After losing the BMW account earlier this year, FCB Media has successfully orchestrated a switcheroo and landed itself behind the driver’s seat of not one but four automotive brands by winning the European Motor Distributors (EMD) media account after a pitching process, which involved two separate media briefs.
Browsing: Fiona Woolley
At the 2014 Cannes Lions there were over 3,000 entries into the activation category alone. And, anecdotally, at least, brands in this market are spending more of their budget on real-life experiences that can then be amplified with digital and social tools. Here are a few local examples.
Last year, after six years in second place, BMW knocked Audi off its perch and reclaimed the top selling premium car mantle in the New Zealand market. But Audi isn’t far behind, it’s still growing and it’s decided to tap into the nation’s patriotic fervour with one of the German brand’s first locally shot campaigns.
Fiona Woolley swapped postage for precision German engineering in 2011 and now Audi’s head of marketing spills her guts on 2012.
Aside from being a perennial favourite in the most hated jobs list, another peril of being a journalist is what some may call ‘income disparity syndrome’. Those from the fourth estate often liaise with successful types who earn too much, eat at nice restaurants and drive nice cars, before heading home to eat gruel for dinner, keep warm by hovering around the fire in the 40 gallon drum and wrap up lumps of coal in newspaper to give to their children for birthday presents. So it was with a mix of excitement and depression that I ventured out to Hampton Downs last week to test my driving skills in an array of magnificent German machines that I will probably never be able to afford. And in a new move for Audi, it’s opening up its Driver Experience Days to corporates and individuals.
It’s a prerequisite for any bonafide rock god or goddess to drive a cool car. And Audi New Zealand is coming to the party for this Thursday’s Battle of the Ad Bands at the Kings Arms, offering the winning band a brand new Audi A1 Sport Plus to share for a month.
The call for entries for the NZ Post advertising tender went out late last year, as it does every three years. But, after a decade as the incumbent, Saatchi & Saatchi has confirmed it won’t be participating in the pitch process.
New Zealand Post sponsors and runs a huge number of industry events, awards and competitions. And, with Localist moving into the directories space recently, a range of new tech-related developments like Send-a-Card and some flash new data toys on offer, it’s been busily going about its future-proofing business this year. So, pull up a chair and see what Fiona Woolley, manager, market engagement at Targeted Communications, had to say about 2010.
They took out the 50 cent classic category at the Art of the Envelope awards recently, and now the AUT University pair of Christabel Spong and Erin Gulyas have taken out the 2010 Student Marketer of the Year Award with their campaign for the annual launch of Westpac’s tertiary package ‘Westie Pac’.
The innovative entries came from far and wide—even for the first time from Britain—but DraftFCB’s Tony Clewett and the fantastically named Rob Banks had the stand-out with their 3D saw made from mock fifty dollar notes and were awarded Best in Show at this year’s Art of The Envelope Awards.
Candida, Kinetic 121 and New Zealand Post Targeted Communications have sounded the horn for entries into this year’s Art of the Envelope awards. And while the creative postal interpretations will be sure to arouse all who lay eyes upon them, the bcg² campaign that shows some well-known marketing characters bringing the sexy back to the humble envelope is possibly even more stimulating.