Finalists for the One Show have been announced and 24 Kiwi entries made the cut, up from nine last year. Colenso leads the Kiwi pack with seven contenders and more recognition for both Yellow Chocolate and TVNZ’s The Pacific campaign; DDB is just one back on six, with the good old reliable Sky Arts Channel work again finding plenty of favour; and Alt Group got three shortlistings in the design category. Clemenger BBDO and DraftFCB got two, while JWT, Special Group, Saatchi & Saatchi, AIM Proximity Wellington and TBWA\ all got one each. There were no finalists in the College section.
Browsing: Colenso
The pitch for the Super Council account is well-underway and it’s now a three-horse race between Ogilvy, DDB and Colenso/.99 after DraftFCB pulled up lame last week.
Colenso has followed up its impressive Axis haul with four ‘in-book’ accolades at the D&AD awards, while Saatchi & Saatchi and DDB NZ scored one each. But, unlike last year, there will be no pencils handed out to Kiwi agencies as no local work was deemed good enough to make it through to the nomination stage.
As the entry video shows, Yellow and Colenso believed you could get anything done with Yellow. But in a world dominated by Google, they had to say it loudly. And, like the award-winning Yellow Treehouse before it, Yellow Chocolate did just that. Whether this campaign achieved business results is debateable (Yellow could also be in line for the Creative Accounting Business of the Year), but that’s an argument for another day. In keeping with the creative Axis vibe, what is clear is that Colenso came up with a big, complicated idea, the Yellow powers that be were brave enough to run with it and the pair brought the many disparate parts together in the form of a chocolate bar.
Colenso’s ‘Yellow Chocolate’ was the only campaign deemed worthy of a nod in the Social category and was awarded one of eight golds for its efforts, while DraftFCB’s ‘The Journal’ was also a lonely winner in the Digital/Interactive category after picking up a bronze.
In the Direct Response section, Colenso took gold for Yellow Chocolate and a silver for ‘A Rubbish Idea’, while Special Group also took gold for ‘Orcon Business Banner’. And in the Direct Campaign, Colenso came home with both awards, a gold for Yellow Chocolate and a bronze for TVNZ’s ‘Real Stories’ to promote its show The Pacific. In the Direct Mail category, ‘A Rubbish Idea’ and ‘Real Stories’ both took silver, as did DDB’s Catalogue & Tee Shirt Folding Machine for AS Colour.
DDB, Sky and Capital City Films’ ‘Leafblower’ spot took home the most metal of any TVC on the night, with a gold in the single television commercial category adding to its impressive haul. DDB also picked up a silver for Lotto’s ‘Lucky Dog’ (which has over 750,000 views on YouTube) and a bronze for Volkswagen’s ‘Milk Run’; Colenso picked up a silver for Vodafone’s ‘Double Back’ spot and a bronze for Frucor’s ‘Ladders’; and Saatchi & Saatchi picked up a bronze for Telecom’s ‘Sunrise, Sunset’.
Colenso BBDO took all three awards handed out in the Integrated category, with gold for ‘Yellow Chocolate’ and a bronze apiece for Frucor’s ‘V Ladders’ and TVNZ’s ‘Real Stories’ to promote its show The Pacific. It also cleaned up in the Titanium category, with ‘A Rubbish Idea’ taking bronze and ‘Yellow Chocolate’ turning gold once again. Special Group took the only Interactive Axis, winning gold for the ‘Orcon Business Banner’.
They’ve made rubbish into street art, devised a sweet outdoor campaign for the Vodafone New Zealand foundation and were chosen to represent New Zealand in the Young Lotus competition at Adfest in Thailand this year. So it’s no wonder the pair are starting to turn a few industry heads.
DDB’s Lucky Dog remains goldless, despite being a big crowd favourite, but it takes a silver in Cinema and Projection, while Colenso’s moderately controversial ‘Beer: The Untold Story’ comes home with a bronze. And in the Long-Form Content category, Colenso and DB Export win again with a bronze, as does TBWA\’s ‘Give Your All’ papier mache for Adidas.
Colenso is at the top of its creative game at the moment and it’s certainly walking the talk when it comes to devising big ideas that get brands talked about by consumers. And while Yellow Pages is wrestling with a few rather large financial demons at present, the pair’s impressive award-winning run continued last night at Vector Arena, when Yellow Chocolate was awarded the Grand Axis, the Titanium gold Axis and the Integrated gold Axis at the 2011 CAANZ Axis awards.
The John Caples awards were dished out in New York this week to honour the world’s best direct and interactive marketing and there was plenty of New Zealand work deemed good enough to make it onto the dais. But it was DraftFCB that got the most applause, ending up as the best performing Australasian agency with eight awards, while Colenso and AIM Proximity picked up eight awards between them.
Despite a stellar year for the Clemenger Group gang, both in terms of awards won and cash banked, there have been a few mutterings around the traps of late about axes falling at Colenso and AIM Proximity. And while the seemingly OTT figure of 20 departures has been bandied about, Colenso’s managing director Nick Garrett says that’s certainly not the case and says it’s just slight reshuffling of the pack to respond to the current demands of clients.
Colenso BBDO is an agency that prides itself on creating work that’s interesting enough to create conversations. It probably doesn’t pride itself on having work pulled for breaking the rules, but that’s happened twice in the past few weeks, first with the DB Export TVC that was removed from television, cinema and online after a complaint was upheld by the ASA and then with the massive viral video Rear View Girls for Levi’s that, after more than seven million views, was pulled from YouTube for violating its terms and conditions.
