Leading with optimism: learnings from New York's most innovative companies

  • Voices
  • May 30, 2018
  • Amber Coulter
Leading with optimism: learnings from New York's most innovative companies

Often feared as the Freddy Krueger of the business world, disruption is something that strikes fear into the hearts of business leaders everywhere. But is it really something we should fear?

Rates of disruption have never been higher than they are today. In the developed world, the ‘topple rate’ (a measure of the rate at which companies lose their leadership positions) has increased by 39 percent. The tenure of companies on the S&P 500 has declined from 61 years in 1958 to 18 in 2012. Two decades from now, 75 percent of the S&P 500 companies will have turned over.

A little closer to home, nearly half of all New Zealand small businesses expect to see disruption in the next decade, but interestingly less than two-thirds are actively trying to take advantage of it. (MYOB Business Monitor 2017).

Sir Paul Callaghan profoundly pointed out a few years ago that Samsung generates the equivalent of half of New Zealand’s GDP with only 123,000 employees (about five percent of our workforce). That’s a stat to get you thinking. “Productivity is not about how hard we work”, he said, “it’s about what we do, and in today’s world it’s technology that counts”.

So as business leaders, how do we lead with optimism to make disruption an opportunity rather than a threat in an environment with no clear end-state?

Each year in New York City, Fast Company hold their Innovation Festival. In late 2017 I was able to attend and learn from a range of leading-edge speakers from diverse companies and organisations as broad as BuzzFeed, Nike, IDEO, Facebook, R/GA, Droga5, eBay, Planned Parenthood, Jessica Alba’s The Honest Company and many more.

The festival itself is dedicated to looking at the future of business, exploring themes around innovation, entrepreneurship, leadership, technology, social good and creativity. It is highly experiential, involving small group visits to companies and organisations across New York, bringing to life the ideas that are being discussed. The end goal is to encourage participants to “lead with optimism” and effect positive change in their careers during this era of disruption.

I’ve distilled a huge array of speaker insights (from Kimbal Musk, Jessica Alba to Bob Greenberg) into four key learnings on how companies can lead with optimism. These take-outs have as much relevance for a Brooklyn-based Dumbo start-up, as a Kiwi Generator start-up:

Learning 1: Disrupt yourself or face disruption.

There is a clear need for businesses to actively disrupt themselves before disruption strikes and establish appropriate business structures to enable new growth. This can take many forms, from partnering to acquiring, investing to collaborating. In whatever form, the development of a new ventures arm to futureproof your business is now simply a hygiene factor of doing business.

Just look at Google’s Other Bets (who spent $4.4 billion or seven percent of operating expenditure) on ‘Other Bets’ in 2016 to try and find the next game changer outside of their search business, from Nest home automation to self-driving cars.

Visiting R/GA’s offices magnified this strategy as they have a clearly defined playbook for self-disruption. Bob Greenberg, the original founder, believes that having an ongoing plan to disrupt yourself is critical to future survival and success. The agency was set up in 1977 and from then has worked on a broadly nine-year cycle of reinvention. However, they now seek to disrupt themselves every year, through a consulting plus ventures model entirely focused on delivering growth to their clients.

Greenberg’s view is that advertising is a solved problem and a legacy industry (in fact, R/GA has long since dropped the word agency). They try to get into spaces where the problems are far from solved (the “40 percent” spaces) through a dedicated ventures arm to incubate the best ideas and utilise core skills to build further capability. There is a strong focus on building a culture of change as essential to self-reinvention.

Learning 2: Harness the power of data analytics, AI and machine learning to power all functions of your business.

Beyond data analytics, AI and machine ‘deep’ learning have emerged as the critical tools for making sense of multiple signals coming into an organisation. It is clear that being data agnostic will be a critical skill of future winning businesses. From functions as diverse as marketing through to office design, staff recruitment and staff engagement, AI and machine learning are changing how businesses not only build their businesses but also run them operationally.

BuzzFeed is a classic example of a business harnessing the power of AI and machine learning to reinvent the future of television, through a belief that effective use of data should deliver the right audience, not just a bigger audience. They use a sophisticated continuous feedback loop, through their use of data.

