: Quitline calls on Clemenger BBDO
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In its first new work since Clemenger BBDO bolstered its social marketing portfolio by winning its creative account late last year, Quitline is launching a major new TV, outdoor and online campaign tonight.

Following a three-way pitch, the Wellington agency was appointed to position Quitline as the most …

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Kenrick named as TVNZ’s top dog
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It took a while, but Kevin Kenrick, a well-known New Zealand business figure who has held a number of leadership roles with Lion Nathan, Telecom New Zealand, and most recently, House of Travel, has been named as the new chief executive of TVNZ and will take up the position in the middle of May.  

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Kiwi TV switcheroo strikes again as Maher joins MediaWorks
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Following in the footsteps of Jason Paris, who shifted from TVNZ to take up the role of MediaWorks TV chief executive, TVNZ’s director of sales and marketing Paul Maher has switched sides after almost two years to become the new chief executive of television at MediaWorks. But that’s not all he’ll have on his plate, because as well as leading TV3, TV3+1, FOUR and C4, he will also assume the responsibilities of the outgoing director of sales for MediaWorks TV, Linda Farrelly. 

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Latest radio survey shows more New Zealanders lending their ears
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The latest ASA figures showed the radio industry grew its ad revenue by 2.5 percent and maintained stable share of all advertising at 11 percent. And it’s good news on the audience front too, with the latest six-monthly audience research figures showing that commercial radio in New Zealand has more listeners now that at any time in the past decade.

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Adshel ups the local ante, Vile moves up the chain
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2011 was a big year for Adshel, with the Rugby World Cup helping to fill the coffers, the return of the Adshel Rally afer a long hiatus and the departure of Australian-based chief executive Steve McCarthy and marketing director Elvira Lodewick. And it’s keeping the changes coming in 2012, with a restructure of the local office that has seen sales director Nick Vile promoted to the role of general manager for New Zealand.

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Quickflix streams ahead
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As of tomorrow, New Zealanders will have another option for viewing, with Australian movie and TV subscription service Quickflix launching and ISPs Slingshot and Orcon unmetering the new offering. 

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Meet the locals: Sky starts blowing its Kiwi trumpet with new sports campaign
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While the vast majority of Sky TV’s content comes from overseas, a lot of the content on its sport channels is produced “in New Zealand, for New Zealand”. And, in an effort to localise the brand a bit more and reflect the pride felt by the crews that make it, DDB and Flying Fish have created a series of sports-related vignettes to run at the end of the local productions. 

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TVNZ banishes ghost of TiVo past with big profit
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TVNZ was left to lick a few wounds after its $15-ish million TiVo blow-out. And there’s also been plenty of movement among senior staff since then, with the broadcaster still operating without a chief executive or a head of news and current affairs. But despite those difficulties, it’s managed to turn things around, with a half year unaudited net profit after tax of $19.2 million, an increase of $14.3 million on the prior year. 

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CAANZ assembles its crack media squad
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The big list of judges was announced last month and The CAANZ Media Awards Committee has announced the 18 media agency representatives who, with a group of 12 representatives from clients, media owners and creative agencies, will engage in some robust debate and determine the 2012 finalists during this week’s category judging.

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TVNZ Ondemand blows out a few innovative candles
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TVNZ Ondemand launched on 20th March 2007 as Australasia’s first catch-up television service. Five years on and the TV industry is nigh-on unrecognisable and while all major broadcasters face plenty of challenges coping with the rapid change, TVNZ’s ‘inspiring New Zealanders on every screen’ philosophy means there are also plenty of opportunities for the growing online platform. 

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Crouch, print, engage: Tangible launches two new brand extensions
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Yesterday’s ASA figures showed a $10 million decrease in ad revenue for the mag industry. And fairly tight times are forcing publishers to innovate, whether it be through branded content, new advertorial products, online initiatives or special issues like Tangible Media’s just-launched NZ Rugby World 1st XV and The New Zealand Weddings Planner. 

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Go deep: Frank Rose on the art of immersion
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Throughout history, the arrival of new mediums has continually upset the apple cart. The printing press, the novel, film, sound, TV, 3D, and the list goes on, have all changed the way humans tell stories—and all taken a long time for the storytellers to come to terms with. And, as Frank Rose, Wired writer, media analyst and author of a new book called The Art of Immersion said this morning at a breakfast hosted by DraftFCB, exactly the same is true in this digital age. 