It has been said that AWARD golds are rarer than both hen’s teeth and fish lips and that was proven once again on Friday night, when just six were handed out and some Cannes Gold winners left with only bronzes. But in news that’s sure to further warm the cockles of New Zealand’s ad scene, half of them went to Kiwi agencies.
The radio, design, digital, creative innovation and integrated finalists for AWARD have been announced, with Clemenger BBDO, Colenso, DDB, Saatchi & Saatchi, TBWA\, Publicis Mojo, Rapp/Tribal, AIM Proximity and Special Group all making the cut. But coming out on top for the Kiwis in terms of overall finalist nods are DraftFCB, DDB NZ and Special Group. The awards will be handed out on Friday.
Who’s it for: Levi’s by Colenso BBDO
Why we like it: It’s easy to make a viral ad. It’s much more difficult to actually make that ad go viral. But at well over five million views on YouTube, that’s exactly what Colenso did …
Just Juice is celebrating 30 years of Kiwi summers by dishing out a range of “sweet classic prizes” to anyone who enters their barcode online. And it’s drumming up interest in the promotion with a gloriously incongruous TVC from Colenso BBDO that shows some overly enthusiastic old folk engaging in their favourite summer activities—and all in horrible slow motion.
Colenso is always harping on about the conversation economy; about creating content that’s interesting and/or mysterious enough to get talked about by the masses. V’s Rocket Man succeeded in this regard, but the agency’s latest foray into the dark viral arts, a production/social experiment called the Rear View Girls that aims to promote Levi’s new range of Curve ID women’s jeans, has taken it to another, more international level.
The next load of AWARD finalists have been released, with DraftFCB’s print campaign for Man vs Wild finding plenty of favour with the judges, and Colenso BBDO, DDB, Clemenger BBDO and JWT rounding out the Kiwi successes.
The first round of finalists for AWARD have been announced, with Special Group, DDB, DraftFCB, Colenso, M&C Saatchi, Clemenger BBDO, AIM Proximity, Flying Fish, The Sweet Shop, Film Construction, YukFoo and Curious Film among those that made the cut in the Direct Marketing, Craft in Film and Craft in Print categories. More category finalists will be announced soon and the awards will be dished out on 25 February.
It’s Tip Top’s 75th birthday this year (check out some of Kiwi company’s classic ads featured in the last edition of NZ Marketing here). And to celebrate, it’s handing out 50,000 free Jelly Tips in 11 different locations around the country today. So, if you’re in Whangarei, Auckland (Takapuna and Pakuranga), Hamilton, Tauranga, Palmerston North, Wellington, Nelson, Christchurch, Dunedin and Invercargill at 3.30pm, you’ll have 75 minutes to get your hands on “the darling of ice creams”.
Charlie Sutherland (Chalks) was a good guy; a guy who spent a long time wrestling with his own particular demons. It’s been a while since I’ve seen Charlie, so I want to recall the good old days when he was something of a rock star in a young, emerging Colenso. And those were tough, competitive days.
New Zealand’s (mostly) two horse international awards race between DDB and Colenso has continued apace and this time it’s Colenso in the lead, after it made Advertising Age’s ‘Agency A-List’—”the pick of the top advertising, digital, media, direct and PR agencies around the world”— and was named “international runner up agency of the year”, a spot it shared with Mother (London) and TBWA Hunt Lascaris (Johannesburg). Argentina’s Del Campo Nazca Saatchi & Saatchi won the category and Wieden + Kennedy took out the agency of the year title.
If you thought ad agencies were only in it for the accolades, then the Directory Big Won may lend a little bit of credence to that, because it’s an award show that gives out awards to agencies that have won the most awards. How post-modern. Anyway, after the numbers were crunched, DDB New Zealand and Colenso BBDO were the only two agencies from the Asia Pacific region to make the top 20 list for 2010, ranked as the 18th and 20th most successful creative agencies in the world respectively, the first time either agency has made the list.
Yeah, yeah, we know it’s 2011, but due to moderately popular demand (and also due to the fact that we’re running at about 34 percent brain functionality at present and good old reliable Q+A’s are a good way for everyone to ease back in), we’ve decided to post a few more year in reviews from esteemed industry opinionistos/opinionistas that we didn’t have space/time to run last year. First up, Nick Garrett, the man who took the reins from Colenso BBDO’s outgoing managing director Brent Smart and, after winning a host of big awards, snaffling some big new business and doing a fine impersonation of Mini Me at the Colenso Christmas party in his first year, can’t have too much to complain about. Here’s what tickled his fancy last year.
Colenso BBDO has had another stellar year, with a swag of awards—both for creativity and effectiveness— and a growing international reputation. Planning director James Hurman, who passionately believes that creatively focused leadership and creative advertising leads to business success, has played a big part in that. And here’s his take on 2010.
The scramble for free television advertising space is on after TVNZ announced applications are open for its CSR programme, which gives a handsome $50k worth of filler time every month for two years to four national charities or NGOs.
The Yellow Treehouse and Tourism New Zealand’s Giant Rugby Ball campaigns have been identified by the CAANZ Marcomms Leadership Group as two of ten examples from around the world that best show the value of PR and experiential marketing as part of the marcomms arsenal.
… as Yellow wins some more awards, the wheels on the Instant Kiwi scratchie bus go round and round, Fresh PR slips into something more comfortable, the University of Auckland School of Business reaches a big milestone with its 40,000th Short Course attendant, TVNZ ups its streaming, TV3 spruces up its website, the crowd goes wild for Microsoft Kinect and Sealegs is endorsed by scientists.