It is not new news to say that TV is being fundamentally disrupted by AI and digital watching behaviours. BuzzFeed segment TV watching behaviour into ambient, channel surfing and appointment viewing and split digital watching behaviours into short form (unintentional) and long form (eight minutes and intentional), which is rapidly growing. From BuzzFeed’s perspective, Netflix and Amazon are the SKY TV of New Zealand today – the old school premium cable players with a limited lifespan.

BuzzFeed is focused on using data analytics and AI to create new-world content that harnesses social amplification, while also creating real-life experientialism for viewers. Unsolved is a weekly web series that screens on BuzzFeed's YouTube channel, having amassed over 200 million web views across its various instalments. Rather than commit to an entire series, each episode harnesses new-world technologies to shape and alter the content, making it incredibly difficult for traditional players to win (who must commit to a full series before any viewer feedback is gained). BuzzFeed is constantly using AI and machine learning to inform future content creation decisions, generate new ideas, analyse view counts, audience data and how viewers interact and engage with content (likes, comments, shares) to judge how they feel about it. Put simply by BuzzFeed’s founder Jonah Peretti, they are a “data, learning, dollars” business.

Beyond the screen, Unsolved has also moved into product placement (with brands currently spending over $70 billion a year on TV, integration is a natural play), along with merchandise and experiential events which allow viewers to visit the set, join parties, take photos with the cast and also suggest plot ideas for the future. Their strategy is IRL marketing.

Learning 3: Experience is kingmaker. A brand’s experience needs to be so good that people will tell others your story for you.

Experiences (and ideally those that are transformative for a person in some way) are emerging in culture as what people value, beyond material things.

Since brand is experience and experience is brand (these are not different entities despite popular discourse) it is not a case of using communications to tell your story. Your brand’s purpose (i.e. why you are in business) must be laser-defined and your experience so good that people will tell your story for you.

As the world’s largest brewer, Anheuser-Busch focus on purpose and experience in all of their portfolio through an approach termed the “3P’s” – purpose, product and passion.

Innovation is not a gated process but more about finding shared passion points with people and then finding ways to connect with these in a meaningful way so that the brand story is told.

Learning 4: Culture is everything. Understanding culture, rather than the individual, is paramount to success.

Understanding a brand’s role in the broader cultural context of people’s lives is critical. Humans are herd creatures. Much of what we think or do is driven by what is happening in the world around us. In creating a customer-centric company, there is a need to predict what customers are going to demand in the future, along with an understanding of what shifts are happening as a result of cultural movements.

Anheuser-Busch stays ahead of changing trends through a focus on culture and cultural shifts, using multiple data sources to find points where innovation can flourish. This is undeniably where cultural currents meet demographic shifts meets “in-between spaces” (the spaces between categories that offer opportunity). Anheuser-Busch works to a model of being 70 percent sure, testing small, acting fast and then scaling the good (with a particular focus on things that could disrupt themselves). They encourage significant collaboration and mash-ups to find new spaces e.g. coffee or spice makers are invited in to brew beer.

The learning from New York’s most innovative companies is that disruption is not something to fear but embrace. An opportunity and an environment we can lead with optimism in.

Where disruption becomes less Freddy Krueger, more cuddly teddy bear.

  • Amber Coulter is a partner at TRA.

This is a community discussion forum. Comment is free but please respect our rules:

  1. Don’t be abusive or use sweary type words
  2. Don’t break the law: libel, slander and defamatory comments are forbidden
  3. Don’t resort to name-calling, mean-spiritedness, or slagging off
  4. Don’t pretend to be someone else.

If we find you doing these things, your comments will be edited without recourse and you may be asked to go away and reconsider your actions.
We respect the right to free speech and anonymous comments. Don’t abuse the privilege.

Ogilvy's senior line up changes with chief creative officer and executive creative directors

  • Advertising
  • September 20, 2018
  • StopPress Team
Ogilvy's senior line up changes with chief creative officer and executive creative directors

Ogilvy has announced a number of senior moves, with Regan Grafton promoted to the role of chief creative officer while Lisa Fedyszyn and Jonathan McMahon become joint executive creative directors.

