The south of France is significantly adding to its wanker quotient at the moment as ad folk from around the globe arrive for the 60th anniversary of Cannes (although a strike by French air traffic controllers has made it difficult). But D&AD got in there first with the announcement of its winners this week. And three of the four campaigns that earned grand prix awards at Axis backed that up with a pencil of the yellow variety. PLUS: why ad awards are now for losers.
Browsing: Call Girl
DraftFCB’s had an impressive run on the awards circuit this year, winning plenty of metal at D&AD, Clio, New York Festivals, Axis and a few others. And it’s added to the cabinet after Kelly Lovelock and Hywel James were awarded the Grande ORCA for their cunning Prime TV ‘Call Girl’ promotion.
Last year, Clemenger BBDO’s Ghost Chips won a yellow pencil at D&AD the same night it was snubbed at Axis. But this time the planets were in alignment, because DraftFCB’s grand axis winning Driving Dogs for Mini and SPCA has also won a prestigious gold pencil in the integrated branding, consumer campaign category at the One Show.
As director and filmmaker Tony Kaye said to the gathered marcomms folk yesterday afternoon during his mad but wise speech, “you’ve just got to keep making shit”. And of all the shit that was made in the past year and a bit in this country, DraftFCB’s Driving Dogs for Mini and SPCA was chosen as the best.
New York was all about the awards last week, with the Clio Awards and New York Festivals announcing their winners. And DraftFCB came way with the most hardware of the Kiwi agencies at both events, winning two golds and two bronzes at Clio and a gold, silver and two bronzes at New York Festivals.