Ad folk take top prize at 48 Hour film-making comp

  • Film
  • July 18, 2013
  • Ben Fahy
Ad folk take top prize at 48 Hour film-making comp

Every year for the past eleven years, teams of furious filmmakers—some amateur, some professional—from around New Zealand have given up two days of their lives to partake in the Rialto Channel 48 Hours, "New Zealand's largest guerrilla filmmaking competition". 44 teams took part in 2004 and more than 800 took part this year. And a team with some strong connections to the world of marcomms was named as grand champions. 

Put simply, filmmaking teams have just one weekend to make a short film. But they don't know what genre they will be shooting until the start of the competition. Everything, including writing, shooting, editing and adding a musical soundtrack, must occur within the 48 hour window and to add to the mayhem, teams must also include some random elements, like lines of dialogue, props, characters and special camera moves. 

The Traces of Nut team from Wellington took the title this year with The Sleeping Plot, a black comedy based around a 10-year-old girl who will do anything to find her best friend. The film was co-written by Dean Hewison, a director, Sam Dickson, a creative at JWT and Richard Falkner.

Hewison, who won the AUT University best director award, is currently in Auckland directing a TVC for Two Birds and JWT. And he also directed the feature How to meet girls from a distance. The film also won the Canon Best Cinematography Award and Hewison's 10-year-old daughter Nova Waretini-Hewison, who was initially on set to help dad out before she became an integral part of the plot, took out best actress. 

According to the Herald, judge Scott Walker, the director of Frozen Ground (chief critic at Variety, Scott Foundas, and Homeland director Lodge Kerrigan also judged)said the film was "smooth'' and "professional".

"I loved the story, original, manipulative. I fell for that kid. Funny, and clever. High production values made everything feel smooth and it looked professional. Great wee story, well told. All the little portends as the film went along were great, making a second viewing really rewarding."

I Got Robots by Chess Club was second, and Autocraniotomous by Nightowls was third. 

The animated winner Sleep Clinicand The Sleeping Plot will now feature at the Fantastic Fest in Austin, Texas, in September.

Grand National Champion 
The Sleeping Plot by Traces of Nut

Runner Up
I Got Robots by Chess Club

Runner Runner Up
Autocraniotomous by Nightowls

V Best Actress 
Nova Waretini-Hewison in The Sleeping Plot

V Best Actor 
James Kupa in I Got Robots

Rialto Channel Rising Star 
Guinea Pig Funeral by Jolly Shrimp Co.

Canon Best Cinematography 
Matty Warmington, Traces of Nut, for The Sleeping Plot

AUT University Best Director 
Dean Hewison, Traces of Nut, for The Sleeping Plot

Loop Best Song 
Bobs Bust Out, composed by Jeremy Veal from ICW Productions in Consulting Vic Meyer

Loop Best Score
Jordan Brown, Elysium Exit, for The Empath

Media Design School Best School 
Good Intentions by Booty Poppers

Images & Sound Sexiest Short
The Empath by Elysium Exit

Gaylene Preston Best Female Director
Lucy Timmins, Booty Poppers, for Good Intentions

Best Animation 
Sleep Clinic by Dr Jeckyll

NZ Herald Online Best Script 
Alex Parsons & Dan Bain, The Eh Team, for Is Love Enough?

Best Editing 
Jeremy Mulholland, The Eh Team, for Is Love Enough?

Best Art Direction 
Sleep Shepherds by Dust Booth

Best Make Up 
Night Vision by Touching Cloth

Best Use of the Character 
Breakdown by Grrr Arrrrg Productions

Best Use of the Prop 
The Appointment by Spooce Media

Best Use of the Line 
The Hopeless Life of Snoz Meyer by The Underdogs

Incredibly Strange Award 
A Man Escaped by Niu Film

Best Team Intro 
Bus of the Undead

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  • Media
  • September 21, 2017
  • StopPress Team
Acquire Online celebrates five years of programmatic jostling

This week, Acquire Online blew out five candles on its birthday cake – which is no small feat in the rapidly moving tech space. We caught up with directors Chris Schultz, Simon Healy and Anthony Ord to find out how they got this far and where they plan on going next.

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