Read more

Radio survey: total audience tuning into radio waves remains stable

  • Meida
  • September 20, 2018
  • StopPress Team
Radio survey: total audience tuning into radio waves remains stable

Its radio survey time again and in the third round for 2018, 3.66 million New Zealanders have been found to listen to radio each week, with The Edge seeing the biggest audience.

Read more

Colleen Ryan: from wolf whistles to Ritson and Sharp

  • Voices
  • September 20, 2018
  • Colleen Ryan
Colleen Ryan: from wolf whistles to Ritson and Sharp

TRA partner Colleen Ryan takes a final look at the Byron Sharp versus Mark Ritson debate, looking at the power of remembering a well-marketed brand.

Read more

Social scoreboard

Zavy and StopPress have worked together to create a scoreboard that compares how the top 25 traditional media advertising spenders in New Zealand have performed on social media over the past 30 days, updated in real time.

topics
Follow The Money
Follow The Money
Follow the money. It’s an axiom that journalists have believed in for years and a ...
Regional Rundown
Regional Rundown
StopPress takes a trip down the country to see who the audiences and agencies are ...
Beyond the Page 2018
Beyond the Page 2018
In conjunction with the MPA, the Beyond the Page series shows how some of the ...
Insight Creative
Insight Creative
Insight Creative specialises in shaping business stories out the core insights that often lie under ...
Beneath the Surface
Beneath the Surface
In this series, brought to you by Microsoft, we talk to a conceptual photographer, illustrator ...
20/20 (tele)vision
20/20 (tele)vision
Media consumption is changing. But by how much?
The Hot List
The Hot List
Our rundown of the hottest shows, brands and creators in New Zealand media. 1. magazine ...
Cannes Lions 2017
Cannes Lions 2017
All the winners, the shortlists and the drama from this year's edition of advertising biggest ...
Merger Mania
Merger Mania
All our stories on the nation's two failed mergers in one place
Bauer Beyond the Page
Bauer Beyond the Page
When it comes to creating branded content, there are few better in the Kiwi market ...
The Indies
The Indies
Over the course of this series of articles, we look at how always-nimble indy agencies ...
AdRoll on automation
AdRoll on automation
Marketing automation is tipped to eventually become the only way advertising is traded in the ...
Game Changers
Game Changers
It’s all about PEOPLE. Join us as we discuss global insights, ideas and innovations from ...
TVNZ-NZ Marketing Awards 2015
TVNZ-NZ Marketing Awards 2015
Celebrating all the winners of the 2015 TVNZ-NZ Marketing Awards.
Future Tense
Future Tense
In a new series, StopPress talks to a range of newsmakers currently trying to shine ...
Beyond the Page
Beyond the Page
In conjunction with the MPA, the Beyond the Page series shows how some of the ...
Up Country
Up Country
In conjunction with News Works, the Up Country series talks with some of New Zealand's ...
Sounding off
Sounding off
As part of a content partnership with MediaWorks, we've asked a few of the company's ...
StopPress Podcasts
StopPress Podcasts
We sit down for a chat with industry leaders to find out what they're up ...
The art of story finding
Sponsored content

The art of story finding

There’s some often cited research that says we’re 22 times more likely to recall a story than we are a fact. But when you’re dealing in branded content, perhaps a more useful way to consider this information is that we’re 22 times more likely to recall a fact when it’s wrapped in a story. In this episode, we’re looking at how to put your audience at the centre of your story and letting them experience your brand for themselves.

My Food Bag cooks up August's Ad Impact Award winner

  • Advertising
  • September 20, 2018
  • StopPress Team
My Food Bag cooks up August's Ad Impact Award winner

With a change of season upon us, August saw a new range of TVCs being tested. While there were plenty on show, it was My Food Bag with its 'Dinner Makes Families' TVC by Saatchi & Saatchi that picked up the Colmar Brunton Ad Impact Award.

Read more
voices
A New Zealand Original: Streaming services embrace in-house content
features

A New Zealand Original: Streaming services embrace in-house content

As online streaming services slowly replace broadcast television as the preferred way to watch TV, the ways in which content is developed are also changing. Streaming services are boasting ‘original’ content, with the banner, ‘Netflix Original’, becoming synonymous with edgy or ground-breaking content, created free from the bounds of traditional broadcast media. Now, slowly but surely, Lightbox is getting in the game.