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Igloo on ice? Sky/TVNZ joint venture given the once over by ComCom
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News surfaced this week that Sky and TVNZ had a date with the Commerce Commission after a complaint was laid about their joint venture Igloo and whether it met merger obligations under Section 47 of the Commerce Act. So if the decision goes against it, will it put the kybosh on the new mid-play TV network?  

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Jamieson bids adieu to NZ, says hello to Asia
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Nielsen’s managing director of media Stuart Jamieson is set to depart after around ten years in the hotseat to take up a role running the Nielsen business in the Philippines based in Manila. Rob Clark, who was appointed managing director, consumer group in August 2009, is set to take over the new position of country head, but a replacement as MD of media has yet to be announced. 

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Get your Glossie on: March voting now open
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We’ve searched high, low, near, far and also wide for the best ads and ‘creative executions’ in this month’s crop of local magazines and now you get to decide which one is the best by voting in the March edition of The Glossies. See this month’s entries below. And remember, there’s just one vote per computer. 

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PostClick comes out to Play
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Online revenue figures show no signs of abating at the moment, and one of the newer players in the local ad network scene, PostClick, is aiming to get a bigger slice of the pie by launching a new multi-unit online video product called Play, which national sales manager Ben Osborne says simplifies the fragmented online video industry and makes it easy for agencies to buy pre-roll ad space. 

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ACP toasts to good health with new month-long events initiative
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As the magazine sector’s revenue from sales keeps shrinking, publishers are increasingly looking to make up the shortfall by moving their brands into meat-space (and greasing up the paymasters with creative advertising solutions). And, following on from ACP’s successful 30 Days of Fashion and Beauty last year, it has just launched the next iteration of the scheme with 30 Days of Health and Wellbeing, “a cross-platform editorial and advertising initiative designed to promote health awareness and physical and emotional wellbeing”.

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How now, brown cow? New Idealog spreads its knowing wings
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Life is tough. There are many undesirable situations in the world right now. The Greek economy, world hunger, Justin Bieber … Idealog doesn’t claim to have all the answers but its latest issue can help with some of the lesser details, like how to read your rival’s financial statements, shut down a dinner party bore, give a winning speech, get on the front page, self-publish and more.

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Massey goes Massive as legislation leads to changes for student media
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Heather Roy’s Education Freedom of Association amendment act brought an end to compulsory membership to student’s associations at a tertiary level. And while it would be easy to write off the effects of the legislation as minor, the loss of the small payment included with the usual student fees has led to some big changes to Massey’s student publications.

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ACP undertakes some renovations, Upstart mag goes digital and NZ Woman’s Weekly gets charitable
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The latest magazine circulation and readership figures came out last week, replete with a few significant changes to the research methodology and mostly downward-trending numbers. But, as ex Saatchi & Saatchi big wig and current Assignment Group don Peter Cullinane discussed at the Nielsen Innovation Seminar this week, magazines still have a very good story to tell because they have higher levels of engagement than other mediums, something a few publishers are trying to tap into with recent changes to their products. 

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Roses are red—and made of newspaper
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Tui-drinkers are widely renowned as hopeless romantics. But some of them obviously need a bit of help to grease the wheels of love. So Tui and Saatchi & Saatchi have come to their aid by finding another use for the newspaper and creating a gift to help impress the missus (or the mister). Much like the alternative strip for Tuatara by Y&R Wellington last year, a bunch of foldable DIY roses is included in every edition of today’s New Zealand Herald, which means these sensitive new age guys “can keep [their] dosh for a dozen of another kind.”  

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As Nielsen changes kick in, major broadcasters show off
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Nielsen has now implemented its new Unitam model, which takes into account both overnight viewing and time-shifted viewing and also features an expanded panel, so it marks a new step in the way TV ratings are gathered in New Zealand. Added to that, the two major broadcasters are both back into full swing and many of the big new and returning shows that were trumpeted at the vastly different new season launches last year are now on the box. So how is New Zealand watching? And how are the new season ratings stacking up?

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The power of the press?
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The scene: a trendy bar and eatery in Freemans Bay, Auckland. Booked exclusively last evening for a business function, three stalwarts of the popular press, including Ms F O’Sullivan and Mr P Holmes, tarried at an outdoor table after a late lunch. When politely reminded their time was up, the visitor from Hawke’s Bay replied: “Don’t you know who I am?” Sadly, the young and demure organiser had to admit that she had no idea, just that she had booked the place exclusively. Perhaps the question should have been: “Don’t you know who I was?” The defenders of the fourth estate stayed ostentatiously put after the bar manager quailed in the face of the ferocious and fulsome trio, fearing a D rated review.

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