The Press Council is weighing different fee levels for bloggers and digital media organisations starting in the hundreds of dollars for non-commercial organisations. Bloggers could also be considered as representative members if they become significant funders, the council’s executive committee chair says.
Monthly Archives: March, 2014
Industry shuffles at Cadbury, Saatchi & Saatchi NZ, the All Blacks, BrandWorld, Clemenger, RAPP and Word of Mouth.
Steve Kane, currently creative director at Whybin\TBWA, will take a seat in the managing director’s chair at Y&R NZ, replacing the outgoing James Hurman.
Charity auctions, health programmes and beer-funded documentaries get a 21 gun salute this week.
Touchcast says digital installations like the one it sourced and ran for Telecom’s Cut & Paste design contest recently are a growing part of its business. That’s because audiences get deeply engaged, says managing director Andrewy Hawley.
In January, Vodafone announced that it was reviewing its global media account, which has been held by Omnicom’s OMD for half a decade. And this process could have repercussions for local account holders.
AJ Park patent specialists Anton Blijlevens and Jillian Lim touch on some of the interesting patents that might soon be on the shelves.
As Kim Dotcom shifts his attention to the political arena with the formation of the Internet Party (and he’s a step closer to making it official following the approval of his sign-up app), his time as Orcon’s mascot is coming to an end.
When advertisers and TV people commandeer bus stops, the results are often very entertaining.
You can tell by the particularly un-Kiwi job title on Ross Howard’s business card (Senior Vice President of Product & Design) that BuzzDial, the fledgling tech start-up he co-founded with similarly accomplished digital media bods Tom Cotter and Geoff Devereux, is looking much further afield than the small local market. And with M-Com’s Adam Clark coming on board as chairman, Stephen Tindall’s K1W1 fund investing in the business and positive responses to the product from a number of global broadcasters, it seems to be off to a pretty good start.
Two years after first launching its ‘purer invironment’ spot, HRV has once again collaborated with Y&R NZ to launch an extension of the campaign, which will see the home improvement company take on an old, damp and mouldy home. The HRV Pure Invironment Project, which aims to show that it’s possible for any home—irrespective of its age—to have an invironment as comfortable as the one depicted in the original TVC, will result in the renovation of a 110-year-old villa over the next month.
Over 25,000 people have joined the hunt to find the missing Air Malaysia flight MH370 by scouring through scores of high-resolution satellite photographs that have been uploaded to the Tomnod website by DigitalGlobe.
Aside from the gazing into space, the squinching and the gratuitous holding up of hands in order to get the money shot, what else do watch ads have in common?
There’s a lot of talk about the role the media plays in creating unrealistic expectations around body image (check out this disturbing video to see the lengths some will go to). But, surprisingly, there’s been very little talk about the recent spate of itchy heads among women starring on the covers of magazines and whether they might be creating unrealistic expectations of scalp health.
In this series, we talk to Kiwi keyboard tappers that have managed to shift from the personal realm of blogging to create online media brands that are widely read (and in some cases profitable). In this segment, we chat to Mauricio Freitas, the founder of Geekzone.
New Zealand on Air says a Netflix deal to stream Rhys Darby comedy Short Poppies, which it funded, is great for the Kiwi content. The eight part series will be offered to offshore Netflix subscribers and is also on the schedule for TVNZ’s 2014 season.
In November last year, McDonald’s launched New Zealand’s version of the ‘Our food, Your Questions’ campaign that proved so successful in Canada. As the questions have poured in over the last few months, McDonald’s has proceeded to answer them and the resultant correspondence has been collated on a website specially dedicated to the campaign.
Our weekly wrap of good things, strange things, funny things and other things from inside the intertubes.
For quite some time the doomsday prophets have been predicting the demise of print, but this hasn’t stopped advertisers from having a bit of fun with the medium. Here are two print ads that illustrate that there are still fun and creative ways that print can be employed to relay a brand message.
After its Willy Wonka-esque Joyville campaign, Cadbury is now on a mission to show how chocolate can improve the lot of those who are being crushed under the weight of day-to-day drudgery, and this passport control officer is powerless to resist the urge to cut some shapes in his workplace.
Around the world, broadcasters are using their talents to make more than just promos for their own shows or idents for their own channels. And TVNZ’s Blacksand is no exception. So should agencies be concerned by the multi-skilled employees, the quick turnaround, the increasing interaction with clients and the improving output of this inhouse creative department? Or can everyone get along?
It’s hard to believe it’s been eight years since the first tweet, but Twitter is marking the milestone with a new online tool that lets you find out the short message you first broadcast to the world — and see the cautious early efforts of other users.
Content marketing specialist BrandWorld has just launched Field Trials, a new masthead that aims to showcase products targeted at farmers. This move marks a change in direction for BrandWorld, in the sense that this is the company’s first foray into the rural market. Although the previous four mastheads – Discover, The Extra Mile, Eating Well and Family Health Diary – do sometimes feature products that appeal to both the rural and urban markets, the new offering will focus exclusively on targeting farmers. And if the statistics from the Ministry of Primary Industries are anything to go by, this could prove to be a lucrative move.
Contagion’s Tom Bates went to hang with the geeks and soak up the knowledge at SXSW Interactive in Austin, Texas, recently. And while he was there he caught up with a few expat Kiwis doing big things, like Tessa Gould.
The Intermedia Group, which owns over 70 media titles in Australia, has announced that it will release two business-to-business titles in the New Zealand market within the next few months. This move comes only a few weeks after it was confirmed that MediaWeb, which was previously active in both the FMCG and hospitality markets, went into receivership. And although the Intermedia NZ general manager didn’t say that there was a correlation between the MediaWeb receivership and Intermedia’s decision to enter the market, he did admit that situation at MediaWeb influenced the timing of the move. Update: the receivers are accepting tenders from interested parties for all MediaWeb’s assets.
The Starship Foundation and Whittaker’s Big Egg Hunt already has one live website and will soon get another to support the campaign. The organisers are also going big on social media with Facebook, Twitter, YouTube and ‘Egg-stagrams’.
Telecom plans to find a new name for its internet TV and movie service after similarly-named Kiwi companies raised concerns about ShowmeTV. The company says it could have faced a legal challenge and a prolonged dispute wasn’t in anyone’s interest.
This week there were moves and shakes at MediaWorks, CAANZ, TVNZ, Image Centre, Idealog, Intelligent Ink, LiveSport and AD2ONE
The Warehouse Group’s new shopping app includes the ability to scan products in its stores and that of its competitors to compare pricing. The app, created by Sush Mobile, is also an e-commerce platform and provides offers and store information.
The ASA’s 2013 ad spend figures showed that while TV continues to reign supreme, its time at the top might be coming to an end as the interactive category continues its trend of strong year-on-year growth. Updated with comments from OMANZ, MediaWorks Radio and NZ post.