#suffrage125: How media and brands are celebrating New Zealand's historic move

  • Advertising
  • September 19, 2018
  • StopPress Team
#suffrage125: How media and brands are celebrating New Zealand's historic move

Today is a proud day for New Zealand as we celebrate 125 years of women’s suffrage in New Zealand. StopPress looked around to see what media and brands in Aotearoa did to mark the occasion.

Read more

Changing faces of women in advertising

  • Voices
  • September 19, 2018
  • Georgia Middleton
Changing faces of women in advertising

It’s 2018. That’s 125 years since women in New Zealand have been recognised as equals in the eyes of democracy. But what’s the story of equality in advertising? It doesn’t take much research to find articles about the changing faces of women in advertising – and yes, things are changing. But the casual sexism, the call-outs and the cover-ups have sparked a different kind of debate. Is misogynistic advertising a thing of the past, or do seeds of it still exist? To answer that, I’ve looked at different portrayals of women to see how things were then…and now.

Read more

Sharks and lightning: expect the unexpected in LifeDirect's new campaign

  • Advertising
  • September 18, 2018
  • Georgina Harris
Sharks and lightning: expect the unexpected in LifeDirect's new campaign

Following the sad demise of mascot Simon the sloth, LifeDirect by Trade Me has gone for the humourously unexpected in its newest brand campaign by Y&R.

Read more

What's your mark of progress? ASB showcases its customers' stories

  • Advertising
  • September 18, 2018
  • StopPress Team
What's your mark of progress? ASB showcases its customers' stories

ASB has launched another round of its business banking campaign with True, and this time it's put the spotlight on its customers, with Pic’s Peanut Butter, Burger Burger, Farmlands and others sharing their business progress.

Read more

Ads of the week: 18 September

  • TVC of the week
  • September 18, 2018
  • StopPress Team
Ads of the week: 18 September

ASB, LifeDirect and Phloe show us how it's done.

Read more

Social enterprise shows how VR can save New Zealand's endangered birds

  • Technology
  • September 18, 2018
  • Elly Strang
Social enterprise shows how VR can save New Zealand's endangered birds

For Conservation Week this week, social enterprise Squawk Squad and virtual reality studio M Theory have joined forces to go into the classroom and get children excited about saving New Zealand’s native birds through VR technology. The experience takes the viewer through a forest journey alongside a robin bird, who encountering friends and predators along the way.

Read more
Follow the money, part three: Where New Zealand's news media is finding pots of funding gold
features

Follow the money, part three: Where New Zealand's news media is finding pots of funding gold

Follow the money. It’s an axiom that journalists have believed in for years and a guiding light when it comes to holding the powerful to account. But that phrase is increasingly pertinent to those who run media businesses. As advertising money flows away from traditional channels towards large tech firms, the old business model of selling space around the news is creaking. And that has led to a range of experiments from publishers and broadcasters hoping to keep the lights on – and to keep shining those lights into dark places. Erin McKenzie dives into the local news media feed and finds plenty of experiments, but no simple answer to the funding conundrum.

NZME secures eight News Media Awards in Australia: News Corp leads winners

  • Awards
  • September 17, 2018
  • StopPress Team
NZME secures eight News Media Awards in Australia: News Corp leads winners

NZME was the most successful New Zealand brand at the News Media Awards in Sydney last week, with News Corp topping the honours taking home 2018 News Brand of the Year.

Read more

Seat appoints DDB to rev up its presence

  • Advertising
  • September 17, 2018
  • StopPress Team
Seat appoints DDB to rev up its presence

After launching in New Zealand last year, Spanish car brand Seat has appointed DDB as its creative agency to grow its presence in the local market. DDB's garage is now home to Volkswagen and Seat.

Read more
Next page
Results for
Topics
Jobs
About

StopPress provides essential industry news and intelligence, updated daily. And the digital newsletter delivers the latest news to your inbox twice a week — for free!

©2009–2018 ICG Media. All rights reserved.
Use of this site constitutes acceptance of our Privacy policy.

Advertise

Contact Vernene Medcalf at +64 21 628 200 to advertise in StopPress.

View Media Kit